Exam 1 Flashcards
Hieroglyphics
egyptian form of writing
What are the 6 elements of tragedy:
1 Plot:I here mean the arrangement of the incidents everything hangs from it
Character:I mean that in virtue of which we ascribe certain qualities to the agents, is that which reveals moral purpose, showing what kind of things a man chooses or avoids. Speeches, therefore
Diction:the expression of the meaning in words; and its essence is the same both in verse and prose
Thought:is found where something is proved to be, or not to be, or a general maxim is enunciated.
6 Spectacle:has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet.
Song:I mean language into which rhythm, ‘harmony,’ and song enter. By ‘the several kinds in separate parts,’ I mean that some parts are rendered through the medium of verse alone, others again with the aid of song.
Catharsis: a purification or purging of unwanted emotions from spectator therapeutic effect
Complex plot with beginning, middle , and end
Reversal: start with hero that will fall for some reason
Recognition: moment when the hero realizes their fate
Tragic hero: hamartia: is the tragic flaw or mistake (typically something done in excess to a fault)
General ideas I need to know about Oedipus
written during the time of pericles
- plague in play, there is a real plague going on
- perfect tragedy all in 24 hrs
- myth already known sophocles writes it down
- first in trilogy of Oedipus, Antigone, then second Oedipus
Themes of Oedipus
Themes:
- hubris(pride): thinking he can’t be wrong
- exploration of fate: so scared of fate and the fall of their own pride that they do too much to avoid it causing it to occur. They fear it and try to control it when it takes back over them they are in despair.
- Role of gods:He can’t believe the truth because of his view of impossibility
- motif of blindness:blindness is bliss, escape
Pride and rashness his hamartia: pride, rashness, over curiosity, trying to combat fate, just worship me the gods are wrong.
exploration of fate, role of the gods, and the motif of blindness
Characters in Oedipus
Oedipus: main guy
Laius: king and father Oedipus kills
Tiresias: blind Oracle
Creon: Leader who steps in after Oedipus falls
Apollo: God who actively intervenes with Oedipus’ fate by having oracles tell him about it from a young age(causes these fates to come to pass)
Plato’s philosophies
Plato 428-347 BCE.
Influenced by Socrates and Dualists. School—Academy.
Reality—theory of Forms: consists of pure (ideal forms/ideas.) ex: chair form not the chair
Remember from previous existence.
Adding material results in the shadow of reality: concept of chairness vs. material chair
Allegory of the Cave
Doctrine of ethos—Character. 2 competing absolute forces.
Good vs. bad, light vs. dark
Political theory of ideal society—the Republic. Achieve balance.
Power of music. Mathematical.
Aristotle’s philosophies
Aristotle 384-322 BCE. Influenced by Plato and natural scientist father. School—Lyceum. Reality must include pure forms and the material. Natural form the way things are from his father.
Process of dynamic change with complex climb to ultimate perfection—Unmoved mover.
Ethics—Life of virtue obtained by “Golden Mean.” Balance.
Virtues are relative means, not absolutes.
abstain>temperatecourage
Poetics is highest art form
How did Greek theater originate and what are some of the unique conventions of this theater?
Greek theater originated as a part of a large celebration/gathering enacting poems of tragedy and comedy.
Unique conventions:
-they wore masks to change characters often, and because it was a part of their religious ceremony of performing plays
- Began at festival of Dionysus in athens 534 bc
-Trilogy of tragedy then satyr
- only 3 males at most were talking actors so they had to often switch between characters
- the chorus played a political role of reacting to what the higher ups said, representing the vast majority of people watching(the horus was the most relatable and mccain event of any performance)
- performing was a form of worship of the gods not just to entertain
- capitalism of vases and other pieces of that time sold at events for memorabilia
- outdoor arena circular carved on side of hill
- stage is orchestra, skene is the scenery behind it
-2 times a year at harvest
- starts religious ends with competition and seeking for glory attended by most in athens
- musical element and choreographed movement
- much of the action happens off stage a messenger comes on stage to tell us
- deus ex machina: idea god in a machine god comes in and saves the day or brings fate to pass they are the overruling force of the story
6 Basic ingredients of Ancient Civilizations:
Some form of urban life with permanent dwellings/cities
System of government
Distinct social class, based on wealth, occupation
Tools and specialized skills for production
Written communication
Shared system of religious beliefs
Conceptual vs. Realistic art:
conceptual is based on imagined forms and/or creatures based on the concept of an object or animal. Realism is based on anatomy and true shape and form.
Characteristics of Ancient Egypt—geography, hieroglyphics, polytheism, pharaoh, theocracy, canon of forms, symbolic art, Changes during Amarna Period:
geography: cut off from other civilizations which acted as an isolator and protector for their civilization creating stability. Polytheism: worshipped multiple gods and believed in an afterlife which created hope for a continuation of good life for the ka(soul). Pharaoh: is a god king and is worshipped as well as revered and obeyed(rules by ethics). This makes ancient Egypt a theocratic government. The egyptians hieroglyphics followed a very specific canon of form where the head is turned to the side(profiles were considered the easiest way to identify someone), there torso was facing forward so their size could be gauged, and there legs and feet were facing the side to show movement and energy in a direction. Much of their art is symbolic:
Great sphinx symbolizes power, invincibility, and strength through it’s ginormous lion man form
Akhenaton incorporates the sun god greatly in his stature to signify the change from polytheism to monotheism during his time as pharaoh. THE AMARNA PERIOD
The Amarna period upset many because of the switch to only worshipping the sun god. The pharaoh even changes his name to incorporate the sun god’s name. *amenhotep-> akhenaten. The art style changed tremendously during this period from conceptual to more realistic figures adding natural curves and more dimension to what used to be very angular hieroglyphic figures.
Nefertiti created during this period more realistic facial features.
Mesopotamian geography and characteristics—cuneiform:
geography:between the Tigris and Euphrates river in the fertile crescent. Governed by the power of priests nor a divinity. Conceptual art ex: winged bulls. Realistic art of lion hunts gives insight that they were not poor artists back then; they just often did not make realistic art. Polytheistic similar to the Greek gods. Hammurabi made the first law code in Cuneiform- first system of writing
Aegean civilizations: Minoan
Minoans: south island isolated by ocean creating little need for energy to be put into defense measures. That left the opportunity for growth in art, beautification, and entertainment. Their architectural remains (palace at knossos) show how much time and energy was spent on making their city beautiful and how little worries they had.
Aegean civilizations: Mycenaean
Mycenaeans: west mainland. Main focus was war, self defense, and survival. Their architectural remains in contrast to the minoans show us how little time they had to embellish. Their fortress of a city was built for the bare necessities of surviving.
Myths as sacred text and their 4 functions.:
Exemplary story they model behavior
Reveals will and background story of supernatural beings(gods)
Makes the world more understandable and answers big questions
Provides a basis for ritual: the reenactment of a myth
GREECE Archaic Period art
Archaic smile, almond eyes, unrealistic hair
GREECE Archaic Period Politics
Tyrants(didn’t have the negative connotation they do now) were very powerful leaders who fought for his power.
Draco early forms of representative government- Draco made the 1st code of laws (like Hammurabi in Mesopotamia) harsh code. During his tyranny there was evidence of the first legislative and executive branches( voting occurs within certain neighborhoods)
Archaic Period: Kouros:
is a male youth (usually depicted in nude and idealistic form)
Archaic Period: kore:
is a female youth (always depicted in clothing). Both of these are depicted with art throughout the archaic era.
GREECE Archaic Philosophy: Presocratics groups/ beliefs and representatives:
Materialists—Thales. Water is the first basic element of which the universe is composed. Expands to fire, earth, and air.
Dualists—Heraclitus. Believed in existence of 2 separate universes: changing world around us and a perfect, ideal world.
Atomists—Leucippus. Ultimate unchanging reality composed of atoms. Initially inspires quantum mechanics, but metaphysical instead of scientific.
Pythagoras—most influential Archaic philosopher. Numbers are the essence of all living things. Music of the spheres—harmony in nature.
Earth revolves around the sun.
Sexual equality—followers to live pure, moral, lives.
Transmigration of the souls.(reincarnation similar idea)
Persian Wars occur during the __ Period
Archaic Greek
Persia is the superpower at the time
the greeks kept losing because they were divided against themselves
finally unified in Delian league and won in the Battle of Marathon
End of wars results in the golden age during the hellenic period
Who was the first democratically elected leader in GREECE? During what period?
Pericles
Hellenic
GREECE Hellenic Period Art:
Characteristics of art:
Combination of realism and ideal forms: Realistic bodies incorporating veins, muscles, curves, serene faces, but in an idealistic cannon of warrior or athlete
Contrapposto: Leaning stance with one leg bent and weight shifted. Shows their ability to portray the natural movement of the body.
Canons of proportion:
First- warrior, swarthy big and strong
Second- athletic, lean, swimmer build
Mediums:
Marble: white, fragile, more preserved
Bronze: sturdier, rare bc most of it was melted down for other uses by later civilizations
“Man is the measure of all things” that is why they were the focus of the greek art during this period
Hellenic Period Architecture
Architecture:
Doric:
male form
Height is 7x the diameter symbolizes men are bigger and have bigger feet.
Plain capital
Frieze includes triglyph and metope
Ionic:
Female form
Volutes above capital signifying fancier hair styles
Height is 10x the diameter symbolizes slender form and smaller feet in women
Plain frieze
Hellenic Period Architecture vocabulary:
practice labeling
Stylobate: plain rectangle beneath columns
Base: small rectangular under column
Capital: top part of capital sometimes including detailed engravings
Volute: swirly detail on ionic columns above capital
Architrave: rectangle on top of column
Frieze: large rectangular open space above columns
Triglyph:3 column detail sometimes on doric column frieze
Metope: sculpture detail in frieze of doric column structures
Cornice: triangular roof line outlining pediment
Pediment: triangular space within the cornice often sculpted in human forms
Fluting: grooves on columns giving texture, makes them look living breathing
Parthenon Symbolism:
Dedication to Athena