E.T Flying Theme - John Williams. Flashcards

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1
Q

What is the structure of E.T?

A
Introduction: 1-8.
A x2.
B - transition - 25.
A2 - dominant - 34.
B2 - 42.
A x2 - tonic - 55.
Coda - 69.
Rondo-like structure.
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2
Q

What is the tonality of ET? 7 keys

A
Tonic C major - innocence/childlike.
Transition - fluid tonality - triads.
B/Gmj - 25/28.
Eb mj - 29 (tertiary).
Followed by F#m, Dm and Bb mj.
Gmj dominant - 34.
A return - tonic - 55.
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3
Q

What is the instrumentation of E.T.? 12

A
  1. Traditional symphony orchestra.
  2. Bells, percussion and piano.
  3. Double bass - pizzicato.
  4. Solo flute/reduced accompaniment - transition.
  5. Trumpets add strength - 34.
  6. Timp role - theme return - 32.
  7. Coda - solo trumpet doubled by flute - 81/82.
  8. x2 cymbal crashes - 55.
  9. Woodwind/strings melody mostly in octaves.
  10. Brass/piano - supportive/chordal.
  11. Piano - motor - quavers.
  12. Strings tremolo - 46.
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4
Q

What is the rhythm of E.T? 5

A
  1. Continuous quaver movement - drive.
  2. Double bass - tenuto on the 3rd beat - 10.
  3. Homorhymic introduction.
  4. Viola plays semi quavers.
  5. Sextuplets - 78 coda.
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5
Q

What is the metre and other of E.T? 3

A
  1. Metre change - 9: 2/2 to 3/2.
  2. Coda rallentando - 68.
  3. Faster tempo - 70.
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6
Q

What makes it memorable? 8

A
  1. Ascending ‘heroic’ 5th interval.
  2. Main motifs - A and B.
  3. Simple rhythms - minims.
  4. Triadic main tune - Cmj.
  5. Sequences.
  6. Traditional orchestration with bells.
  7. Tonic/dominant harmony - added simple chromaticism.
  8. 8 bar ideas with 2 bar phrasing.
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7
Q

What is the melody of E.T? 12

A
  1. Introduction - 4 note ostinato.
  2. 8 bar idea with 2 bar phrasing.
  3. A - ascending 5th sequence.
  4. Tonic triad in the melody.
  5. Widening of open octaves.
  6. Ends on a major 7th - 15.
  7. Motivic - 25.
  8. Often with same rhythm - double dotted.
  9. Outlines common chords.
  10. Countermelody - 18.
  11. Chromaticism - 25.
  12. Minor 3rd - 14.
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8
Q

What is the texture of E.T? 7

A
  1. Triple octave doubling: 9-16.
  2. Repeated FT reduced to violins only.
  3. Countermelody - 18.
  4. Horn imitation - 63.
  5. Melody dominated homophony.
    6 Brass/piano - chordal support.
  6. Homorhythmic - 8 bar introduction.
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9
Q

What is the harmony of ET? 10

A
  1. I - V7 diatonic introduction.
  2. Dominant 7th with suspended 4th - introduction.
  3. Added 9th - 2.
  4. Octave doubling - 9.
  5. F#s in the melody - Lydian mode in Cmj.
  6. Articulated dominant pedal - cello - 34.
  7. Tonic double bass pedal - 85.
  8. Transition - non-functional harmony.
  9. Diminished 7th - 33.
  10. Eb bass/C discord - 74 - false relations.
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