E.T Flying Theme - John Williams. Flashcards
1
Q
What is the structure of E.T?
A
Introduction: 1-8. A x2. B - transition - 25. A2 - dominant - 34. B2 - 42. A x2 - tonic - 55. Coda - 69. Rondo-like structure.
2
Q
What is the tonality of ET? 7 keys
A
Tonic C major - innocence/childlike. Transition - fluid tonality - triads. B/Gmj - 25/28. Eb mj - 29 (tertiary). Followed by F#m, Dm and Bb mj. Gmj dominant - 34. A return - tonic - 55.
3
Q
What is the instrumentation of E.T.? 12
A
- Traditional symphony orchestra.
- Bells, percussion and piano.
- Double bass - pizzicato.
- Solo flute/reduced accompaniment - transition.
- Trumpets add strength - 34.
- Timp role - theme return - 32.
- Coda - solo trumpet doubled by flute - 81/82.
- x2 cymbal crashes - 55.
- Woodwind/strings melody mostly in octaves.
- Brass/piano - supportive/chordal.
- Piano - motor - quavers.
- Strings tremolo - 46.
4
Q
What is the rhythm of E.T? 5
A
- Continuous quaver movement - drive.
- Double bass - tenuto on the 3rd beat - 10.
- Homorhymic introduction.
- Viola plays semi quavers.
- Sextuplets - 78 coda.
5
Q
What is the metre and other of E.T? 3
A
- Metre change - 9: 2/2 to 3/2.
- Coda rallentando - 68.
- Faster tempo - 70.
6
Q
What makes it memorable? 8
A
- Ascending ‘heroic’ 5th interval.
- Main motifs - A and B.
- Simple rhythms - minims.
- Triadic main tune - Cmj.
- Sequences.
- Traditional orchestration with bells.
- Tonic/dominant harmony - added simple chromaticism.
- 8 bar ideas with 2 bar phrasing.
7
Q
What is the melody of E.T? 12
A
- Introduction - 4 note ostinato.
- 8 bar idea with 2 bar phrasing.
- A - ascending 5th sequence.
- Tonic triad in the melody.
- Widening of open octaves.
- Ends on a major 7th - 15.
- Motivic - 25.
- Often with same rhythm - double dotted.
- Outlines common chords.
- Countermelody - 18.
- Chromaticism - 25.
- Minor 3rd - 14.
8
Q
What is the texture of E.T? 7
A
- Triple octave doubling: 9-16.
- Repeated FT reduced to violins only.
- Countermelody - 18.
- Horn imitation - 63.
- Melody dominated homophony.
6 Brass/piano - chordal support. - Homorhythmic - 8 bar introduction.
9
Q
What is the harmony of ET? 10
A
- I - V7 diatonic introduction.
- Dominant 7th with suspended 4th - introduction.
- Added 9th - 2.
- Octave doubling - 9.
- F#s in the melody - Lydian mode in Cmj.
- Articulated dominant pedal - cello - 34.
- Tonic double bass pedal - 85.
- Transition - non-functional harmony.
- Diminished 7th - 33.
- Eb bass/C discord - 74 - false relations.