eat me - patience agbabi Flashcards

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1
Q

ten tercets

A

mirrors the man, woman and food

imbalance of power - man has more

symbolises constant ritualistic feeding schedule

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2
Q

enjambment

A

inescapable cycle of abuse

never stops eating

man believes power is eternal

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3
Q

caesura

A

mimics how trapped the speaker is

strict routine the speaker has to follow

obeying commands

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4
Q

meter

A

stanza 1- tetrameter

stanza 2 - pentameter

stanza 3 - hexameter

reflects how her consumption of food is increasing

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5
Q

title

A

imperative - sets the undertone of the rest of the poem

conforms to the patriarchy - submissive character

allusion to alice in wonderland - eats cake and grows large - doesn’t know what she’s getting herself into

alice in wonderland is fantasy - women are forced to live up to almost unrealistic expectations

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6
Q

‘when i hit thirty, he brought me a cake’

A

‘hit’ has connotations of violence

begins with temporal deixis

‘cake’ contrasts violence - connotes celebration

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7
Q

‘three layers of icing, home-made’

A

intentional - knows what he’s doing - typical abusive trait

‘home-made’ - made with love and care which is ironic, connotes comfort, knows what’s in it

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8
Q

‘the icing was white, but the letters were pink’

A

‘white’ connotes innocence - is he trying to make out that he’s innocent?

‘but’ - disjunction shows lack of connection between the people

‘pink’ connotes femininity, typically younger girls - infantilising her, emphasising his control

red and white make pink - blood stained purity

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9
Q

‘and i ate. did what i was told. didn’t even taste it’

A

trained to obey - teach kids to obey

factual, perfunctory statement shows she’s used to it. eating is a chore, not something to enjoy - does it all for him -

get it over and done with

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10
Q

‘then he asked me to get up and walk’

A

temporal deixis - ‘then’

entertainment purposes to satisfy him

asked, didn’t make her -engrained in her mind to obey anyway - highlights the danger of abusive relationships

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11
Q

‘broad belly wobble’

‘hips judder like a juggernaut’

A

alliteration - mimics her moving - emphasises unpleasant imagery

child like language

enjambment - movement of flesh

foreshadows the ending where abuser is crushed to death - reverse of strength and power

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12
Q

‘the bigger the better’

A

echolalia

alliteration - doesn’t care about actions so he continues to do it

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13
Q

‘big girls, soft girls, girls i can burrow inside’

A

‘soft’ - malleable, easily led

‘girls’ not women, infantilised

metaphor

‘burrow’ connotes animals seeking safety and comfort - what she is to him - just there to gratify him

alternatively drilling his authority into her

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14
Q

‘i was his jacuzzi. but he was my cook’

A

metaphor

uses her purely for pleasure

she’s an inanimate object

she needs him to survive - dependent on abuser

she’s being exploited by him

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15
Q

‘rush of fast food’

A

fricative alliteration emphasises the unhealthy relationship

fast food is bad like their relationship

her pleasure is short lived

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16
Q

‘swell like forbidden fruit’

A

biblical reference to adam and eve - original sin - knows its wrong

cacophonic

17
Q

‘his desert island after shipwreck’

A

lost without her

can go to her after a bad day

semantic field of exotic items - sees her as a prize

simple sentence structure - affection limited to size

18
Q

‘beached whale on a king sized bed craving a wave’

A

metaphor

out of place

vulnerable and stuck - can’t escape abuse

‘craving’ shows her desire - she’s desperate

19
Q

‘i was a tidal wave of flesh’

A

metaphor for addiction

keep chasing it - comes and goes in waves

semantic field of water - creeping power - comes suddenly

water is symbolic of life and purity

20
Q

‘too fat to buy a pint of full fat milk,
too fat to use fat as an emotional shield,
too fat to be called chubby, cuddly, big-built’

A

anaphora - shows her hate for him, desire to escape

‘milk’ - child like imagery

she is powerless

addicted but no satisfaction

euphemism for obesity

21
Q

‘the day i hit thirty nine, i allowed him to stroke my globe of a cheek’

A

cyclical structure

hyperbole

she’s starting to gain power or is she passive?

22
Q

‘his flesh, my flesh flowed’

A

euphemism for sex

23
Q

‘open wide, poured olive oil down my throat’

A

imperative child like

assonant ‘o’ represents the shape of her mouth and choking

24
Q

‘soon you’ll be forty…he whispered’

A

tantalising her

loving manner which is ironic or the whisper he used to lull her into obedience

‘forty’ could also hyperbolise the length of time people suffer from abuse

25
Q

‘roll over on top’

A

gaining power

spatial deixis

roll - to flatten - wrecking his power

26
Q

‘i rolled and he drowned in my flesh. i drowned his dying sentence out’

A

the thing he created killed him - karma

taking power

semantic field of water

dying sentence’ is ironic - ‘sentence’ being ambiguous, as if she is a court of law deciding his fate

27
Q

‘six hours that felt like a week’

A

doesn’t know what to do with herself - dependent on him - needs time to adjust to freedom

time is tangible

28
Q

‘there was nothing left in the house to eat’

A

did she eat him?

‘nothing’ shows her emptiness - did she love him despite his behaviour?

she has freedom

29
Q

headlines

A

the dynamics of abusive relationships

the objectification of the female form

how power impacts on relationships

how relationships can consume one’s life

patriarchal dominance in domestic relationships

infantilisation to manipulate in relationships

the dangers of greed for power in relationships

people often don’t know how unhealthy their relationship is until they

struggles to escape abusive relationships

the dangers of being entrapped in relationships

the exploitation of the female body bey their male counterparts