Drama-Medieval Romance Flashcards

1
Q

A form of literature written in prose or poetry or a combination of the two which relies on action to portray life and character.

A

Drama

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2
Q

A lyric poem in which a single character engages in conversation with a silent listener, revealing a dramatic situation. It was developed by Robert Browning.

A

Dramaic Monologue

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3
Q

Dramatic Structure is the plot of a play in what sequence?

A
Exposition
Rising Action
Turning Point
Catastrophe
Dénouement
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4
Q

Introduces the chatacters and conflict and provides necessary background.

A

Exposition

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5
Q

The events that advance and complicate the action.

A

Rising Action

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6
Q

The crisis where the action changes its course.

A

Turning Point

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7
Q

The final outcome of a tragedy.

A

Catastrophe

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8
Q

The resolution or tying up of all the loose ends.

A

Dénouement

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9
Q

A poem characterized by sober meditations on death.

A

Elegiac Poem

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10
Q

A melancholy poem which reflects on nature and death.

A

Elegy

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11
Q

A dignigied poem usually written in honor of a friend who has died. It expresses feelings of grief but declares that circumstances ultimately work out for the best.

A

Pastoral Elegy

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12
Q

A London theater where many of Shakespeare’s plays were performed. The three-story structure could accommodate over two thousand people.

A

Elizabethan Playhouse (Globe)

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13
Q

The Protestant reformation in England. During this time, Henry VIII severed England’s ties with the Church of Rome and helped to established Protestantism in England. The Bible was also translated into English during this time.

A

English Reformation

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14
Q

Also referred to as the Elizabethan Period (1485-1625). During this era, England experienced a revived interest in Greek and Roman literature. Also, the Italian Renaissance greatly influenced English literature. Perhaps the most important fact of the English Renaissance was that it occurred at the smae time as the English Reformation. Because the English Reformation helped to bring the biblical truth to the English, they were better able to appreciate and evaluate the literature of Greece and Rome.

A

English Renaissance

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15
Q

A long, narrative poem based on a series of heroic adventures that are important to the advancement of a certain race or country.

A

Epic

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16
Q

Originally, any brief poem, often used as an inscruption for monuments or tombs. In modern times, it is a concise saying, often witty or satiric.

A

Epigram

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17
Q

A work of moderate length in which the writer tries to develop his own thoughts on some subject. The word means “attempt.”

A

Essay

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18
Q

Written in the Romantic Age, an informal and more personal essay than those written in the eighteenth centry. It is characterized by its intimate style; light humor or wit; emphasis on individual tastes, experiences, and opinions; and a wide range of subject matter from everyday life. Was Perfected by Charles Lamb, William Hazlitt, Leigh Hunt, and Thomas De Quincey.

A

Familiar Essay

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19
Q

Used to explain scientific theories to the general public.

A

Formal Essay

20
Q

A short tale or anecdote told to teach a lesson. For example, “The Pardoner’s Tale” is an exemplum on the text “the love of money is the root of all evil.”

A

Exemplum

21
Q

Material that introduces the characters, the main conflice, and necessary background for a literary work.

A

Exposition

22
Q

The pattern in a line of peotry, consisting of one accented syllable and one or two unaccented syllables.

A

Foot

23
Q

Two unaccented syllables followed by an accented one.

A

Anapest (Foot)

24
Q

An accented syllable followed by two unaccented ones.

A

Dactyl (Foot)

25
Q

The most common type of rhythm in English verse; consists of an unaccented syllable followed by an accented one.

A

Iamb (Foot)

26
Q

One accented syllable.

A

Monosyllabic (Foot)

27
Q

Two accented syllables.

A

Spondee (Foot)

28
Q

An accented syllable followed by an unaccented one.

A

Trochee (Foot)

29
Q

Poetry having no metrical pattern. It differs from prose only in that it is written in lines.

A

Free Verse

30
Q

Poets who lived during the rule of King George V (1920-1936) and who idealized the beauties of nature. They include Rupert Brooke, Walter de la Mare, and John Masefield.

A

Georgians

31
Q

A professional performer who sang poetry or recited poetry to a musical accompaniment.

A

Gleeman

32
Q

A popular meter consisting of five iambic feet.

A

Iambic Pentameter

33
Q

A brief picture, sketch, or scene; short works describing pleasant scenes of country or domestic life.

A

Idyll

34
Q

The use of words which appeal to the senses.

A

Imagery

35
Q

The use of precise concrete images, free verse, and suggestion rather than complete statement.

A

Imagism

36
Q

A literary movement around the turn of the twentieth century which restored Irish Nationalism and produced great drama and poetry. The leaders were William B. Yeats, John Millington Synge, Sean O’Casey, and Padraic Colum.

A

Irish Literary Renaissance

37
Q

The use of words to convey the opposite of their literal meaning, usually with a humorous effect.

A

Irony

38
Q

Contrasting what a character says and what a reader or audience knows to be true.

A

Dramatic Irony

39
Q

Presenting a discrepancy between appearance and reality or between expectation and fulfillment.

A

Irony of Situation

40
Q

Saying the opposite of what is meant.

A

Verbal Irony

41
Q

Metaphorical, compound words or phrases that refer to persons, places, or things. Kennings are a characteristic of Anglo-Saxon poetry.

A

Kenning

42
Q

A short poem characterized by emotion, melody, and imagination; germinated during the medieval period and brought to maturity during the Elizabethan period.

A

Lyric

43
Q

Characterized by a positive attitude toward life, an awakening to feeling, a love of nature, and an emphasis on personal expression.

A

Lyrical Poetry

44
Q

A popular love song during the Elizabethan Age. It consisted of five or six voice parts sung independently, without accompaniment, and woven into an intricate pattern.

A

Madrigal

45
Q

A narrative form popular during the medieval period; this form of writing is based primarily on the adventures of knights, kings. or distressed ladies. The themes include love, religious faith, the desire for adventure, and often an involvement with supernatural forces. Often, the main character sets forth on a quest or journey and meets with distracting adventures along the way.

A

Medieval Romance