Design Basics (book) Flashcards

1
Q

What purpose does a secondary point of emphasis that have less attention value than the focal point have?

A

These serve as accents or counterpoints.

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2
Q

What should you worry about if you have multiple focal points?

A

It can turn your design into a three-ring circus in which the viewer doesn’t know where to look first.

Interest in replaced by confusion.

When everything is emphasized, nothing is emphasized.

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3
Q

What can attract attention and encourage the viewer to look closer?

A

Having a point of emphasis or focal point.

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4
Q

How do you create a focal point?

A

A focal point results when one element differs from the others.
Whatever interrupts an overall feeling or pattern automatically attracts the eye by this difference.

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5
Q

Grabbing the viewer’s attention by simply placing an object off by itself is what type of contrast?

A

Contrast of placement

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6
Q

How do you create emphasis by isolation?

A

By placing an object off by itself. In such a case, the element doesn’t need to be any different from the other elements in the work like the contrast of form.

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7
Q

What is the absence of focal point?

A

An artist may wish to emphasize the entire surface of a composition over any individual elements. The whole art piece becomes the focal point.

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8
Q

What is kinesthetic empathy?

A

When a visual experience actually stimulates one of our other sense.

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9
Q

Legato

A

Connecting and flowing

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10
Q

What is alternating rhythm?

A

Successive patterns in which the same elements reappear in a regular order.

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11
Q

Progression/Progressive rhythm?

A

Repetition of a shape that changes in a regular manner.
There is a feeling of a sequential pattern.
This type of rhythm is most often achieved with a progressive variation of the size of a shape, though its color, value, or texture could be the varying element.

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12
Q

What is a polyrhythmic structure?

A

Overlay of several rhythmic patterns.

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13
Q

What does proportion refer to?

A

Refers to relative size- size measured agaisnt other elements or against some mental norm or standard.

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14
Q

Scale and proportion are closely tied to ____ and ___ ____.

A

emphasis and focal point

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15
Q

What is hieratic scaling?

A

Using the size of objects to represent symbolic importance in the subject being presented.

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16
Q

Proportion is linked to _____.

A

Ratio

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17
Q

The golden rectangle is found in growth patterns in ____.

A

nature (such as the chamered nautilus shell, plants, and even human anatomy).

It lends itself to a modular repetition has given it some authority in the history of design.

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18
Q

What is the ratio of the golden mean?

A

The width is to length as length is to length plus width (w:1 as l:l + w)

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19
Q

Lack of balance or imablance can do what to humans?

A

disturb us

20
Q

What is bilateral symmetry?

A

When shapes are repeated in the same positions on either side of a vertical axis.

21
Q

How do you create an implied line?

A

Created by positiong a series of points so that the eye tends automatically to connect them.

22
Q

What is a psychic line?

A

There is no real line, not even intermittent points, yet we can still feel a line. A mental connection.

23
Q

Horizontal lines usually imply…

A

rest or lack of motion

24
Q

Diagonal lines usually imply…

A

movement and action

25
Q

Regardless of the chosen medium, when line is the main element of an image, the result is called a ______.

A

drawing

26
Q

What are the two general types of drawings?

A

Contour and gesture

27
Q

What is a contour drawing?

A

When line is used to follow the edges of forms, to desribe their outlines, the result is called a countour drawing.

28
Q

What is a gesture drawing?

A

Describing shapes is less important than showing the action or the dynamics of a pose. Line does not stay at the edges but moves freely within forms.

Gesture drawings are not drawings of objects so much as drawings of movement, weight, and posture.

Because of its very nature, this type of drawing is almost always created quickly and spontaneously.

It captures the momentary changing aspect of the subject rather than recording nuances of form.

29
Q

Hatching and cross-hatching are techniques often employed by artists to suggest a broad gamut of _____.

A

Values.

30
Q

What is it called when a certain part of an object is revealed by a sharp contour, but the edge then disappears into a mysterious darkness?

A

Lost-and-found contour: Now you see it, now you don’t.

The artist gives us a few clues, and we fill in the rest.

31
Q

An object or foreground element is called…

A

A figure

32
Q

The space or volume between figures or forms is called…

A

ground

33
Q

What is a 2-dimensional design or composition?

A

Basically the arrangement of shapes.

34
Q

The words volume and mass are applied to the two or three-dimensional?

A

three dimensional

35
Q

_______ reproduces the world not as it is but as cultural worldview says it should be.

A

Idealism

36
Q

_____ implies a simplification of natural shapes to their essential, basic character.

A

Abstraction

37
Q

What does horror vacui mean?

A

A need to fill up empty spaces

38
Q

What is the difference between a pattern and a texture?

A

Pattern is usually defined as a repetitive design, with repeats, but its variations usually do not involve such perfect regularity.

39
Q

____ refers to the surface quality of objects.

A

Texture.

Texture appeals to our sense of touch. Even when we do not actually feel an object, our memory provides a sensory reaction or sensation of touch.

40
Q

What are the two categories of artistic texture?

A

Tactile and visual

41
Q

What is tactile texture?

A

Texture that can actually be felt.

In painting, the same term describes an uneven paint surfdace, produced when an artist uses thick pigment (a technique called impasto) to create a rough, three-dimensional paint surface.

42
Q

What is visual texture?

A

The impression of texture as purely visual; it cannot be felt or enoyed by touch. It is only suggested to our eyes.

43
Q

Trompe l’oeil

A

A French term meaning “to fool the eye”.

This style is commonly defined as “deceptive painting”.

44
Q

In art forms, such as drawings, paintings, and prints, the artist who wants to convey a feeling of spcae or depth must translate clues from a three-deminsional experience to a __1__-deminsional pane.

In this case, space is an __2__, for the images rendered on paper, canvas, or boards are essentially flat.

A
  1. two-dimensional

2. illusion

45
Q

Overlapping is a simple device for creating an illusion of ____.

A

depth

46
Q

In Oriental art, planes recede on the diagonal, but the lines, instead of converging to a vanishing point, remain ______.

A

parallel