Depth, composition and human proportion Flashcards

1
Q

how many heads is a human body

A

7.5-8

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2
Q

halfway of the body is

A

the pubic bone, pubic trangle

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3
Q

size of hand =

A

size of face

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4
Q

format

A

the surface on which you create your composition (eg, billboard, 5x7 canvas, business card)

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5
Q

composition

A

how you arrange the elements on your page/format. however you fill you page/format is your composition.

- for it to feel strong and successful, balance is important

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6
Q

balance

A

balance is affected by weight, position and arrangement
- as humans, we really like things to be balanced. Our art has to be balanced so that one side of the composition doesn’t feel heavier

  • how we place elements on a page will change their visual weight, and the balance of the page
  • Creating a lack of balance can feel uncomfortable
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7
Q

top and bottom of the page

A

view them differently. assume that the bottom of the page has some sort of gravitational pull, and that things up higher are in the sky

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8
Q

actual center

A

take a piece of paper and fold it perfectly in half, and you put a shape right in the middle. will feel uncomfortable. mathematical

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9
Q

visual center

A

a little higher up than actual center

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10
Q

how to we read a canvas

A

(in western culture) we read left to right, and top to bottom. we also read a canvas the same way
- as a result, we want want something to stop our eye from going off the composition on the right

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11
Q

the edge

A

if we leave the center blank, your eyes get pulled to the edges of the format

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12
Q

ways to achieve balance in a composition

A

symmetry, asymmetry, emphasis, negative space, intimate scale, monumental scale, creating tension while still maintaining a relationship between them, repeating shapes, vertical lines to separate figures intentionally

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13
Q

four types of perspective

A
  • illusionary

  • geometric
    
- conceptual

  • linear
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14
Q

Illusionary

A

using the depth-ques to create a illusion of 3 dimensions on a 2 dimensional surface

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15
Q

conceptual

A
  • multi view: more than one side of an object is shown (like in cubism)
    
- social: the most important figure is larger than everything else on the picture plane. (Pallet of Narmer)
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16
Q

geometric

A

the placement of figures on the picture plane determines their importance (hierarchy)

17
Q

linear

A

Scientific system of creating an illusion of depth on a flat surface. All parallel lines in a painting or drawing using this system converge in a single vanishing point on the composition’s horizon line.

18
Q

one point perspective

A

only one vanishing point is used, looking straight on at an object.

19
Q

Two point perspective:

A

two vanishing points, being able to see two sides of an object

20
Q

three points of perspective

A

three vanishing points are used. you can see three surfaces of an object

21
Q

vanishing point

A

on the horizon line, where things appear to disappear

22
Q

horizon line

A

synonymous with your eye level

23
Q

what can add to a composition

A

messing with perspective