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Urban trends & issues > culture > Flashcards

culture Flashcards

1
Q

voorbeelden urban culture in Brussel

A
  • Beaux Arts
  • Ancienne Belgique
  • Sinterklaas
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2
Q

what is being meant with Urban Culture as mosaic?

A
  • the city is a big melting pot with different rituals, behaviour and tradition
  • the city is a lived culture
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3
Q

is the way of travelling different in every culture?

A

ja

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4
Q

a performative view of the city

A

in de stad ben je in principe anoniem en kan je gewoon ‘zijn’

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5
Q

a performative city: examen

A

tijdens les verwacht dat je stil bent en niet je gsm bijhebt

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6
Q

a performative city: les

A

leerkracht = performer
leerlingen = kijker

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7
Q

term gebruikt voor context die gedrag veranderd

A

roleswitching

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8
Q

a performative city: mondeling examen

A

chique kleding, papier bijhebben

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9
Q

a performative city: guided tour

A

gids = performer
toerist = toeschouwer

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10
Q

a perfomative city: marathonwedstrijd

A

scripted performance -> mmensen staan in gedeeld belang, wel goed georganiseerd,
vrienden uitnodigen om te supporteren

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11
Q

the city is full of potenial stages: 2 kinds of stages

A
  • frontstage
  • backstage
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12
Q

famous kind of backstage

A

toiletten bij een club

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13
Q

urban public as actors: 2 kinds

A
  • spectators = passive
  • performers = active
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14
Q

2 kinds of actors have different according…

A

roles, teams, scripts, props, costumes

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15
Q

performances bij the urban culture

A

full of performances: small and big, formal and informal, frontstage and backstage

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16
Q

the performaive city bij urban culture

A

urban spaces = stages
public = actors

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17
Q

to what is good urban planning directed?

A

towards participation of the locals who are spectators and performers

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18
Q

the city as a stage: public spaces

A

public spaces as open invitation to claim an co-create space, give meaning to it and use it

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19
Q

architecture of spectacle

A

starchitecture

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20
Q

since when is starchitecture going on

A

19th century: monumental buildings in the city define its appearance

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21
Q

starchitecture

A

city as theatrical spectacle, puclic as passive spectator -> people arent part of it, contrast between exterior and interior

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22
Q

examples starchitecture

A
  • CCT in Shangai
  • Atomium
  • bon avonture hotel
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23
Q

predictability in design: woonwijken

A
  • monotone woonwijk vanuit sociaal perspectief
  • alle gebouwen weg en plek creëren waar mensen van dezelfde sociale klasse wonen
  • creëert segregatie
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24
Q

waarom is woonwijken voorspelbaar in design?

A

er staat al vast welke soort performance er zal plaatsvinden, weinig flexibiliteit

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25
Q

creating more openness

A
  • meanings and funcitons can change
  • important role of urban planning
  • not always predicted
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26
Q

cover socioloog/psycholoog guy debord

A
  • men leeft steeds meer op zichzelf in kapitalistische maatschappij
  • stage ligt door kapitalisme al vast, mensen kunnen enkel toeschouwen
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27
Q

the pupblic as spectators of a specacle

A
  • industrial -> post-industrial society
  • crafts -> mass production
  • authenticity -> fake/copies
28
Q

wat had Guy Debord te zeggen over toerisme?

A

toerisme is niet meer dan de opportuniteit geven om te bekijken wat heel banaal is

29
Q

toerisme in het opzicht van sociale media

A

toeristen gaan op reis om op reis te gaan en om het te laten zien bv. not just to gamble but to have gambled

29
Q

kerstmarkt

A
  • puur sociaal construct -> niet authentiek
  • vaak kritiek
  • ook plek waar mensen veel afspreken met elkaar -> brengt mensen samen
30
Q

hoe is kerstmarkt ontstaan?

A

door cohesie aangezien mensen vaak alleen thuis zaten en om mensen samen te brengen

31
Q

kerstmarkt in corona

A

enige samenkomst die mocht plaatsvinden om economie toch te stimuleren

32
Q

the public as active performers

A
  • authentic experiences, travelling like a local
  • tour -> detour
  • tourist -> traveller
33
Q

what is the term we use for the public as active performers (tourism)

A

post-tourism: searching for the real cultural life of places, the ordinary

34
Q

how are the tourist viewed in post-tourism times?

A

visitors as temporary residents and co-performers

35
Q

the public as performers example

A
  • initiatives to claim the city’s public spaces
  • guerrilla gardening, freestyle running
36
Q

wat wilt men doen via sticker culture?

A
  • claiming that space
  • cultural means of comunication
  • ex. activism, commercial
37
Q

where do people put stickers?

A

traffic lights, lanterns, walls

38
Q

what does sticker culture allow?

A

reflection in the public space, people let their voices be heard

39
Q

sence of place

A

the emotional connections individuals form with specific places ranging from homes to naitons

40
Q

what can a sense of place entail?

A

positive feelings of comford and safety as well as negative emotions like fear and placelessness

41
Q

3 parts of the spatial triangle of sense of place

A
  1. perieved space
  2. conceived space
  3. lived space
42
Q

perceived space

A

hoe een plek er objectief uitziet

43
Q

conceived space

A

subjectief, mening over plek, wat er in het algemeen over gedacht wordt

44
Q

lived space

A

subjectief, je eigen mening over de plek, hoe je het zelf beleefd

45
Q

perceived space erasmushogeschool

A

grijs gebouw, ramen

46
Q

conceived space erasmushogeschool

A

goeie school, slechte reputatie buurt

47
Q

lived space erasmushogeschool

A

met tegenzin naar school gaan

48
Q

sense of community

A

connection with similar groups (bonding)

49
Q

sense op belonging

A

connection between diverse groups (bridging)

50
Q

where does regeneration play an important role?

A

the construction of a city’s ‘sense of place’ and in reaching a ‘sense of belonging’

51
Q

for what is regeneration a potential catalysts

A

bridging communities

52
Q

regeneration

A

changing old places into livible and vibrant leisure spaces -> public more as active performers

53
Q

where do waterfront areas have a historical significance in?

A

in trade, commerce and cultural exchange

54
Q

what are waterfront areas for?

A

recreative and cultural spaces: jogging, cycling, water activities, restaurants

55
Q

what do waterfront areas add to the city?

A

vibrancy and cultural diversity

56
Q

waterfront area kanaal Brussel

A

men wil kanaalzone regenereren maar heeft nogsteeds grote handelsfunctie waardoor vervuilende boten erdoor varen en gevaarlijk is om door te zwemmen

57
Q

flow Anderlecht

A

jeugd uit Anderlecht heeft het gebouw en baad het uit

58
Q

role of parcs and public spaces

A

provide common ground for cultural exchange, breaks social barriers, various recreational options

59
Q

superusers parks

A

people who use the park and also live by it

60
Q

Girls make the city

A

at first boys played outside more that girls, initiative for girls to feel more safe to play outside

61
Q

what are cultural regenerators for

A

dynamic urban spaces for cultural exchange, creativity and community engagement

62
Q

what are cultural regenerators for?

A

important economic vehicles to attract tourists and investments

63
Q

example culural regenerator

A

Tate Modern museum, first factory, now museum

64
Q
A

Urban trends & issues (5 decks)

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