culture Flashcards

1
Q

voorbeelden urban culture in Brussel

A
  • Beaux Arts
  • Ancienne Belgique
  • Sinterklaas
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2
Q

what is being meant with Urban Culture as mosaic?

A
  • the city is a big melting pot with different rituals, behaviour and tradition
  • the city is a lived culture
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3
Q

is the way of travelling different in every culture?

A

ja

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4
Q

a performative view of the city

A

in de stad ben je in principe anoniem en kan je gewoon ‘zijn’

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5
Q

a performative city: examen

A

tijdens les verwacht dat je stil bent en niet je gsm bijhebt

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6
Q

a performative city: les

A

leerkracht = performer
leerlingen = kijker

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7
Q

term gebruikt voor context die gedrag veranderd

A

roleswitching

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8
Q

a performative city: mondeling examen

A

chique kleding, papier bijhebben

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9
Q

a performative city: guided tour

A

gids = performer
toerist = toeschouwer

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10
Q

a perfomative city: marathonwedstrijd

A

scripted performance -> mmensen staan in gedeeld belang, wel goed georganiseerd,
vrienden uitnodigen om te supporteren

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11
Q

the city is full of potenial stages: 2 kinds of stages

A
  • frontstage
  • backstage
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12
Q

famous kind of backstage

A

toiletten bij een club

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13
Q

urban public as actors: 2 kinds

A
  • spectators = passive
  • performers = active
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14
Q

2 kinds of actors have different according…

A

roles, teams, scripts, props, costumes

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15
Q

performances bij the urban culture

A

full of performances: small and big, formal and informal, frontstage and backstage

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16
Q

the performaive city bij urban culture

A

urban spaces = stages
public = actors

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17
Q

to what is good urban planning directed?

A

towards participation of the locals who are spectators and performers

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18
Q

the city as a stage: public spaces

A

public spaces as open invitation to claim an co-create space, give meaning to it and use it

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19
Q

architecture of spectacle

A

starchitecture

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20
Q

since when is starchitecture going on

A

19th century: monumental buildings in the city define its appearance

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21
Q

starchitecture

A

city as theatrical spectacle, puclic as passive spectator -> people arent part of it, contrast between exterior and interior

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22
Q

examples starchitecture

A
  • CCT in Shangai
  • Atomium
  • bon avonture hotel
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23
Q

predictability in design: woonwijken

A
  • monotone woonwijk vanuit sociaal perspectief
  • alle gebouwen weg en plek creëren waar mensen van dezelfde sociale klasse wonen
  • creëert segregatie
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24
Q

waarom is woonwijken voorspelbaar in design?

A

er staat al vast welke soort performance er zal plaatsvinden, weinig flexibiliteit

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25
creating more openness
- meanings and funcitons can change - important role of urban planning - not always predicted
26
cover socioloog/psycholoog guy debord
- men leeft steeds meer op zichzelf in kapitalistische maatschappij - stage ligt door kapitalisme al vast, mensen kunnen enkel toeschouwen
27
the pupblic as spectators of a specacle
- industrial -> post-industrial society - crafts -> mass production - authenticity -> fake/copies
28
wat had Guy Debord te zeggen over toerisme?
toerisme is niet meer dan de opportuniteit geven om te bekijken wat heel banaal is
29
toerisme in het opzicht van sociale media
toeristen gaan op reis om op reis te gaan en om het te laten zien bv. not just to gamble but to have gambled
29
kerstmarkt
- puur sociaal construct -> niet authentiek - vaak kritiek - ook plek waar mensen veel afspreken met elkaar -> brengt mensen samen
30
hoe is kerstmarkt ontstaan?
door cohesie aangezien mensen vaak alleen thuis zaten en om mensen samen te brengen
31
kerstmarkt in corona
enige samenkomst die mocht plaatsvinden om economie toch te stimuleren
32
the public as active performers
- authentic experiences, travelling like a local - tour -> detour - tourist -> traveller
33
what is the term we use for the public as active performers (tourism)
post-tourism: searching for the real cultural life of places, the ordinary
34
how are the tourist viewed in post-tourism times?
visitors as temporary residents and co-performers
35
the public as performers example
- initiatives to claim the city's public spaces - guerrilla gardening, freestyle running
36
wat wilt men doen via sticker culture?
- claiming that space - cultural means of comunication - ex. activism, commercial
37
where do people put stickers?
traffic lights, lanterns, walls
38
what does sticker culture allow?
reflection in the public space, people let their voices be heard
39
sence of place
the emotional connections individuals form with specific places ranging from homes to naitons
40
what can a sense of place entail?
positive feelings of comford and safety as well as negative emotions like fear and placelessness
41
3 parts of the spatial triangle of sense of place
1. perieved space 2. conceived space 3. lived space
42
perceived space
hoe een plek er objectief uitziet
43
conceived space
subjectief, mening over plek, wat er in het algemeen over gedacht wordt
44
lived space
subjectief, je eigen mening over de plek, hoe je het zelf beleefd
45
perceived space erasmushogeschool
grijs gebouw, ramen
46
conceived space erasmushogeschool
goeie school, slechte reputatie buurt
47
lived space erasmushogeschool
met tegenzin naar school gaan
48
sense of community
connection with similar groups (bonding)
49
sense op belonging
connection between diverse groups (bridging)
50
where does regeneration play an important role?
the construction of a city's 'sense of place' and in reaching a 'sense of belonging'
51
for what is regeneration a potential catalysts
bridging communities
52
regeneration
changing old places into livible and vibrant leisure spaces -> public more as active performers
53
where do waterfront areas have a historical significance in?
in trade, commerce and cultural exchange
54
what are waterfront areas for?
recreative and cultural spaces: jogging, cycling, water activities, restaurants
55
what do waterfront areas add to the city?
vibrancy and cultural diversity
56
waterfront area kanaal Brussel
men wil kanaalzone regenereren maar heeft nogsteeds grote handelsfunctie waardoor vervuilende boten erdoor varen en gevaarlijk is om door te zwemmen
57
flow Anderlecht
jeugd uit Anderlecht heeft het gebouw en baad het uit
58
role of parcs and public spaces
provide common ground for cultural exchange, breaks social barriers, various recreational options
59
superusers parks
people who use the park and also live by it
60
Girls make the city
at first boys played outside more that girls, initiative for girls to feel more safe to play outside
61
what are cultural regenerators for
dynamic urban spaces for cultural exchange, creativity and community engagement
62
what are cultural regenerators for?
important economic vehicles to attract tourists and investments
63
example culural regenerator
Tate Modern museum, first factory, now museum
64