CRITICS TEMPEST Flashcards

1
Q

Devlin - what are A and C to P

A

“servant” “necessary slave”

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2
Q

Hebron- In controling Caliban, P is

A

controlling his darker impulses

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3
Q

Hunt- caliban is better than everyone

A

“natural superiority”

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4
Q

Strachey

A

“Every man overvaluing his own worth, would be a commander”

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5
Q

Clarke- S& T A&T want brits abroad wanting power

A

“travellers…eager for power”

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6
Q

Ratnam- not a fan of magic P

A

“vengeful magician”

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7
Q

Clarke- audiences like spectacle

A

audiences “delight in the beauty of stage contrivances”

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8
Q

Hebron Prospero is not a perfect magician, but human

A

“troubled soul” not a “benign sage”

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9
Q

Dee-

A

“harmony”= kee in magic

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10
Q

Rolph - M and F

A

“fall in love swiftly and completely”

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11
Q

Brunner- unlike tragedy

A

“disruption without tragic conclusion”

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12
Q

Bowen- End

A

“unresolved” and “urgent”

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13
Q

Orgel- repentance

A

repentance is “largely unachieved”

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14
Q

Pane- Caliban at End

A

life will be “untroubled”

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15
Q

Soloman- Forgiveness

A

in his forgiveness, P is “christ-like”

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16
Q

Clarke- Ariel (non-corporeal)

A

“to be regarded as immaterial”

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17
Q

Devlin (colonial) depicts

A

depicts “the native” in a “state of dependance”

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18
Q

Hunt- P wants to fix stuff

A

aims to “create harmony from anarchy”

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19
Q

Ledingham P= driving force

A

“prospero is not effected by the narrative, he is the narrative”

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20
Q

Riches - what caused his past troubles?

A

“Vanity… underlines his past misfortunes”

21
Q

Hunt - Antonio( immoral)

A

“corrupt”

22
Q

Clarke- evil/ familiy

A

“ultimate evil is always represented in the betrayal of the bonds of nature”

23
Q

Masek - women

A

“women’s status depended upon that of her family”

24
Q

Dollimore, A+ P relationship

A

“avuncular”

25
Q

Lindley- Ariel (imagination)

A

“embodiment of imaginative power”

26
Q

O’tooll- Ariel

A

“sympathetic”

27
Q

Hebron

A

“Prospero is recognisable as a Renaissance Mage”

28
Q

McEvoy- Ariel (hummanity)

A

“Ariel’s humanity is greater than his master’s”

29
Q

Bruner- Caribbean

A

Reason caliban is drawn on by Caribbean is because they are both “disenfranchises, dispossessed”

30
Q

Lindley- Island= Ariel’s

A

“Caliban himself is a colonist on an island which origionally belonged to Ariel”

31
Q

McFarlane- P= utopia

A

“godlike” figure who presides over a golden world

32
Q

Varughese- utopia= impossible

A

“As long as human’s remain unique in their state of mind, utopia is a mere fantasy”

33
Q

Moseley

A

“persistently draws attention to itself as a play”

34
Q

Coleridge

A

Pospero is “shakespeare himself”

35
Q

Williams - unities

A

unities bring “realism”

36
Q

Moseley- Masque to bless

A

way to “pronounce his blessing”

37
Q

Hunt- reason/ emotion

A

Prospero “exercises his reason over passions”

38
Q

Hunt- Masque

A

“extends through the whole of the tempest”

39
Q

Hunt- Caliban too far gone

A

“beyond regeneration”

40
Q

Browning - S/ T- vulgur

A

“vulgar products of civilisation”

41
Q

Hargest- S/T

A

“not particularly funny”

42
Q

Mended S/T

A

“parodying”

43
Q

Clarke M+P

A

lack of “natural affinity”

44
Q

Leiniger- M= colonial

A

“allegory for ‘softer’ colonialism”

45
Q

Hunt- P must control

A

“must be an attentive puppeteer to succeed”

46
Q

Clarke- caliban= evil

A

“natural malignity”

47
Q

Arnold- Antonio did right

A

“astute”

48
Q

James I

A

“monarchy is the supremest thing upon earth”