Critical Interpretations

Question 1

Early views

Answer 1

Focus on plays depiction of jealousy and the consequences of trusting evil individuals
Thomas Ryder criticised the play for presenting Othello as a noble character
Also criticised Desdemona’s actions, believing her story was unrealistic and not deserving of sympathy

Question 2

19th/20th century views

Answer 2

Coleridge referred to Iago as a “motiveless malignity” -> emphasising his evil nature without justifiable nature
AC Bradley argued that Othello’s tragedy lies in his nobility + the circumstances that led to his downfall - focusing on the plays depiction of human emotions
20th century saw a shift in critical focus towards the plays exploration of psychological complexities

Question 3

Recent views

Answer 3

One modern critics emphasise the sexual,jealous and race issues in the play
Interpretations:
Critique of patriarchal society
Exploration of race and racism
Depiction of the destructive power of jealousy
T.s Eliot - view of Othello as narcissistic - focusing on his need for validation and his inability to see beyond his emotions

Question 4

Feminist readings of desdemona

Answer 4

Lisa hardline suggests that the stage of Jacobean drama is wholly masculine - argues that there is only a male viewpoint on offer
Desdemona becomes a stereotype of female positivity

Question 5

Marxist readings

Answer 5

Dympha Callaghan considers the cultural significance of Desdemona’s wedding sheets and the handkerchief
Suggest that the handkerchief is crucially important to the stability of the marriage of Othello and desdemona

Question 6

New historic readings

Answer 6

Particularly interested in wether or not Othello reinforces or subverts the values of Shakespeares society