crime and the media Flashcards

1
Q

How does the media show a distorted image of crime compared to official stats

A
  • the media over represents violent and sexual crime (46% about violent crime compared to 3% recorded by police)
  • media portrays criminals/victims as older and more middle class, Felson calls this ‘age fallacy’
  • media coverage exaggerates police success (violent crime has higher success rates)
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2
Q

what evidence is there for changes with the media

A
  • widened to drugs, child abuse, terrorism etc
  • 1960s focus was on murder but less interest in 1990s
  • came about partly due to abolition of the death penalty and rising crime rates meant crime had to be ‘special’
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3
Q

what did cohen and Young argue about news values

A

news is not discovered but manufacturing - outcome of a social process where stories are selected or rejected

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4
Q

what key values influence the selection of crime stories

A

examples include:

  • dramatization - excitement
  • higher-status -celebrities
  • risk ‘fear’ - risky articles to shock reader
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5
Q

what does Mandel argue about fictional representations of crime

A

over 40 years, 10 billion crime thrillers were sold

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6
Q

what does Surrette argue about fictional representations of crime

A

calls the ‘law of opposites’ argues that fictional representations of crime, criminals and victims are the opposite of official stats

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7
Q

what is argued about fictional representations of crime in books and novels

A

in books and novels

  • property crime is underrepresented
  • Homicides are product of greed and not domestic
  • sex crimes committed by psychopaths
  • cops get their criminal
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8
Q

what are the trends in fictional representations of crime

A
  • reality shows depict on underclass
  • there is a tendency to show police as corrupt
  • victims have become more central
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9
Q

what concerns are there for the negative impact of crime

A
  • computer games such as GTA has been criticised for increasing violence and criminality
  • in the 1920s and 30s, cinema was blamed for corrupting youth
  • in the 1950s horror comics were held responsible for moral decline
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10
Q

what ways are there that the media might cause crime and deviance

A
  • desensitisation eg repeated viewing of violence
  • imitation
  • arousal
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11
Q

what did Livingstone argue about the media as a cause of crime

A

despite the findings on the negative impact of the media on children, people continue to be preoccupied with the effect of the media on children because of our desire as a society to regard childhood a innocent

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12
Q

what does research show there is a link between in fear of crime

A

supports the view that there is a link between media use and fear of crime. eg Gerber et al found that heavy users of television had high levels of fear and crime

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13
Q

what did schlesinger and Tumber argue

A

found that correlation between media consumption and fear of crime, with tabloid readers and heavy users of TV expressing greater fear of becoming a victim, especially a physical attack and mugging

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14
Q

what do left realists argue

A

that the mass media help to increase the sense of relative deprivation - the felling of being deprived relative to others- among poor and marginalised social groups

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15
Q

how does what left realists argument link to merton

A

This links to Merton as he argues, pressure conform to the norm can cause deviant behaviour when the opportunity to achieve by legitimate means is blocked. In this instance, the media are instrumental in setting the norm and thus promoting crime

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16
Q

what does cultural criminology argue

A

argues that the media turn crime itself into the commodity that people desire. Rather than simply producing crime in their audiences, the media encourage them to consume crime, in the form of images of crime

17
Q

What do Hayward and young see modern society as

A

see modern society as a media- saturated society, where we are immersed in the ‘media scape’ - an ever explaining tangle of fluid digital images, including images of crime

18
Q

How is crime used to sell products

A

corporations and adversities use media images of crime to sell products especially in youth market

19
Q

How do Fenwick and Hayward describe crime

A

‘crime is packaged’ + marketed to young people as romantic, exciting, cool, and fashionable cultural symbols

20
Q

what is brandalism

A

a ‘guerilla marketing’ technique to sell everything from theme parks to cars and video games. Companies use moral panics, controversy and scandal to market their products

21
Q

How does designer labels link to deviance

A

designer labels valued by young people as badges of identity now function as symbols of deviance eg some pubs and clubs refuse entry. Brands become tools of classification for consuming profiles of potential criminals

22
Q

what is a moral panic

A

an exaggerated over reaction by society to a perceived problem driven by the media. The media identify a group as folk devils and present them in a negative way. Moral entrepreneurs then condemn their behaviour. This can lead to a self fulfilling prophecy, creating a deviance amplification spiral

23
Q

what did Cohen argue about mods and rockers

A

wrote a book about folk devils and moral panics

examined the medias response to WC teenagers at English seaside resorts

24
Q

what are mods and rockers

A

mods - smart dressers and scooters
Rockers- leather jackets and motor bikes
* small scuffle between them but the media overreacted

25
Q

what does Cohen argue that he analogy of a disaster, where the media produce an inventory of what happened creates

A

contained three elements:

  1. distortion: exaggerated the numbers involved and damage day of terror
  2. prediction: assumed further conflict
  3. symbolism: clothes and bikes associated with deviance
26
Q

what does Cohen argue that the medias portrayal of events produce

A

produced a deviance amplification spiral by making it seem like it was getting out of hand. increased controlled response + stigmatisation.
The media further amplified the cycle by defining two identities which led to more people joining, encouraged polarisation

27
Q

why are media definitions important

A

media definitions are crucial in creating a moral panic as people rely on this information of things they haven’t experienced

28
Q

what does Cohen argue about moral panics in wider context

A
  • ## moral panics occur at times of change, reflecting anxieties results of a boundary crisis eg affluence after the war
29
Q

How do functionalists see moral panics

A

as a way of responding to anomie, raises collective conscience when values are threatened

30
Q

what do neo marxists argue about moral panics

A

Hall- distracts attention from the crisis of capitalism and divide the WC eg crisis of mugging.
Example: asylum seekers, dangerous dogs

31
Q

what are the AO3 for moral panics

A
  • who decides what is propriate reaction/panicky
  • why do panics not go on once started
  • late modernity: McRobbie and Thornton - moral panics are now routine, little consensus about what is deviant
32
Q

what is argued about cyber crime

A

arrival of the internet has led to fear of cyber crime

33
Q

what does Wall argue about crime

A

argues that there are 4 types of crime

  1. cyber trespass- hacking and sabotage
  2. cyber deception- identify theft
  3. cyber porn- access for children
  4. cyber violence- stalking and bullying
34
Q

what else does new information and greater technology allow

A

also provides opportunities for greater surveillance from police