Copy of Roman Arc - Sheet2 Flashcards

1
Q

Composition of Aurelian Walls

A

Concrete faced by reused bricks. However, gates were stone

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2
Q

Max potters at potters at Arezzo

A

65

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3
Q

Pompeii theater

A

80b

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4
Q

Man with portrait busts

A

30b

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5
Q

Workshops at Arrezo

A

110, with 10-20 potters

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6
Q

Tomb of Caetenii

A

150, Via Appia

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7
Q

Parthian Arch

A

19

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8
Q

Cuiraiss of Trajan

A

Victory crowning+emperor slaying–>Victory slaying bull

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9
Q

2nd Sarco subjects

A

Niobids, Orestes, aging Hercules, Meleager, Greeks and Amazons

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10
Q

Basilica of Pompeii

A

120b

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11
Q

Architects of Nero

A

Severus and Celer

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12
Q

Paris/Munich reliefs

A

100b

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13
Q

Augustan restorations in Forum

A

Basilica Julia,Temple of Castor

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14
Q

Who built big Ostia?

A

Trajan

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15
Q

house of Sarco

A

arcosolia

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16
Q

XP house at Dura

A

250: baptism; meeting hall; upstairs diningh room

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17
Q

Belvedere apotheosis of Caesar

A

9b

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18
Q

Innovators of Third Style

A

Nero

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19
Q

Who stamped at Arrezzo

A

Roman owner, Greek slave

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20
Q

Samnite House

A

120b

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21
Q

Percentage at Ostia, in Insulae

A

90

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22
Q

Timgad

A

100a

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23
Q

Ostia

A

326b

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24
Q

Merida complex

A

AugB

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25
Q

Diameter of Pantheon globe

A

142 Ft

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26
Q

Servilii, Gesii freedmen

A

30b

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27
Q

Mausoleum of Augustus

A

c. 30b

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28
Q

Library of Celsus

A

120

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29
Q

Maison Caree; location

A

0, Nemausus

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30
Q

Chronology of RS

A

ITS dominats; From 70a, Gallic restricts to Aegean; from 150, ARS pushes Gallic North of Alps; once stamps begin, chronology geteriorates

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31
Q

Vesta Tivoli

A

80b

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32
Q

Villa of Mysteries

A

170b

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33
Q

Porta Palatina; location

A

J-C; Turin

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34
Q

Wife of Hadrian

A

Sabina

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35
Q

Who built capitolium at Ostia

A

Hadrian

36
Q

Potter on the Wall

A

c. 200, TS from Gaul, finewear from Trier, mortaria from Northampshire; local cooking pots; From IV, production centralized in Yorkshire

37
Q

Campus Martius Vesta

A

c. 146b

38
Q

Tomb of Haterii

A

Flavian

39
Q

Wife of Trajan

A

Plotina

40
Q

Best demonstration of Roman bath

A

S Maria degli Angeli, in the Baths of Diocletian (Mike)

41
Q

Cenotaph of Julii

A

AugB

42
Q

Lago Argentina

A

3rd-1st

43
Q

House of Faun

A

170b

44
Q

Circus relief; location

A

Trajanic; Ostia

45
Q

Who uses incision for folds

A

Tetrarchs

46
Q

Wives of AP and MA

A

Faustina

47
Q

3rd Sarco subjects

A

Romans and Amazons; lion hunt; processions; philosopher; mars and rhea Silvia; Achilles and dead Penthesilea

48
Q

Forma Urbis Romae

A

SS; TEmplum Pacis, office of PUrbis, 151 marble slabs

49
Q

Location of Eurysaces

A

Via Labicana, Praenestina

50
Q

First Lower class on imperial

A

Trajan’s Alimentary, at Benevento

51
Q

Bathtub Sarco?

A

Lenos

52
Q

Venus genetrix

A

54; dedicated 29; diadumenos

53
Q

Pyramid of Cestius

A

c. 15b; 3rd Style

54
Q

Red and Black rooms; Perseus location

A

10b; Agrippa Postumus, Boscotrecase

55
Q

Who introduces chests on the bust

A

Flavians

56
Q

Attic Sarco

A

continuous relief, along sides in equal relief (~Temples, which they emulate)

57
Q

How does YHWH appear at Dura

A

Hand only; figures lack expression, volume, shadow, stan in frontally, have too few feet

58
Q

Pompeii baths

A

80b

59
Q

Veristic portraits

A

30b

60
Q

Architect of Domitian

A

Rabirius

61
Q

Christ as good Shepard with Jonas

A

312

62
Q

Tomb of Pancratii

A

160, Via Latina

63
Q

Who transported pottery

A

Negoriatores cretarii OR PIGGYBACKS

64
Q

Pompey Amphitheater

A

80b

65
Q

Pseudo athlete; location; source

A

70b; Delos

66
Q

Divus Julius

A

42; dedicated 29

67
Q

Dedication of Coliseum

A

80

68
Q

What understanding do still life’s show

A

Appearance is a function of light

69
Q

Western Sarco

A

Front in high relief; sides in low; slid into acrosolium; lids slope, with mask

70
Q

Forum of Augustus

A

27b; dedicated 2b

71
Q

Which txt is illustrated; when

A

Georgics; 5th

72
Q

Symbol of Serapis

A

Star

73
Q

Theater of Marcellus

A

13b

74
Q

San Idelfonso group

A

40b

75
Q

Start date for Isola Sacra, inhumation, portrait mummys, and Sarcophagi

A

2nd–esp. Antonines

76
Q

Jupiter at Baalbeck

A
  1. Huge; compromise (peripteral with sole approach): emulated by Bacchus
77
Q

House of Vetii

A

2nd; rebuilt 70a

78
Q

Sarco of Junius Bassus

A

360

79
Q

Shift from victory monuments

A

ex manubiis–>civic buildings by mags; 2nd

80
Q

Composition of Monte Testaccio

A

Dressel 20:spain

81
Q

Aqua Marcia

A

140; part of shift to public; longest (90 vs. 17), best, first above ground; cracks from Iulia, Tepula; problems because repairs–>bad water into good; Viminal and then south. Quintus Marcus Rex.

82
Q

Don’t Forget

A

Contabulatio

83
Q

Holscher’s hierarchy

A

Patterns of rep>figural type>temporal style

84
Q

Turning point for Holscher

A

Not Trajan; MA

85
Q

Why do portraits vary more?

A

Others allow reemphasis within semiotic language; portraits cannot innovate through combination