Context - Types of Poetry Flashcards
1
Q
who was petarch
A
- Petrarch (1304-1374) was a poet and humanist of the Italian Renaissance
o Met Laura, inspired by her beauty and virtues, wrote poems about her
2
Q
typical Petrarchan poems
A
- Typical Petrarchan poems o Addressed to one single lady, earthly representation of God’s divine grace o Idealised mistress, poet-lover praises his mistress’ superlative qualities, conventional description o Catalogued in blazon o Ocular imagery, hyperbolic language o Conceits structure poetry o Absent mistress o Chaste mistress
3
Q
Poet lover
A
o Lesser status, ardent and impetuous
o Continually at work
o Dwells on subjective experience
4
Q
Elizabethan poetry
A
- Sonnet dominates in 1590s
- Blazon
- Ocular language
- Calm of nature contrasted with torment of love
- Man is distressed by love
- Lover is chaste and admired from afar, cruel in her sexual refusal
- Ideal of courtly love, societally sanctioned way of discussing and regulating animalistic impulse of sex = icy distance between lovers.
- Domestic settings in poems e.g. The Flea are provocative and challenging
- Break with grammar of emotion, use same words and images as Petrarchan poetry but in their own idiosyncratic way, emotion becomes more honest
5
Q
meta poetry
A
- Dismantles Elizabethan poetry
- Secular concerns
- Vigour and elaborate conceits
- Question the relationship between the spirit and senses
- Style heightens personality, expresses individuality
- JD – physical, wants a physical manifestation of God. Impatient, attention seeking in secular and religious poetry
- Focus is on poet lover, rather than mistress. Interest in psychological states.
- Shifting tone and mood, rhythmical variety
- Direct address, abrupt, personal and dramatic openings (Drama is dominant form of literature)
- Erotic life is central value of life, love is no longer platonic
- Careful rhythmical patterns and smoothness of Eliz poetry changed to deliberately rough verses
- Frank sexuality and expectation of success – dismantles icy distance between poet and beloved
- Tradition of devoted and submissive male goes, ad does chaste mistress
- Use of paradox
- Use of puns/world play. Wit and ingenuity = important part
- Analogies from different branches of learning
- Tension between strict meter and natural rhythms of speech. Irregularity of patterns of stress mirror speech patterns
Obsessive awareness of death and mortality – memento mori vs. carpe diem. Vanitas art – skull was often painted to remind the viewer of the brevity of human life e.g. Holbein The Ambassadors
6
Q
meta poetry origins
A
Term coined by Samuel Johnson, contemporaries referred to meta poetry as ‘strong lines’ – term of disapprobation
7
Q
cavalier poetry
A
- Inc. Carew, Lovelace, Vaughan – engaged in the social round
- Linked to court of Charles I, court milieu sustains and validates Cavalier verse
- Idealises Platonic love
- Concerned with how to cope and neutralise the threat of time
- Virtues of friendship, love and beauty in world of pleasure
- Pastoral setting
- Conservative outlook – loyalty to king and church and law, provide social basis for integrity
- Courtly, sophisticated, complementary
8
Q
civil war
A
- Did not produce much poetry but influence evident in choice of metaphor and vocab of destruction and decay
- 1648 Regicide
1650-1660 Civil War and Interregnum