Context - Types of Poetry Flashcards

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1
Q

who was petarch

A
  • Petrarch (1304-1374) was a poet and humanist of the Italian Renaissance
    o Met Laura, inspired by her beauty and virtues, wrote poems about her
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2
Q

typical Petrarchan poems

A
-	Typical Petrarchan poems
o	Addressed to one single lady, earthly representation of God’s divine grace
o	Idealised mistress, poet-lover praises his mistress’ superlative qualities, conventional description 
o	Catalogued in blazon 
o	Ocular imagery, hyperbolic language 
o	Conceits structure poetry 
o	Absent mistress
o	Chaste mistress
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3
Q

Poet lover

A

o Lesser status, ardent and impetuous
o Continually at work
o Dwells on subjective experience

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4
Q

Elizabethan poetry

A
  • Sonnet dominates in 1590s
  • Blazon
  • Ocular language
  • Calm of nature contrasted with torment of love
  • Man is distressed by love
  • Lover is chaste and admired from afar, cruel in her sexual refusal
  • Ideal of courtly love, societally sanctioned way of discussing and regulating animalistic impulse of sex = icy distance between lovers.
  • Domestic settings in poems e.g. The Flea are provocative and challenging
  • Break with grammar of emotion, use same words and images as Petrarchan poetry but in their own idiosyncratic way, emotion becomes more honest
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5
Q

meta poetry

A
  • Dismantles Elizabethan poetry
  • Secular concerns
  • Vigour and elaborate conceits
  • Question the relationship between the spirit and senses
  • Style heightens personality, expresses individuality
  • JD – physical, wants a physical manifestation of God. Impatient, attention seeking in secular and religious poetry
  • Focus is on poet lover, rather than mistress. Interest in psychological states.
  • Shifting tone and mood, rhythmical variety
  • Direct address, abrupt, personal and dramatic openings (Drama is dominant form of literature)
  • Erotic life is central value of life, love is no longer platonic
  • Careful rhythmical patterns and smoothness of Eliz poetry changed to deliberately rough verses
  • Frank sexuality and expectation of success – dismantles icy distance between poet and beloved
  • Tradition of devoted and submissive male goes, ad does chaste mistress
  • Use of paradox
  • Use of puns/world play. Wit and ingenuity = important part
  • Analogies from different branches of learning
  • Tension between strict meter and natural rhythms of speech. Irregularity of patterns of stress mirror speech patterns
    Obsessive awareness of death and mortality – memento mori vs. carpe diem. Vanitas art – skull was often painted to remind the viewer of the brevity of human life e.g. Holbein The Ambassadors
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6
Q

meta poetry origins

A

Term coined by Samuel Johnson, contemporaries referred to meta poetry as ‘strong lines’ – term of disapprobation

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7
Q

cavalier poetry

A
  • Inc. Carew, Lovelace, Vaughan – engaged in the social round
  • Linked to court of Charles I, court milieu sustains and validates Cavalier verse
  • Idealises Platonic love
  • Concerned with how to cope and neutralise the threat of time
  • Virtues of friendship, love and beauty in world of pleasure
  • Pastoral setting
  • Conservative outlook – loyalty to king and church and law, provide social basis for integrity
  • Courtly, sophisticated, complementary
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8
Q

civil war

A
  • Did not produce much poetry but influence evident in choice of metaphor and vocab of destruction and decay
  • 1648 Regicide
    1650-1660 Civil War and Interregnum
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