16 - The Pulley Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

intro

A

Poem is from his collection ‘The Temple’ published in 1633 by Ferrar after Herbert died. Conceit of imagining God in the process of making human beings. Echoes story of creation in opening of Bible, Genesis and myth of Pandora’s box. God is omniscient, God of love, but also a familiar friend (O.T God vs N.T God). God is thoughtful and shows devotion to mankind. Very metaphysical as draws on religious and science and physics to illuminate a devotional concept. Human existence involves reciprocal forces- pull to earth is balanced by pull to heaven. The poem is a remarkable exception to the typical Herb poem: one that presents an individual in the midst of a dramatic process of meditation, analysis, worry or wonder. Indeed, the Pulley is an explanatory tale about the creation of humankind, it does not have a didactic purpose.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

When God at first made man,
Having a glass of blessings standing by,
“Let us,” said he, “pour on him all we can.
Let the world’s riches, which dispersèd lie,
Contract into a span.”

A
  • God at first made man = Reference to creation story in Genesis
  • A glass of blessings = Psalm 23, ‘my cup runneth over’. Glass metaphor expands into conceit of Pulley, yet never explicitly mentioned outside title. Presents human being as vessel. Desires man to flourish abundantly, generous creator
  • Let us = direct speech, RE invocation
  • Said he = inverted syntax
  • Pour on him = Psalm 23, pour on my head
  • World’s riches (…) contract into a span = enacts metaphysical manipulation of space. Reflects awe and wonder at power of God vs. dignity of mankind. World’s riches = image of abundance, exoticism
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

So strength first made a way;
Then beauty flowed, then wisdom, honour, pleasure.
When almost all was out, God made a stay,

A
  • Strength/beauty/wisdom/honour/pleasure = abstract nouns, secular blessing. Intangible qualities. Temporal blessings don’t guarantee spiritual wellbeing. Man is the epitome of God’s riches, subverts God as superior, presents him as loving, NT God.
  • God made a stay = Gentle humour, dramatizing God. Talking about God’s mind: Contemporary interest in psychological states
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Perceiving that, alone of all his treasure,

Rest in the bottom lay.

A
  • Treasure = rest is depicted as a Jewel, Matthew 11:28
  • Rest = earthy rest vs. ultimate rest in heaven. Withholding rest is the ‘leverage’ man needs to come to God; it will propel humanity to him - maintains sovereignty over man. Matthew 11:23, ‘come to me… and I will give you rest’. Substitutes Pandora’s Box hope with rest (classical allusion, fusing pagan references). Augustine Confessions, ‘our heart is restless until it rest in you’. Importance of rest and sleep is conventional, e.g. Macbeth and Othello. Metaphysical in its conveying of theological concepts through scientific and secular analogy – conceit of metaphorical pulley.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q
“For if I should,” said he,
“Bestow this jewel also on my creature,
He would adore my gifts instead of me,
And rest in Nature, not the God of Nature;
So both should losers be.
A
  • For if I should, said = inverted syntax, monological
  • Jewel = Pandora’s box
  • He would adore my gifts instead of me = if you are too content with life, you will focus on things other than God.
  • Both should losers be = Man would consequently lose on God vs. God wants man to rest in him, despite not needed it
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Yet let him keep the rest,

But keep them with repining restlessness;

A
  • Yet = pivotal word
  • Rest = wordplay, rest of inconsequential possessions vs. laziness manifests in not striving to be closer to God
  • Repining restlessness = Alliteration of both ‘r’ and ‘s’, creates sense of weariness and melancholy. Human characteristic of longing for something different, something more/new
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Let him be rich and weary, that at least,
If goodness lead him not, yet weariness
May toss him to my breast.”

A
  • Rich = inevitable human condition
  • Weary = dissatisfied
  • If goodness lead him not yet, yet weariness may toss him to my breast = religious paradox, questions free will as it suggests you will always come back to him. (Protestant idea). Benevolent God, recalls Parable of Prodigal son, can look for temporary rest elsewhere, but will soon realise that ultimate peace comes with God. Sense of resolution
  • Toss = weight of jewel will bring you back to God vs. dismissive
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

language general

A

• Conceit of Pulley = meta
• Direct speech
• RE invocation, ‘let us’
• Abstract nouns
• Pronouns (highlighting moving in and out of unity)
• Paradox (will always come to God in the end, questions free will)
• Elongated vowels ‘pour on him’, ‘bestow this jewel’
• Imperatives ‘Let us’ Invocation often seen in readings and hymns, God speaks directly to mankind -monologue not dialogue as only voice of God
• Biblical allusion ‘glass of blessings’ - Psalm 23 ‘My cup runneth over’ God Is a generous creator, virtues and attributes. Glass metaphor expands into conceit of Pulley
• Tone change line 16, ‘yet’ pivot word
• All/nothing imagery
• Symbolism
• Alliteration of ‘repining restlessness’ = weariness/melancholy
• Sense of argument: a poem of explanation, not a didactic poem
• Poem is in narrative mode, 3rd person
o Dramatises God’s creation of humanity (combines Pandora’s box, Genesis story and other Bible quotes.
Language = simple

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

language - rest

A

• Motif of rest
o Pun ‘rest’ line 16 as means the remainder here
o Only in restlessness will humans seek eternal rest with God

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

language - manipulation of space

A

o ‘Zooming lens’ from personal to more universal at the end:
o Starts with ‘world’s riches’ which ‘Contract into a span’ = metaphysical manipulation of space, quick transformation of space. Great power of God - awe and wonder to dignity of mankind (contrasts to Donne)
o Glass metaphor expands into conceit of Pulley

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

title

A

‘Pulley’ device with which by pulling down you lift something up. Restlessness is a device by which God lifts men and women to him. Humans will attain spiritual perfection, rather than being satisfied on earth with temporal rest.
- Title is a metaphor drawn from mechanical engineering. Pulley is a device which you lift heavy objects with.
Uses scientific and secular metaphor to illuminate theological concepts

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

structure genreal

A
  • enjambment
    • Stanzas: 5 stanzas
    • Inverted Syntax
    Not dialogic, but rather monological. Dramatises God’s creation of humanity (combines Pandora’s box, Genesis story and other Bible quotes.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

structure meter

A
•	Regular metre:
o	1st line= trimeter, 
o	2nd line= pentameter, 
o	3rd and 4th line=trimeter, 
o	Links to free will, man has choice, also redemption is offered if you go wrong/sin - God will pull you up, even if you side with temptation vs. conflict built in man
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

structure rhyme

A

• Symmetry: Rhyme (A//ABBCCC): ABABA consistency - God is enduring, consistent
o Half rhyme- ‘least’ and ‘breast’, incompletion, need to work hard to be with God. Relationship with God is one of struggle and constant correction but will find spiritual union with each other at end. Also ‘breast’ echoes idea of ‘rest’
o Pulley not mentioned except in title, but reflected in rhyme scheme.
o Constant rhyme scheme = constant love of God

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

context

A

• Simple, direct voice reflects the translation of the Bible from James 1 version to the vernacular, simplicity and clarity in his writing
• Herbert was a simple country priest working in the agricultural community, thus, he was used to explaining difficult theological concepts using symbolism and Imagery. Complex theological Ideas explained in symbolic and allegorical terms so that concepts become accessible to his parish
• Basic religious paradox- you find freedom in submission to God-achieves happiness and sense of acceptance. Questions free will
• Contrast to Donne (see Donne’s poems) Herbert= ‘introvert’, Donne seen as ‘extrovert’, whereas Herbert is no less dramatic than Donne
• Augustine “our hearts are restless until they find their rest in you”
• Genesis
• Psalm 23, ‘my cup runneth over’
• Psychological states
• Matthew 11:23, ‘come to me… and I will give you rest’.
• Substitutes Pandora’s Box hope with rest (classical allusion, fusing pagan references).
• Importance of rest and sleep is conventional, e.g. Macbeth and Othello. Metaphysical in its conveying of theological concepts through scientific and secular analogy – conceit of metaphorical pulley.
NT, Benevolent God, recalls Parable of Prodigal son, can look for temporary rest elsewhere, but will soon realise that ultimate peace comes with God. Sense of resolution

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

evaluative sentences - conventional/meta

A
  • Conventional: importance of sleep, biblical allusions
  • Metaphysical: scientific and secular conceit of pulley to convey theological idea, imagining mind of God, manipulation of space.
17
Q

evaluative sentences - creation

A

The poem offers a version of the creation myth that emphasizes the dignity of mankind, bestowed by a God who is thoughtful, generous and kind. It is even more spending than the story of the creation in the Book of Genesis, which depicts a spiritual breath raising dusty clay to life in the form of Adam. Indeed, in the Pulley, humankind is described as the sum and epitome of all the world’s riches, and God is a being who communicates easily and cordially with his creation.

Life is depicted as a series of postponed gratification, even afflictions, but they will ultimately take one to God. The poem is not didactic; indeed, it is rather a dramatic vision of a climactic union of humanity and God.

18
Q

evaluative sentences - rest

A

Whilst ‘strength, beauty, wisdom, honour and pleasure’ are necessary and vital components of mankind, they are not sufficient to guarantee spiritual health. Indeed, for this, humans need rest, the one quality held back by God. Although the poem does not suggest that humanity is disastrously flawed and impotent – life after all can be ‘rich’ – it does show the liabilities of earthly existence, for the inevitable human fate is weariness and restlessness.

19
Q

evaluative sentences - power dynamic

A

Power dynamic between man and God

  • Man and God presented as equal.
  • Anxiety in God’s voice. Equal desire for union ‘both losers be’. Mimics idea of Pulley – both want to be united and pulled together.
  • Divine voice is capable of humour and puns, blasphemous imagining?
  • Only poem from God’s perspective
  • H, God has power in withholding rest, arguably in position of power with regards to our fate
20
Q

evaluative sentences - psychological

A
  • Interest in psychological states

- Poem takes place in God’s mind, blasphemous to imagine such a thing

21
Q

evaluative sentences - resolution

A
  • No, it is monological
  • Narrative mode is an exception to meta theme of speaker wallowing in spiritual anxiety
  • Dramatises God’s creation
  • End maintains that we will be united with God
22
Q

evaluative sentences - sacred/secular

A
  • Love expressed is sacred love for humanity
  • Communicates easily with creation
  • No sense of epistemic distance
  • God’s voice adds a sense of warmth, allowed to understand his perspective
    Sacred conceit of Pulley
23
Q

compare to

A

‘Batter my Heart’ (relationship with God)
‘Unprofitableness’,
‘The Good Morrow’
Love III (dramatises God’s relationship with humanity vs. Pulley is conceptual and abstract. Both suggest that it is not ‘goodness’ which brings individuals to God, but rather weariness/feeling of unworthiness in LIII)