Comparing + Contrasting Texts (P1 Q3) (36) Flashcards

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1
Q

Non-Fluency Features
-hesitations
- hedges
- voiced hesitations/ filled pauses
-false starts
-repetition
-overlaps
-minimal responses
-repairs
-topic loops
-back channelling

A

=Frequent mistakes in our speech

  • usually go unnoticed
  • formal occasions used less however they still occur

Examples:
1) Hesitations -> if frequent or significantly long (over 3 seconds) listener is likely to stop listening to interrupt
- silence is viewed as a breakdown in communication and issues that the conversation must have failed somehow
- silence = more comfortable with those your close with

2) Hedges -> words/ phrases which weaken a statement
E.g ‘kind of’ , ‘sort of’, ‘maybe’ , ‘perhaps’
- used if your unsure/ trying not to boost/ criticising someone to seem softer when doing so

3) Voiced hesitations/ filled pauses ->

4) False starts-> = involve either repeating or reformulating a sentence
Result of speaker:
- forgetting what they were going to say
- making a mistake
- not being heard
- reconstructing idea (i-i-i)

5) Repetition -> repetition may be the result of a false start (i-i-i-)

6) Overlaps -> participants in a conversation speaking at the same time.

7) minimal responses -> e.g ‘hmmm’, ‘yeah’, ‘ohhh’
= examples of overlaps used to support the main speaker they are positive( shows engagement)

8) Repairs-> you try to fix a non fluency (make conversation successful)
- EG fillers, stops interruptions
- EG false starts , other speaker may aid what they’ve attempted to say

9) Topic loops -> returning to a previous topic already discussed

10) Back channelling -> ‘ you see?’ ‘you know what I mean?’
= requires a positive response
if no response repairing is achieved by repetition or reformulation

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2
Q

Reasons for Overlaps

A

Reasons for:
- competing for turns
- competing one speaker misjudges the end of another speakers
competing one speaker misjudges the end of another speakers
- a dominant speaker interrupts

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3
Q

Difference between overlaps and interruptions

A

Interruptions are purposeful.
In cooperative conversation, overlaps are resolved by others allowing one person to hold the floor whereas interruptions you may continue.

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4
Q

Tag questions

A

-isn’t it
- didn’t we
= check listener is still listening, to get approval

  • Could be seen as a dominant thing as forces listener to give feedback
  • Could also show uncertainty as implies speaker needs approval
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5
Q

Pre-closing

A

Pre-closing a conversation ( right I must go now!)
Closing a conversation (bye)

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6
Q

Prosodic Features

A

= sound quality of voice (e.g stress)
stress: the forceful pronunciation of one particular vowel found in the prominent syllable of a word

contrastive stress: when correcting or giving a different opinion, the syllable containing corrected information is stressed.
A: “She looks happy”
B: “She looks UNHAPPY”

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7
Q

Grice’s Cooperative Principle (theory)

A

= Grice proposed that in conversation speakers follow four maxims in order to make a conversation cooperative and to be understood.
- QUALITY : speakers should be truthful. They should not say what they believe to be false or make statements for which they lack evidence. (supermaxim)
- QUANTITY: a contribution should be as informative as is required; it should be neither too long nor too short
- RELATION : speakers’ contributions should relate clearly to the purpose of the exchange.
- MANNER: speakers’ should be clear, orderly and brief, avoiding obscurity and ambiguity. (supermaxim)

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8
Q

Leech’s Politeness Principle (theory)

A

= He believed that politeness in conversation involved establishing and maintaining harmony. (more than one maxim can be used at the same time)
(tack, generosity, approbation, modesty, agreement and sympathy)

Tack -> minimise cost to others (not offending)
Generosity -> minimise benefit to self
Approbation -> minimise dispraise to others
Modesty -> minimise praise to self
Agreement -> minimise disagreement between self and others
Sympathy -> minimise antipathy between self and other (showing sympathy)

The Geese And Mice And Swans

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9
Q

flouting vs violating maxims (Grice)

A

flouting : breaking a rule intentionally (ie deliberately lying)

violating : breaking a rule unintentionally/unconsciously

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10
Q

Assymetrical

A

A conversation where there is a power imbalance(where one participant is more powerful than another)
-e.g teacher and student, police officer and offender, doctor and patient

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11
Q

Waering’s powers

A
  • political power = legal power like police, judges etc (Language used in political power often is impolite, little convergence and imperatives used).
  • personal power = occupational power like doctor, teacher ( people who have power over you due to their job) (Doctors use low frequency lexis, parents speak in third person)
  • social power = Societal power ( Women disabled people and ethnic minorities typically have less social power. In an unequal society different groups use different forms of language)
    EG Certain accents and dialects of you does an adequate in prestigious workplaces (Essex)
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12
Q

Morreal thesis

A
  • humour can be used as a powerful strategy
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13
Q

Fairclough

A

1) idea of synthetic personalisation = gives an audience, who are treated en masse, the impression of being considered individuals. (e.g ‘do you feel….’ = makes them feel special using direct address

2) Power within and behind discourse:

within discourse - features used to convey power (e.g register, interruptions, stress, medical specialised jargon/low frequency lexis etc)
Eg A doctor may have power within discourse through his use of medical terminology. (e.g register, interruptions, stress etc)

behind discourse - who wrote it? why did they write it? how have they got power?
(Eg A doctor may have power behind discourse due to the socially conformed ideology that doctors are trustworthy therefore, making the participant more likely to listen due to societies hierarchy)

3) 2 types of power…
instrumental = enforced authority imposed by the law, school, exam boards etc (only held by certain ppl)

influential = persuasive power (anyone can hold this power)

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14
Q

Goffman on face

A

face = the positive public image we seek to establish in social interactions. (a speakers self esteem)

FTA (face threatening acts) = acts which cause you to lose your face (make you embarrassed)
- verbal ; words
- paraverbal; intonation, tone, stress
- non verbal ; facial expressions

Positive face: the want to be liked and approved of (self esteem)
-> appeal: complementing
-> threaten: criticism

Negative face: the want to not have your basic rights and freedoms impeded by others/desire not to be opposed upon
-> appeal: giving options
-> threaten: declarative > interrogative

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15
Q

Politeness strategies (brown and levinson)

A

1) Bald on-record : when someone gets straight to the point so do not attempt to imitate the threat to the listener’s face (due to a sense of urgency)
-> WATCH OUT!
(+ avoids confusion + puts public pressure on when needed)

2) Positive politeness: making someone feel good about themselves (appealing to their positive face)
-> eg complimenting, agreeing, congratulating
-> find common ground “I’m no good at that either”
-> juxtaposing criticisms with compliments “I don’t like… but..”
-> nicknames “mate”
-> jokes
(+ increases solidarity + decreases social distance)

3) Negative politeness: making someone feel like they haven’t been imposed or taken advantage of (appealing to neg face)
-> hedging, mitigating “Would you possibly mind…”
-> questions>commands “//“
-> apologetic “I am sorry but could you do this for me?”

4) Off record : indirectness; speaker typically avoids saying that potentially face threatening act at all.
-> implies/ relies on pragmatics
“It’s a bit cold in here” > Shut the door
(+ credit for being tactful + avoids responsibility)

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16
Q

Examples of acts that may threaten positive/negative face (brown and levinson)

A

Threatens POSITIVE face:
-> disagreement “I’m definitely better at maths than you”
-> disapproval
-> accusations “You ate all the cheese, didn’t you”
-> criticisms “I really don’t like that top”

Threatens NEGATIVE face:
-> pressure to do an order “Shut the door now”(bald on record/deixis)/ imperatives>interrogatives
-> a threat “If you don’t listen to me…”

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17
Q

Times when a speaker may damage their own pos/neg face

A

Pos:
-> apologise
-> confess
-> loss of emotional control

Neg:
-> apologise
-> excuses
-> acceptance of gratitude/compliments

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18
Q

Sociological variable affecting face (Brown and Levinson)

A

1) the greater the social distance between listener and speaker = more politeness is expected
2) the greater the listener’s perceived relative power over the speaker = more politeness is recommended
3) the greater the imposition on the listener = higher level of politeness required

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19
Q

idiolect
dialect
sociolect

A

i-> your individual way of speaking
d-> your regions way of speaking
s-> your social groups way of speaking

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20
Q

RP

A

Received Pronunciation
= the accent traditionally regarded as standard for British English.
- used by the royal family/ government/ high status posh people

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21
Q

Estuary English

A

A continuum of pronunciation possibilities (From cockney - RP)

  • refers to the river thames and was used to identify features of london regional speech spreading throughout the counties adjoining the river (particularly essex and kent)
  • due to railway commuters, the language spread all throughout england
22
Q

Standard Language Ideology

A

a bias towards common languages (one main language )
- e.g in england it is taught to us that standard english is right and anything else that sounds different is wrong

23
Q

levelling

A

accents and dialects that level out, become similar over time (e.g in england now we can understand everyone but a couple of hundred years ago a Scottish person may not understand a Cornish)

24
Q

Southern Language features England

A

1) A-prefixing (e.g He was a-tellin the truth)
2) Morphosyntax, when ain’t and be are replaced for be or have
(E.g I ain’t going)
3) Invariant non-concord tags like INNIT
4) relative pronouns (e,g the man what was over there)
5) dental fricatives replaced with labiodental fricatives (fink instead of think)

25
Q

Diversity Approach

A

1) Susan Cockcroft
- “Social context determines language behaviour, not simply biological difference”

= context determines language NOT gender (eg if in an interview would all use standard english du to env)

2) De Clerk
-> The rise in female swearing poses a challenge to men.
-> Verbal hygiene: women should speak with polite forms

3) Freed and Greenwood
-> ‘You know’ as a filler, no difference between genders (against Lakeoff)

26
Q

Deficit approach

A

= Robin Lakoff

  • “Female language is seen as inadequate in some way to the established norm”

Female talk features…
1) tag questions -> shows uncertainty
2) hedges and fillers -> “like “well”
3) empty adjectives -> “nice” lovely”
4) intensifiers -> “so” “really”
5) precise colour terms -> “magenta”>”purple”
6) standard grammar
7) avoidance of taboo lexis -> “shut the front door”
8) raising intonation on declaratives
9) emphatic stress on specific words -> “that’s a GORGEOUS dress”

  • NO RESEARCH
  • If you see something in a text that supports this theory, use another explanation after (criticism kind of)
27
Q

Difference approach

A

Difference approach = men and women learn different ways of communicating in childhood which then influences them in adult life.

1) Deborah Tannen
Affective -> women use compliments to form relationships/emotional (cooperative, save face)
Referential-> men use compliments to gain info/facts (competitive, less likely to save face)

2) Jennifer Coates
Public discourse (men) : how to talk in workplace; competitive
Private discourse (women) : how to be supportive and look after kids; cooperative

3) Janet Holmes
New Zealand complement perception
-> men : face threatening (due to other person holding power)

4) Maltz and Borker
-> separate world hypothesis : boys and girls are socialised to use language in certain ways
-> minimal responses (back channeling) seen as…
Agreement = men
Active listening = women
= leads to miscommunication between genders

5) Howe
= Men will seek linguistic strategies that show power (eg imperatives>interrogatives)

6) Kuiper
New Zealand rugby team
Interested in how players interacted through swearing

Found:
Expletives used as social bonding (face not considered in same way as women)
-> competitive discourse

(Link to Eckert -> community practice + vs De Clerk’s ‘verbal hygiene’ of women)

28
Q

Dominance approach

A

Dominance approaches = focuses on the ways in which men were seen as controlling and dominating in mixed-sex interactions

= Zimmerman and West (1975)
“Men are seen as controlling and commanding mixed sex interaction”
findings:
1) 96% of interruptions were male, therefore seen as restricted linguistic freedom of women compared to men
2) specific language features did not belong to certain genders
3) caused by power indifference
(REMEMBER: man in the middle interrupting)

= Spender (female-1980)
- claimed men talk more (70% convos) but women are perceived to talk more as they should be silent and only discuss trivial matters
findings:
- when women dominated conversation (very little) men felt they were being silenced
- idea of Androcentric language (male centred)

= Fishman (female-1980)
- found women used 3x more yes/no and tag questions than men
- she analysed couples and claimed tag questions can be a feature of strength as they force listener to give feedback (challenges Lakeoff)

29
Q

overt/covert prestige

A

overt: where people use STANDARD forms to GAIN POWER (eg using RP).

covert: where people use NON-STANDARD forms to MAINTAIN POWER (eg regional dialects like MLE)

Eisikovits
-> 14yrs ; both genders used covert prestige/non-standard (want to rebel against adults, sound distinct)
-> 16 yrs ; boys used covert prestige but girls used overt prestige (girls conditioned to be young women and so expectations to use the standard: prestige of conformity)

30
Q

McCluhan (1962) (technology and lang )

A

typographic man->mass media affects culture and human consciousness

1) global village -> mass communication creates a village-like mindset to apply to the entire world.
- books used to provide an ‘individual man’ ; our knowledge from books was private
- electronic media has created a ‘tribal man’ ; our knowledge, as a result of global communication, is more public and ‘village-like’ (eg everybody gets the message all the time; a princess gets married = all hear about it)

= Talk about this with audience difference between two texts if one is an online article (eg the invention of technology is described as creating a global village as according to McLuhan which means…)

31
Q

David Crystal (technology and lang)

A

-interrobang = !?
-response sequences = minimised to initialisms and acronyms (YOLO, LOL, LMK etc)
- homophonic representation = single letters and numbers represent the sound (M8, L8)
- variant orthography = non-standard and phonetic spellings (cos -> because)

32
Q

Formation of new words

A

1) Creation -> when new words are linked to previous words (creation -> coinage)
2) Loanwords-> taken from other countries
3) Composites
-compounds = two existing words put together (Facebook)
-affixation = prefix/suffix added to make a word (Ipad)
-blends = two words shortened and combined (spork, skort)
4) Shortenings
-clipping = advertisement -> advert -> ad)
- acronyms
5) Shifts -> shifts of meaning
- amelioration = giving something a positive connotation (sick, bad, wicked )
- pejoration = giving something a negative connotation (peak)
- widening = expanding the meaning of existing words (mouse = animal= computer )
- narrowing = cousin used to mean any relative
- functional shift = word classes change (to Google something -> verb and a noun)

33
Q

Synchronous vs Asynchronous discourse

A

sync-> immediate delivery between producer and receiver
( phone calls, real life convos etc)

async-> delay between text’s production and reception (emails, text etc)

34
Q

Speech act theory (Austin)

A

Locutionary acts -> the act of saying something ‘There’s a fly in my soup’

Illocutionary acts -> implied meaning ‘Get me another soup’

Perlocutionary acts -> result of the illocutionary acts eg waiter removes fly from soup
(leads to either pragmatical success/ failure)

35
Q

Modes

A

spoken: spontaneous/non-fluency (does not have to be transcripts)
visual: images/pictures/drawings etc
written: scripted/ had been thought out/planned (eg a transcript on a broadcasted show)

mixed mode: 2 of the above
multi-modal: 3+ of the above

36
Q

Giles’ Accomodation

A

accommodation : where a speaker adapts to another speaker’s accent, dialect or sociolect (relational thing).

-> convergence: speaker moves towards another speakers accent/dialect/sociolect
a) upwards convergence: more formal/prestigious (to gain power over someone else)
b) downwards convergence: more informal (ie slang)

-> divergence : when you stop/prevent yourself from sounding like other ppl (usually those we dislike)

37
Q

Interlocutor

A

Speaker

38
Q

Butler (gender)

A

= Performative language
- actively performing
- can code switch to present ourselves in a particular way (eg depends on audience/context : talking to women as a man may come across more feminine/emotional)
->changing your language to appeal to a certain audience etc

39
Q

Eckert (gender)

A

= Communities of practice
We all belong to different speech communities which determine the language that is used in that particular space

Eg military community would expect masculine language features of all gender (stereotypical)

40
Q

technological determinism

A

our identity and beliefs are shaped by the media we use

41
Q

The differences between spoken and written modes

A

spoken:
- incomplete minor sentences/ clause elements missing
- shorter sentences (simple/compound)
- slang/colloquialisation
- high frequency lexis (Germanic)
- non-fluency ft
- 2nd person ‘you’

written:
- complete grammatical sentences
- variety of sentence lengths (sub/complex)
- formal language
- low frequency lexis (French/Latinate)
- sentence demarcation (.,;)
- no hedges (precision)
- formal discourse markers ‘firstly,’
- 3rd person ‘he/she’

42
Q

conversational discourse

A

-framing : controlling agenda (subject etc) of a convo (powerful)

  • Vocative: directly addressing someone via their name
  • discourse markers: openers, closers (eg in a article may have ‘Firstly’ vs ‘Hey’ in a transcript -> both openers)
43
Q

Dialect features

A
  • negative concord: double negative eg ‘I don’t have none’
  • lack of auxiliary verb: eg ‘What you doing’
  • object pronoun for possessive determiner: eg ‘me husband’
  • definite article reduction: eg ‘I went t’pub’ = the (def article) + preposition reduced
  • invariant non-concord tags: eg ‘innit’
  • morphosyntax: using ‘ain’t’ as a negative verb form of ‘be and ‘have’
  • was/were variation: eg ‘I were going’
  • verbal ‘s’ : eg ‘ I loves them’

-demonstrative them: using them>those eg ‘them things’

Naughty
Llamas
Only
Drink
Icey
Macha
With
Violet
Doughuts

44
Q

Two type of Deixis

A

=the use of words to refer to a specific time/place

temporal : join us live NOW
spatial : look over THERE

45
Q

Bernstein’s codes (social factor on language) -> link to power

A

1) Restricted code : simple grammatical constructions, more concrete and context-dependent language (working class)

2) Elaborated code: more complex grammar and abstract vocabulary to theorise (middle class)

46
Q

Accent features

A
  • alveolar nasal = Ending something with -n, instead of -ing. (Everythin)
  • h dropping = ard for hard
  • TH fronting = fink for think / wiv for with
  • Th stopping = replacing a ‘th’ with a plosive = dat for that
  • rhotic r = carrr
  • glotals
47
Q

What type of hedge is ‘just’

A

a qualifier

48
Q

lexically informal prestarts

A

‘oh’ ‘erh’ umm’

-> used to create an equilibrium of face (ie not too face threatening/commanding)

49
Q

1) What NOT to use in non-spoken texts
2) How NOT to use ‘whereas’

A

1) DO NOT USE ACCOMODATION THEORY (anything to do with accents/convergence etc as cannot hear their pronunciation)

2) Whereas, ….
INSTEAD -> Whereas in text b they represent…., in text c, they….

50
Q

cataphoric reference

A

alluding to answers later in text

eg ‘ and some of their responses may surprise you…’

51
Q

metalinguistic utterance

A

= using language to show conscious awareness
eg ‘oh ive put that down’ (picks up microphone)

-> could be seen as a filler (avoid awkwardness)
-> could be seen as preserving face (I’m not dumb!)

52
Q

code switching (transcript) vs Consonance (media)

A

Code switching : change the way you talk due to the person your talking to (Eg to compare a bs to interviewer)

Consonance : when media plays into stereotypes