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Interpersonal Communication > color management final > Flashcards

color management final Flashcards

1
Q

Camera calibration with the X-Rite Color Checker Passport standalone software produces which type of file format for cameras

A

DCP

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2
Q

The X-rite i1 systems are used in Color Management of the computer monitor to

A

Optimized Viewing Environment, Profile the Monitor, and Ensure Color Accuracy

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3
Q

By using the X-rite Color Checker Passport, you are guaranteed the correct white balance with every exposure.

A

False

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4
Q

The Color Checker Passport above has two rows of gray swatches in the top panel above. What are these used for?

A

Custom skin tones and landscape colors

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5
Q

Which manufacturer was not a founding member of the ICC?

A

Ricoh

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6
Q

What is the preferred white point when profiling a monitor?

A

D65

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7
Q

Select the two rendering intents that are relevant to digital printing in photography

A

Perceptual, Saturation, Relative Colorimetric, Absolute Colorimetric

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8
Q

Which color space contains the widest color gamut?

A

ProPhoto RGB

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9
Q

Which color space contains the thinnest color gamut?

A

sRGB

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10
Q

In color theory models, if you want to reduce the amount of Green, you add which color complement?

A

Magenta

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11
Q

In color theory models, if you want to reduce the amount of Magenta, you add which color complement?

A

Green

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12
Q

In Subtractive color mixing, Cyan, Yellow and Magenta combine to make?

A

Black

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13
Q

In Additive color mixing, Red, Green and Blue combine to make?

A

White

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14
Q

Printers typically reproduce color using which color model?

A

CMYK

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15
Q

Imageprint and ColorBurst (network printing) are what types of automated printing softwares that manage printing?

A

RIP (Raster Image Processor)

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16
Q

In what specific folder do we place the ICC Profile when we are preparing to print in a Digital Pod?

A

Colorsync

17
Q

We load our paper in the front feeder on the Epson SC-900 and the back of the Canon ImagePROGRAF P-1000 if it weights above ____________ ?

A

300 GSM

18
Q

Relative Colorimetric

A

Compares the white of the source color space to that of the destination color space and shifts all colors accordingly

19
Q

Absolute Colorimetric

A

attemps to reproduce all colors numerically, this can cause unexpected results of the source gamut is larger then the destination.

20
Q

Perceptual

A

Compress the source gamut into the destination gamut in such a way that the overall color relationships are preserved.

21
Q

Saturation

A

Converts saturated colors in the source space to saturated colors in the destination space

22
Q

According to Chapter 15 of Color Management and Quality Output, Tom Ashe recommends that you view your images at what percentage when sharpening them on a monitor?

A

100 percent

23
Q

If we are printing with MK inks, we need to make sure we print on which type of ink jet photo paper?

A

matte

24
Q

Color Management

A

The process of reproducing accurate color from device to device.

25
Q

Calibration

A

Adjusting or modifying the behavior of a device (such as a printer or monitor) to bring it into a known specification or state.

26
Q

bit depth

A

Defines how much tonal or color data is associated with each pixel or channel.

27
Q

Color Gamut

A

The range of color (and density/tonal values) that can be produced by a capture or output device or represented by a color space.

28
Q

Color by Numbers

A

Representing RGB (or CMYK when using percentages) by numbers 0 through 255, or by percentages, 0 to 100%.

29
Q

ICC Profile

A

This defines the information required to by a color management system (CMS) to make the color transforms between color spaces.

30
Q

Gamma

A

Non-linear behavior of a device’s tonal response.

31
Q

Color Space

A

A geometric (usually three-dimensional) representation of colors that can be produced by a color model.

32
Q

Saturation

A

Produces vivid colors by mapping fully saturated colors from the source to the destination without regard for accuracy.

33
Q

Absolute Colorimetric

A

Preserves the white of the source (by adjusting the white of the destination) and then reproduces all in-gamut colors exactly. Out-of-gamut colors are clipped to the closest reproducible hue.

34
Q

Perceptual

A

Preserves the overall color appearance or relationships between colors while compressing them to fit within the destination space. Because of this compression, all colors are remapped to some degree and accuracy is sacrificed to preserve the visual relationships.

35
Q

Relative Colormetric

A

Maps the white of the source to the white of destination and then reproduces all in-gamut colors exactly. Out-of-gamut colors are clipped to the closest reproducible hue.

Interpersonal Communication (3 decks)

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