CLASS: Jan 23rd: Italian Comic Opera and the Querelle des bouffons -- DONE, Format and double check against written outline Flashcards

1
Q

REVIEW QUESTIONS:

  • Contrast the learned and galant styles.
A

REVIEW QUESTIONS:

  • Contrast the learned and galant styles.
    • RECORDING
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2
Q

REVIEW QUESTIONS:

  • What did late 18th-c church music sound like? ​
A

REVIEW QUESTIONS:

  • What did late 18th-c church music sound like?
    • RECORDING
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3
Q

REVIEW QUESTIONS:

  • Describe the nature of late 18th-c opera seria.
A

REVIEW QUESTIONS:

  • Describe the nature of late 18th-c opera seria.
    • RECORDING
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4
Q

REVIEW QUESTIONS:

  • What was a “suitcase” aria and what does it tell us about late 18th-century opera performances (and audiences?)
A

REVIEW QUESTIONS:

  • What was a “suitcase” aria and what does it tell us about late 18th-century opera performances (and audiences?)
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5
Q

LEARNING OBJECTIVES

  • Distinguish Italian comic opera from Venetian comic opera, opera seria and French tragedie lyrique.
A

LEARNING OBJECTIVES

  • Distinguish Italian comic opera from Venetian comic opera, opera seria and French tragedie lyrique.
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6
Q

LEARNING OBJECTIVES

  • Describe the conflict at the heart of the war of the buffoons.
A

LEARNING OBJECTIVES

  • Describe the conflict at the heart of the war of the buffoons.
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7
Q

Italian Comic Opera

  • Developed in Italy: ____ and _____
A

Italian Comic Opera

  • Developed in Italy: Venice and Naples
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8
Q

Italian Comic Opera

  • Expanded ______
A

Italian Comic Opera

  • Expanded Intermezzo
    • What is this?
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9
Q

Italian Comic Opera

  • Performed in _____ Theaters
A

Italian Comic Opera

  • Performed in Public Theaters
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10
Q

Italian Comic Opera

  • Borrowed “stock” characters from _______ ___ ____
A

Italian Comic Opera

  • Borrowed “stock” characters from commedia del arte
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11
Q

Italian Comic Opera

  • Stories about “______” people
A

Italian Comic Opera

  • Stories about “ordinary” people
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12
Q

Italian Comic Opera

  • Caricatures of the ______
A

Italian Comic Opera

  • Caricatures of the wealthy
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13
Q

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • “The Maid as _____”
A

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • “The Maid as Mistress
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14
Q

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • Characters:
    • ________
    • ________
    • ________
A

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • Characters:
    • Serpina “little snake”
    • Uberto
    • Vespone “large wasp”
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15
Q

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • Recitative: ______ and ________
A

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • Recitative: secco and accompanied
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16
Q

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • Arias: ______ Form
A

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • Arias: Da Capo Form
17
Q

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • Instrumental ______
A

_Pergolesi’s *La Serva padrona* (1733) NWAM p1_

  • Instrumental Ritornellos
18
Q

Contrast: Venetian Comic Opera

  • Italian Comic Opera
    • _____ plots
A

Contrast: Venetian Comic Opera

  • Italian Comic Opera
    • Simple plots
19
Q

Contrast: Venetian Comic Opera

  • Italian Comic Opera
    • ___ characters
A

Contrast: Venetian Comic Opera

  • Italian Comic Opera
    • Few characters
20
Q

Contrast: Venetian Comic Opera

  • Italian Comic Opera
    • ____ or _______ roles
A

Contrast: Venetian Comic Opera

  • Italian Comic Opera
    • Mute or non-speaking roles
21
Q

Contrast: Venetian Comic Opera

  • Venetian Comic Opera
    • Super _____ plots
A

Contrast: Venetian Comic Opera

  • Venetian Comic Opera
    • Super complicated plots
22
Q

Contrast: Venetian Comic Opera

  • Venetian Comic Opera
    • Lots of ______
A

Contrast: Venetian Comic Opera

  • Venetian Comic Opera
    • Lots of Characters
23
Q

Contrast: Venetian Comic Opera

  • Venetian Comic Opera
    • No _____ roles
A

Contrast: Venetian Comic Opera

  • Venetian Comic Opera
    • No speaking roles
24
Q

Review: Neapolitan Opera Seria

  • _ set characters
A

Review: Neapolitan Opera Seria

  • 6 set characters
25
**_Review: Neapolitan Opera Seria_** * Interplay of ______ \_\_\_\_\_\_
**_Review: Neapolitan Opera Seria_** * Interplay of **_social classes_**
26
**_Review: Neapolitan Opera Seria_** * _______ plots
**_Review: Neapolitan Opera Seria_** * **_Standardized_** plots
27
**_Review: Neapolitan Opera Seria_** * Standardized musical \_\_\_\_\_ * Recitative -\> Aria -\> Instrumental Ritornello
**_Review: Neapolitan Opera Seria_** * Standardized musical **_forms_** * Recitative -\> Aria -\> Instrumental Ritornello
28
_***Querelle des bouffons*: The War of the Buffoons**_ * 18th-Century \_\_\_\_,\_\_\_\_ (1752-1753)
_***Querelle des bouffons*: The War of the Buffoons**_ * 18th-Century **_Paris, France_** (1752-1753)
29
_***Querelle des bouffons*: The War of the Buffoons**_ * Touring Italian Comic Troupe: *\_\_ _______ \_\_\_\_\_*.
_***Querelle des bouffons*: The War of the Buffoons**_ * Touring Italian Comic Troupe: ***_La_*** ***_serva_** **_padrona_***.
30
_***Querelle des bouffons*: The War of the Buffoons**_ * Italian ____ \_\_\_\_\_ vs French ______ \_\_\_\_\_
_***Querelle des bouffons*: The War of the Buffoons**_ * Italian **_comic opera_** vs French **_tragedie_** **_lyrique_**
31
_***Querelle des bouffons*: The War of the Buffoons**_ * Team Italy: Jean Jacques \_\_\_\_\_\_
_***Querelle des bouffons*: The War of the Buffoons**_ * Team Italy: **_Jean Jacques Rousseau_**
32
_***Querelle des bouffons*: The War of the Buffoons**_ * Team France: Jean Baptiste \_\_\_\_\_
_***Querelle des bouffons*: The War of the Buffoons**_ * Team France: Jean Baptiste **_Rameau_**
33
_**Recall French *Tragedie Lyrique***_ * Composers: Jean Baptiste _____ and Jean Philippe \_\_\_\_\_
_**Recall French *Tragedie Lyrique***_ * Composers: Jean Baptiste **_Lully_** and Jean Philippe **_Rameau_**
34
_**Recall French *Tragedie Lyrique***_ * \_\_\_\_\_\_
_**Recall French *Tragedie Lyrique***_ * **_Spectacle_**
35
_**Recall French *Tragedie Lyrique***_ * \_\_\_\_-\_\_\_\_\_ Plots
_**Recall French *Tragedie Lyrique***_ * **_Heroic-Historical_** Plots
36
_**Recall French *Tragedie Lyrique***_ * *\_\_\_\_\_\_*
_**Recall French *Tragedie Lyrique***_ * ​***_Divertissements_*** * *What are these?*
37
_**Recall French *Tragedie Lyrique***_ * Prejudice against Italian ____ \_\_\_\_\_\_
_**Recall French *Tragedie Lyrique***_ * Prejudice against Italian **_vocal virtuosity_**
38
**_French and German Reactions_** * Compare/Contrast the French and German reactions to the touring Italian productions. Consider: * The author’s tone * Details of the productions provided by each author * Description of audience reactions. *see recording or notes*