CHP 9: MODELING MEDIA AND TECHINIQUES Flashcards
1
Q
WHAT IS MODELING?
A
- CONSTRUCTING A FORM W/ A PLIABLE MATERIAL SUCH AS WAX OR CLAY
2
Q
TYPES OF WAX
A
- LIP WAX
- SOFT WAX
- MED WAX
- FIRM WAX
3
Q
WHAT IS LIP WAX?
A
- A SOFT RESTORATIVE WAX
- USUALLY TINTED
- MOST ADHESIVE
4
Q
WHAT IS LIP WAX USED FOR?
A
- SURFACE THE MUCOUS MEMBRANES
- CORRECT LIP SEPARATION
5
Q
WHAT IS SOFT WAX?
A
- SOFTER AND MORE PLIABLE THAN MODELING WAX
* LESS ADHESIVE THAN LIP WAX
6
Q
WHAT IS SOFT WAX USED FOR?
A
- SERFACE RESTORER
- SUITABLE FOR THE REPAIR OF MINOR ABRASIONS, RAZOR BURNS, SUTURE INCISIONS, AND SEAL PUNCTURE SITES
7
Q
WHAT IS MEDIUM WAX?
A
- SOFTER THAN FIRM WAS
- OFTEN USED AS A SUBSTITUTE FOR THE FIRM WAX
8
Q
WHAT IS MEDIUM WAX USED FOR?
A
- USED AS A RESTORATIVE WAX
- THIS WAX ADHERES TO THE TISSUE AND WILL HOLD ITS SHAPE ONCE MOLDED
9
Q
WHAT IS FIRM WAX?
A
- MOST DENSE AND LEAST ADHESIVE
- PUTTY LIKE MATERIAL
10
Q
WHAT IS FIRM WAX USED FOR?
A
- WOUND FILLER
* LARGE CAVITIES - USED TO MODEL FEATURES
11
Q
3 METHODS OF ALTERING WAX?
A
- COLORING WAX
- SOFTENING WAX
- FIRMING WAX
12
Q
WHAT IS COLORING WAX
A
WAXED TISSUES THAT CAN BE COSMETICALLY ALTERED
13
Q
WAYS TO COSMETIZE WAX
A
- UNDER WAX
* LIQUID
* SPRAY
* WATER-BASED CREAM - MIXED W/ WAX
* LIQUID
* CREAM - OVER WAX
* MOST COMMON TECHNIQUE TO BE USED
14
Q
WAYS OF SOFTENING WAX
A
- KNEADING IN THE PALM OF THE HAND
- ADDING A CREAM COSMETIC OR MASSAGE CREAM
- ADDING PETROLEUM JELLY
- PLACING THE WAX IN THE WARM WATER
- HOLDING THE WAX UNDER A BLOW DRYER
15
Q
WAYS OF FIRMING WAX
A
- PLACING THE WAX IN REFRIGERATION
- MISING W/ CORNSTARCH
- MIXING W/ TALCUM POWDER OR PIGMENT POWDER
16
Q
OTHER FORMS OF MODELING MEDIA
A
- CLAY
- LATEX
- COTTON
- SILICONE
- COLLODIAN
- PLASTER OF PARIS
17
Q
WHAT ARE THE PREREQUISITES FOR TISSUE RESTORATION?
A
- TISSUE MUST BE FIRM AND DRY
* MOIST OR UNEMBALMED TISSUE WILL INHIBIT WAX FROM ADHERING TO SURFACE
18
Q
METHODS FOR FIRMING TISSUE
A
- HYPODERMIC INJECTION
- CAVITY FLUID COMPRESS
19
Q
FACTORS OF MODELING
A
- IMPORTANCE OF FEATURE LOCATION, SIZE, AND FORM
- INFLUENCE OF THE PROFILE
- VALUE OF POSITIONAL AND DISTANT VIEWING
- WORK IN STAGES
- CORRECT MEASUREMENTS
20
Q
3 MAIN PLANES
A
- VERTICAL
- HORIZONTAL
- OBLIQUE
21
Q
AFFECTS OF PORES
A
- SMOOTH SURFACE
- NEGATIVE AFFECT
* GREATEST FAULT OF WAXING
22
Q
METHODS OF SIMULATING PORES
A
- USING A STIPPLE BRUSH
- MOIST PAPER TOWEL
- LINTLESS GAUZE
23
Q
METHODS OF SIMULATING WRINKLES AND FURROWS
A
- REPRODUCED BY BLUNT EDGE INSTRUMENTS
- LIGATURE
- THIN LAYER OF PLASTIC
