CHP 8: COSMETOLOGY Flashcards

1
Q

WHAT IS COSMETOLOGY?

A

THE STUDY OF BEAUTIFYING AND IMPROVING THE COMPLEXION, SKIN, HAIR , AND NAILS

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2
Q

PIGMENTS OF THE SKIN

A
  • MELANIN
  • CAROTENE
  • HEMOGLOBIN
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3
Q

WHAT IS MELANIN?

A

THE BROWN TO BLACK-BROWN PIGMENT IN THE EPIDERMIS AND HAIR

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4
Q

WHAT IS CAROTENE?

A

THE YELLOW PIGMENT OF THE SKIN

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5
Q

WHAT IS HEMOGLOBIN?

A
  • RED PIGMENT
  • PROTEIN IN THE RED BLOOD CELLS
  • CARRIES OXYGEN TO THE BODY’S ORGANS AND TISSUES
  • TRANSPORTS CARBON DIOXIDE FROM THE ORGANS AND TISSUES BACK TO THE LUNGS
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6
Q

TYPES OF SKIN COMPLEXIONS

A
  • FAIR ?
  • LIGHT
  • MED
  • DARK
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7
Q

VARIATIONS W/I SKIN COMPLEXION

A
  • REDISH = RUDDY
  • BROWNISH = SWARTHY / DUSKY
  • YELLOWISH = SHALLOW
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8
Q

WHAT IS A SWARTHY COMPLEXION ?

A

DARK SKINNED

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9
Q

WHAT IS SHALLOW COMPLEXION?

A

LIGHT BROWN

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10
Q

TYPES OF DEVIATIONS IN SKIN COMPLEXIONS?

A
  • BRONZED
  • PURPLE
  • YELLOW
  • GREEN
  • GRAY
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11
Q

WHAT ARE UNDERTONES?

A

UNDERLYING COLORS IN THE SKIN

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12
Q

HOW TO DETERMINE UNDERTONE?

A

CHECK THE COLOR OF YOUR VEINS ON THE INSIDE OF YOUR WRIST
*MORE GREEN THAN BLUE = WARM
* MORE BLUE THAN GREEN = COOL

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13
Q

TYPES OF UNDERTONES:

A
  • YELLOW/ BLUE = WARM
  • BLUE / WHITE = COOL
  • SAME AS SKIN = NEUTRAL
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14
Q

TYPES OF PIGMENT COSMETICS NECESSARY TO MATCH COMPLEXIONS

A
  • BROWN
  • YELLOW
  • RED
  • WHITE
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15
Q

TYPES OF EXTERNAL COSMETIC MEDIA:

A
  • CREAM
  • LIQUID
  • POWDER
  • AEROSOL
  • EMOLLIENT
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16
Q

WHAT IS A CREAM COSMETIC

A

SEMI SOLID COSMETIC

17
Q

WHAT IS A LIQUID COSMETIC

A
  • FLUID
  • COLORANT WHICH PIGMENTS ARE DISSOLVED OR SUSPENDED
18
Q

WHAT IS A POWDER COSMETIC?

A
  • ANY SOLID SUBSTANCE IN THE STATE OF FINE, LOOSE PARTICLES AS PRIDUCED BY CRUSHING OR GRINDING
19
Q

WHAT IS AN AEROSOL?

A
  • A COLLOIDAL SOLUTION DISPENSED AS A MIST
20
Q

WHAT IS AN EMOLLIENT?

A

HEAVY MOISTURIZER, CREAMY, THICK, HELPS TO RETAIN MOISTURE

21
Q

TWO MAIN METHODS OF APPLYING COLOR?

A
  • INTERNAL
  • SURFACE APPLICATION
22
Q

WHA TIS THE INTERNAL APPLICATION METHOD?

A
  • ADD COLORANT TO EMBALMING SOLUTION
    • DYE
    • TINCTORIAL ARTERIAL SOLUTION
23
Q

FORMS OF SURFACE APPLICATION?

A
  • HAND
  • BRUSH
  • AEROSOL
  • SPONGE
  • PUFF/ PAD
  • AIRBRUSH
24
Q

COSMETIZING UNEMBALMED REMAINS

A
  • SURFACE CONDITIONS
  • SURFACE PREP
  • APPLICATION METHOD
25
3 DENSITIES OF COSMETICS
- TRANSPARENT - TRANSLUCENT - OPAQUE
26
EFFECTS OF TRANSPARENT COSMETICS
HAVING THE PROPERTY OF TRANSMITTING RAYS OF LIGHT THROUGH ITS SUBSTANCE SO THAT THE BODIES SITUATED BEYOND OR BEHIND CAN BE DISTINCTLY SEEN
27
EFFECTS OF TRANSLUCENT COSMETICS
TRANSMITTING LIGHT BUT CAUSING SUFFICIENT DIFFUSION TO ELIMINATE PERCEPTION OF DISTINCT IMAGES * SOMEWHAT TRANSPARENT
28
EFFECTS OF OPAQUE COSMETICS
- NOT TRANSPARENT OR TRANSLUCENT - NOT ALLOWING LIGHT TO PASS THROUGH
29
MAIN PARTS OF HIGHLIGHTING
- ANGLE - SURFACE - ILLUMINATION
30
PRE-COSMETIZING CONCERNS OF HIGHLIGHTING
- NATURAL FEATURES - DISTORTED FEATURES
31
COSMETIC USE FOR HIGHLIGHTING
- LIGHTER COLOR = TINT - TINT, TONE, OR SHADE OF REDness
32
PRECOSMETIZING CONCERNS OF SHADOWING
- NATURAL FEATURES - DISTORTED FEATURES
33
COSMETIC USE FOR SHADOWING
- DARKER COLOR = SHADE - SHADING * TO REDUCE PROMINENCE * TO DIMINISH DEPTH
34
WHAT ARE WARM COLOR AREAS?
- AREAS OF THE SKIN NATURALLY RED = WARM SPOTS - COSMETICS APPLIED TO RESTORE THE APPEARANCE OF WARMTH THAT HEMOGLOBIN PROVIDES
35
WHAT IS ORNAMENTAL COSMETIZING?
- ADORNMENT - EMBELLISHMENT - TO ARTIFICIALLY BEAUTIFY THE FACE
36
FORMS OF CORRECTIVE SHAPING?
- HIGHLIGHTING: TO ENLARGE OR BRING FEATURES FORWARD - SHADOWING: TO REDUCE THE SIZE OR DEEPEN A DEPRESSION OR FACIAL FEATURE
37
TREATMENT OF DISCOLORATION
- COLOR CORRECTIVENESS * CATEGORY OF CONCEALER THAT NEUTRALIZES DISCOLORATION AND PIGMENTED BLEMISHES BY THE USING OPPOSING COLORS FROM THE COLOR WHEEL
38
TYPES OF LIGHTING EFFECTS ON COSMETICS?
- FUNERAL LIGHTING *THE QUALITY AND QUANTITY OF ILLUMINATION USED FOR PRESENTATION OF CASKETED REMAINS - CRI = COLOR RENDERING INDEX * MEASUREMENT OF LIGHT QUALITY OF A LIGHT SOURCE AS COMPARED TO SUNLIGHT