Chords Flashcards

1
Q

Diminished triad + minor 7th

A

Half diminished

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2
Q

Major triad + major 7th

A

Major 7th

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3
Q

Diminished triad + diminished 7th

A

Fully diminished 7th

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4
Q

Minor triad + minor 7th

A

Minor seventh chord

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5
Q

Major triad + minor 7th

A

Dominant 7th chord

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6
Q

What function does a 2 chord have

A

Subdominant

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7
Q

What function does a three chord have

A

Tonic

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8
Q

What function does a four chord have

A

Subdominant

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9
Q

What function does a six chord have

A

Tonic

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10
Q

What function does a seven chord have

A

Dominant

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11
Q

What function is the Neapolitan chord (bII6)

A

Predominant

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12
Q

Chromatic tone diminished 7th build and function

A

Root sustained, 3rd, 5th, decorated with neighbor tones
Doesn’t really have one- decor

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13
Q

Diminished third chord

A

Aug six with #4 in bass

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14
Q

Aug 7 chord function and tendency tones

A

Function as applied dom Raised 5 goes up. 7th goes down (may need to double third).

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15
Q

When is major 3 in a major key (raised 3rd) common

A

1- 3- 5- 1
Right before tonight opening of next phrase

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16
Q

Aug 6 build and where it leads to most often

A

Scale degree 1, #4, minor 6. Minor 6 in bass
V

17
Q

Neapolitan 6th other name, function, tendency tones

A

bII6
Subdominant
TT: lowered 2-1, minor (lowered) 6-5
Lowered 2 (RA), 7 (ti), 1 (do)

18
Q

Italian augmented six build, function, tendency tones, what goes in bass

A

Six is usually in bass. Scale degree 1 is doubled, raised scale degree 4, and minor 6
Predom- can lead to five or cadential 6/4
Raised 4 up, minor 6 down

19
Q

French augmented six chord build, function, and tendency tones

A

Minor 6 is usually in bass. Scale degree 1, raised scale degree 4, minor 6, and scale degree 2
Subdominant function- can lead to V or cadential 6/4
Raised scale degree 4 goes up, minor 6 goes down

20
Q

German augmented 6 chords build, function, and tendency tones

A

Minor 6 usually in bass. Scale degree 1, raised 4, minor 6, and MINOR THREE.
Subdominant- must lead to cadential 6/4
Raised 4 goes up to 5, minor 6 down

21
Q

What is the enharmonic equivalent to a German augmented 6

A

Dom 7

22
Q

Neapolitan Chord build, function doubling, what it leads to, voice leading, and where it usually occurs

A

bII(6)
Subdominant
Do not double chromatic notes
Leads to a V7 of sorts
b2 and m6 scale degrees resolve down
RA-TI-DO
Minor

23
Q

When is #III most common

A

Root motion of thirds
Lead to tonic opening of next phrase

24
Q

Common tone diminished 7

A

Common tone sustained, 3rd and 5th are decorated with chromatic neighbors

25
Q

Chromatic mediant chord

A

Scale degree three as root

26
Q

Chromatic submediant chord

A

Scale degree 6 as root

27
Q

Enharmonically reinterpreted o7

A

German Aug 6 can go to dom 7 and viio7 can function in multiple keys (there are only four unique ones)