Chapter 3 - Design Principles, Elements and Style Flashcards

1
Q

principles of design (6)

A
  1. scale
  2. proportion
  3. balance
  4. rhythm
  5. emphasis
  6. harmony (variety and unity)
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2
Q

design principles definition

A

the abstract concepts that constitute the theory, bylaws, or governing ideas that determine the success of a design, each element can be evaluated by these

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3
Q

scale

A

overall size, such as the largeness or smallness of a room, object or pattern

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4
Q

proportion

A

size relationship or ratio of parts to whole, such as the size of a chair in relation to the size of its arms

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5
Q

balance

A

equilibrium achieved by arranging components symmetrically, asymmetrically or radially

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6
Q

rhythm

A

flow of elements, usually organized according to a theme such as repetition or alternation, progression or gradation, transition, opposition or contrast, or radiation

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7
Q

emphasis

A

enhancement that produces a point of interest or focal point in a design

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8
Q

harmony

A

compatibility of elements to create a pleasing whole, achieved through unity and variety

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9
Q

shape

A

open and closed areas, space may be positive (filled) or negative (open)

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10
Q

space

A

open and closed areas, space may be positive (filled) or negative (open)

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11
Q

shape

A

two-dimensional outline, often seen as a geometric figure such as a rectangle or triangle

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12
Q

form

A

three-dimensional shapes such as a cute, cone or sphere

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13
Q

mass

A

weight, density or relative solidity of a form, mass may be actual or visual

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14
Q

line

A

connection between two points, line may be vertical, horizontal, angular or curved

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15
Q

texture

A

smoothness or roughness of a surface, texture may be read visually or through touch

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16
Q

pattern

A

arrangement of motifs in a repetitive or varied order, a small pattern may be read visually as texture

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17
Q

light

A

natural, artificial, or a combination of both, light affects the appearance of all other elements of design

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18
Q

color

A

huge that vary from light to dark and from intense to dull and can be mixed with one another and combined in color schemes, color is the most personal and emotional of the elements of design

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19
Q

floor plan scale

A

1/4, 1/8, or 1/16 inch usually equals 1 ft

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20
Q

golden mean

A

a line from the ancient Egyptians and then Greeks that visually divides an object into two unequal but harmonious parts, falls somewhere between one-half and one-third (vertically or horizontally)

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21
Q

golden section

A

proportions of parts to one another and to the whole, often around the golden mean, ex: 3:5, 8:13, 13:21

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22
Q

golden rectangle

A

sides of rectangles are based off the golden section

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23
Q

equilibrium

A

the arrangement of objects physically or visually to reach a state of stability and poise

24
Q

types of balance (3)

A
  1. symmetric or formal balance
  2. asymmetric or informal balance
  3. radial balance
25
Q

symmetric balance

A

aka formal, bisymmetrical or passive balance, creates a mirror image around a central point

26
Q

asymmetric balance

A

aka informal, active, optical or occult balance, can be accomplished by putting dissimilar objects at varying distances from a center point or placing objects of similar visual weight or form being balanced at an equal distance from a center line

27
Q

radial balance

A

based on the circle, things surrounding a central point in a circle

28
Q

types of rhythm (5)

A
  1. repetition and alternation
  2. progression or gradation
  3. transition
  4. opposition or contrast
  5. radiation
29
Q

repetition

A

establishes rhythm through the repetitive use of an element of design, provides continuity and flow of rhythm, unity and sameness

30
Q

alteration

A

the sequence of two or more components by which the eye can follow a rhythmic pattern

31
Q

progression or gradation

A

shapes progressing from small to large or large to small

32
Q

transition

A

leads the eye without interruption from one point to another, can be a continuous line like crown molding or arched doorway

33
Q

opposition or contrast

A

abrupt change that from interesting, repetitive rhythm, 90-degree angles, patterns or varied shapes

34
Q

radiation

A

radiating concentric or spikelike lines or forms

35
Q

focal point

A

an area visually important enough to draw and hold attention, arrange furniture to face the focal point

36
Q

unity

A

oneness and uniformity, the goal that is being sought, using selections with the same feeling

37
Q

variety

A

absence of monotony or sameness, healthy positive influence that brings about vitality, interest and diversity

38
Q

ottomans

A

oversized footstools

39
Q

massing

A

grouping tougher components to create a unified “group mass”

40
Q

types of lines (3)

A

straight, angular, curved

41
Q

psychological effects of straight lines (2)

A
  1. horizontal lines: weighty, secure, restful, repose

2. vertical lines: imposing, lofty, solid, formal, restrained

42
Q

psychological effects of angular lines (2)

A
  1. diagonal lines: action, movement, interest, angular stability
  2. zigzag lines: exciting, lively, rhythmic movement
43
Q

psychological effects of curved lines (3)

A
  1. curved or circular lines: soft, humanizing, repetitive tempo, gracefulness
  2. flowing lines: gentle movement, growth, linear development
  3. tightly curved or busy lines: playful activity, zest, lively visual stimulation
44
Q

relief

A

high and low areas that produce highlight and shadow

45
Q

combining patterns (4)

A
  1. the placement of emphasis
  2. the character of the pattern
  3. the color scheme
  4. the scale of the patterns to be combined
46
Q

color values

A

the relative lightness or darkness of the color hues

47
Q

color intensity

A

the brightness versus the dullness of a color hue

48
Q

structural design

A

when the design is inartistic to the structure and the form indicates the function of the piece

49
Q

ergonomics

A

the study of the relationships between, on the one hand, human form and movements and, on the other hand, furniture and other products people use

50
Q

criteria for structural design (4)

A
  1. must be simple
  2. is unadorned
  3. the function of the piece must be apparent
  4. a structural piece must be well proportioned to be good design
51
Q

structural design

A

the design cannot be removed from the structure without destroying both the design and the purpose

52
Q

decorative design

A

aka “applied” or “ornamental” design

53
Q

types of decorative design (4)

A
  1. Naturalistic design
  2. Conventional design
  3. Geometric design
  4. Abstract design
54
Q

power of discernment

A

the ability to recognize and appreciate fine design wherever it is found

55
Q

finding a personal style (7)

A
  1. pare back
  2. rearrange what you already have
  3. think “need” not “want”
  4. simplify and organize
  5. cultivate creativity
  6. personalize
  7. cultivate good taste
56
Q

elements of design (9)

A
  1. space
  2. shape
  3. form
  4. mass
  5. line
  6. texture
  7. pattern
  8. light
  9. color