Chapter 3 - Design Principles, Elements and Style Flashcards

1
Q

principles of design (6)

A
  1. scale
  2. proportion
  3. balance
  4. rhythm
  5. emphasis
  6. harmony (variety and unity)
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2
Q

design principles definition

A

the abstract concepts that constitute the theory, bylaws, or governing ideas that determine the success of a design, each element can be evaluated by these

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3
Q

scale

A

overall size, such as the largeness or smallness of a room, object or pattern

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4
Q

proportion

A

size relationship or ratio of parts to whole, such as the size of a chair in relation to the size of its arms

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5
Q

balance

A

equilibrium achieved by arranging components symmetrically, asymmetrically or radially

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6
Q

rhythm

A

flow of elements, usually organized according to a theme such as repetition or alternation, progression or gradation, transition, opposition or contrast, or radiation

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7
Q

emphasis

A

enhancement that produces a point of interest or focal point in a design

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8
Q

harmony

A

compatibility of elements to create a pleasing whole, achieved through unity and variety

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9
Q

shape

A

open and closed areas, space may be positive (filled) or negative (open)

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10
Q

space

A

open and closed areas, space may be positive (filled) or negative (open)

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11
Q

shape

A

two-dimensional outline, often seen as a geometric figure such as a rectangle or triangle

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12
Q

form

A

three-dimensional shapes such as a cute, cone or sphere

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13
Q

mass

A

weight, density or relative solidity of a form, mass may be actual or visual

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14
Q

line

A

connection between two points, line may be vertical, horizontal, angular or curved

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15
Q

texture

A

smoothness or roughness of a surface, texture may be read visually or through touch

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16
Q

pattern

A

arrangement of motifs in a repetitive or varied order, a small pattern may be read visually as texture

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17
Q

light

A

natural, artificial, or a combination of both, light affects the appearance of all other elements of design

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18
Q

color

A

huge that vary from light to dark and from intense to dull and can be mixed with one another and combined in color schemes, color is the most personal and emotional of the elements of design

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19
Q

floor plan scale

A

1/4, 1/8, or 1/16 inch usually equals 1 ft

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20
Q

golden mean

A

a line from the ancient Egyptians and then Greeks that visually divides an object into two unequal but harmonious parts, falls somewhere between one-half and one-third (vertically or horizontally)

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21
Q

golden section

A

proportions of parts to one another and to the whole, often around the golden mean, ex: 3:5, 8:13, 13:21

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22
Q

golden rectangle

A

sides of rectangles are based off the golden section

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23
Q

equilibrium

A

the arrangement of objects physically or visually to reach a state of stability and poise

24
Q

types of balance (3)

A
  1. symmetric or formal balance
  2. asymmetric or informal balance
  3. radial balance
25
symmetric balance
aka formal, bisymmetrical or passive balance, creates a mirror image around a central point
26
asymmetric balance
aka informal, active, optical or occult balance, can be accomplished by putting dissimilar objects at varying distances from a center point or placing objects of similar visual weight or form being balanced at an equal distance from a center line
27
radial balance
based on the circle, things surrounding a central point in a circle
28
types of rhythm (5)
1. repetition and alternation 2. progression or gradation 3. transition 4. opposition or contrast 5. radiation
29
repetition
establishes rhythm through the repetitive use of an element of design, provides continuity and flow of rhythm, unity and sameness
30
alteration
the sequence of two or more components by which the eye can follow a rhythmic pattern
31
progression or gradation
shapes progressing from small to large or large to small
32
transition
leads the eye without interruption from one point to another, can be a continuous line like crown molding or arched doorway
33
opposition or contrast
abrupt change that from interesting, repetitive rhythm, 90-degree angles, patterns or varied shapes
34
radiation
radiating concentric or spikelike lines or forms
35
focal point
an area visually important enough to draw and hold attention, arrange furniture to face the focal point
36
unity
oneness and uniformity, the goal that is being sought, using selections with the same feeling
37
variety
absence of monotony or sameness, healthy positive influence that brings about vitality, interest and diversity
38
ottomans
oversized footstools
39
massing
grouping tougher components to create a unified "group mass"
40
types of lines (3)
straight, angular, curved
41
psychological effects of straight lines (2)
1. horizontal lines: weighty, secure, restful, repose | 2. vertical lines: imposing, lofty, solid, formal, restrained
42
psychological effects of angular lines (2)
1. diagonal lines: action, movement, interest, angular stability 2. zigzag lines: exciting, lively, rhythmic movement
43
psychological effects of curved lines (3)
1. curved or circular lines: soft, humanizing, repetitive tempo, gracefulness 2. flowing lines: gentle movement, growth, linear development 3. tightly curved or busy lines: playful activity, zest, lively visual stimulation
44
relief
high and low areas that produce highlight and shadow
45
combining patterns (4)
1. the placement of emphasis 2. the character of the pattern 3. the color scheme 4. the scale of the patterns to be combined
46
color values
the relative lightness or darkness of the color hues
47
color intensity
the brightness versus the dullness of a color hue
48
structural design
when the design is inartistic to the structure and the form indicates the function of the piece
49
ergonomics
the study of the relationships between, on the one hand, human form and movements and, on the other hand, furniture and other products people use
50
criteria for structural design (4)
1. must be simple 2. is unadorned 3. the function of the piece must be apparent 4. a structural piece must be well proportioned to be good design
51
structural design
the design cannot be removed from the structure without destroying both the design and the purpose
52
decorative design
aka "applied" or "ornamental" design
53
types of decorative design (4)
1. Naturalistic design 2. Conventional design 3. Geometric design 4. Abstract design
54
power of discernment
the ability to recognize and appreciate fine design wherever it is found
55
finding a personal style (7)
1. pare back 2. rearrange what you already have 3. think "need" not "want" 4. simplify and organize 5. cultivate creativity 6. personalize 7. cultivate good taste
56
elements of design (9)
1. space 2. shape 3. form 4. mass 5. line 6. texture 7. pattern 8. light 9. color