Ch 5 (MIDTERM) Flashcards

1
Q

causes sound to dissipate?

A

Impedance
Distance

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2
Q

Free Vibration

A

Object vibrates freely without interference at a rate determined by its physical characteristics such as mass, tension, and sitffness

Once set in motion, it will always vibrate at its own frequency (natural resonance/Resonant frequency)
i.e. eardrums, vocal folds

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3
Q

Forced Vibration

A

Vibration from one object can set another object into vibration if the resonant frequency of both objects are reasonably close
i.e. opera singer and glass

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4
Q

Driving Frequency

A

The wave that forces resonator into Vibration
Also called applied frequency

Resonator will usually vibrate if driving frequency has similar RF (resonating frequency)

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5
Q

Resonator

A

Something set into vibration by another vibration
Does not initiate sound, closer the RF of the driving frequency to resonator, greater the response or amplitude

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6
Q

Filter/Resonator

A

A medium where sound goes through (i.e. talking through a tube)

Anything that resonates is a filter, and a resonator’s characteristics determine what frequencies are allowed to be transmitted

If it falls out of the filter’s range, sound won’t be transmitted

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7
Q

Bandwidth

A

Range of frequencies that it will transmit with minimal attenuation

if frequency falls out of bandwidth, then there will still be sound, but less amplitude (attenuated)

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8
Q

Filters: Narrow bandwidth

A

Transmits small range of frequencies
usually symmetrical/regular shaped
allows less frequency but vibrates for longer (less dampening)

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9
Q

Filters: Broad Bandwidth

A

Transmits larger range of frequencies
Asymmetrical/irregularly shaped
Allows more frequencies but vibrates for shorter (heavy dampening)

more common in speech and hearing with eardrum, VF, and microphones

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10
Q

Cut-off frequency

A

Bandwidth’s maximum and minimum
can be determined by taking half of the bandwidth and going up and down 1/2 the resonant frequency

each cut off is 3dB down point from maximum and a 1/2 reduction of amplitude

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11
Q

Attenuation rate

A

Roll off rate/slope
rate of which resonators amplitude decreases, how rapidly it decreases
dB/octave unit
usually occurs from point of cut-offs

Shallow roll-off: less than 18dB/octave
Moderate roll off: between 18-48dB/octave
Steep roll off: more than 90dB/octave

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12
Q

Types of filters

A

Low pass filter
High pass filter
Bandpass filter
Band reject filter

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13
Q

Low pass filter

A

Transmits energy below a specific upper cut frequency (allows low to pass)
Frequency above upper cut-off attenuated

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14
Q

High pass filter

A

Transmits energy above specific lower cut-off frequency (allows high to pass)
frequency below lower cut-off attenuated

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15
Q

Bandpass filter

A

Transmits energy in range between lower and upper cut off
both lower and higher frequencies attenuated

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16
Q

Band Reject filter

A

Rejects all frequencies between the 2 cut offs

17
Q

Idealized vs. realized

A

Ideally, resonator’s physical characteristics determine the resonance curve
reality, eardrum and oral cavity are resonators with malleable resonance

18
Q

Impedance (Z)

A

Opposition to flow of energy/vibration
Measure of how difficult it is to set particles of medium into motion
Z=force/velocity
Composed of 2 types: Resistance and Reactance

19
Q

Resistance (R)

A

Opposition of vibration caused by FRICTION
Same for all frequencies always
Energy lost due to particles interacting with each other

20
Q

Reactance (X)

A

Opposition produced by the mass (density) and elasticity (stiffness) of medium
Varies as function of frequency
Composed of two types:
-Mass Reactance (Xm)
-Stiffness Reactance (Xs)

21
Q

As frequency increases…

A

Mass reactance INCREASES
Stiffness reactance DECREASES

22
Q

As frequency decreases

A

Mass Reactance DECREASES
Stiffness Reactance INCREASES

23
Q

Mass inhibits…

A

Higher frequencies

24
Q

Stiffness inhibits…

A

Lower frequencies

25
Q

Heavier objects are…

A

Better at lower frequencies where stiffness reactance dominations and mass reactance is lower

Harder to get heavier objects into faster vibration

26
Q

Stiffer objects are…

A

Better at higher frequencies where mass reactance dominates and stiffness reactance is lower

Taut violin string vibrates faster easier

27
Q

Mass and stiffness are…

A

180 degree out phase

28
Q

Resonant frequency

A

Where mass and stiffness reactance cancel and meet resistance in the middle

29
Q

Admittance (Y)

A

How easily system vibrates, reciprocal to impedance
Y=velocity/force

30
Q

Sound dissipation from distance

A

Doubling distance from sound source spreads out energy pressure of sound
every double distance = 6dB DROP

31
Q

Woofer speakers

A

Bigger speaker cones and heavier
transmits lower frequency well where it is stiffness dominated

32
Q

Tweeter speakers

A

Lighter, transmits higher frequencies well where it is mass dominated