Ch 13 Flashcards

1
Q

Composition

A

A composition is a musical work that may be played by any number of musicians and bands while remaining basically unchanged.

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2
Q

Composers….

A

During the 1950s, many composers started to explore the jazz past for compositional material.

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3
Q

Thelonious Monk compositions based on..

A

worked with blues and standard AABA song forms

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4
Q

Charles Mingues compositions based on

A

turned to blues, AABA
forms, boogie woogie, and classical
music for inspiration.

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5
Q

Gil Evans compositions based on…

A

rearrangments

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6
Q

George Russel compositions are based on…

A

introduced “modalism”

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7
Q

Thelonious Monk

A

Monk was key to the development of bebop because he was the house pianist at Minton’s Playhouse

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8
Q

Monk’s output

A

composed 71 compositions but is the second most played (“Round Midnight”)

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9
Q

Monk compositional technique…

A

used dissonances, like minor seconds

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10
Q

“Thelonious”

A

Form is typical AABA but the bridge is ten bars long and the final A is ten bars long

A 8
A 8
B 10
A 10

Head is based off a one note riff accompanied by descending chromatic chords

Monk solos chorus’ 2-4 (emphasized 3-4)

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11
Q

“Rhythm-a-ning”

A

based a riff from Mary
Lou Williams’ “Walkin’ and Swingin’”

Rhythm-a-ning is an AABA 32 bar
popular song.

Chorus 2-4 Charlie Rouse**
Chorus 5-6 Monk

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12
Q

Charles Mingus

A

virtuoso bassist and composer

He also wrote compositions that linked jazz and the civil rights movement.

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13
Q

“Fables of Faubus”

A

Mingus composed it in response to the
Arkansas governor (Orville Faubus) who
refused to integrate Little Rock Central High
School.

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14
Q

“Boogie Stop Shuffle”

A

As the title suggests, it is based on
Boogie-woogie blues.

The first five choruses are Mingus’s
composition.

The remaining thirteen choruses are
improvised.

12-bar blues

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15
Q

Gil Evans

A

was primarily an innovative arranger who lifted the art of arranging to the level of composition.

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16
Q

Jelly Roll Morton’ “King

Porter Stomp.”

A

by arranged by Gil evans

featured alto saxophonist Cannonball Adderley

17
Q

George Russell

A

He developed a musical theory for jazz.

He published it in George Russell’s
Lydian Chromatic Concept of Tonal
Organization (1953).

18
Q

“Concerto for Billy the Kid”

A

Russell conceived of the “Concerto for Billy
the Kid” as a showcase for pianist Bill
Evans.

Chorus 3-4 Bill Evans (chorus in stop time)

A 16
B 16
A 16

A 16
B 16
A 16 … Interruption