Cadences, Motives, Phrases And Periods Flashcards
Cadence is…
A series of chords in a progression that indicate closure of a musical statement or phrase
Authentic Cadence
V or viidim moving to the tonic at a cadential point. Both can be in root or inversion but viidim is usually in inversion.
Perfect Authentic Cadence
V (V7) to I, V has to be used, both in root position and the tonic of the I is in the soprano voice.
Imperfect Authentic Cadence (IAC)
Similar to PAC but useful in ending musical statements in the middle of sections. Can use viidim instead of V, chords are in an inversion, tonic is not found in the soprano voice
Half Cadence (HC)
Located at the end of a phrase. Ends with a V chord. Can be preceded by any other chord.
Deceptive Cadence (DC)
You expect to hear a V-I cadence but don’t go to the I. It’s common to go to the vi (submediant). Can extend a few more measure before finally going to the tonic.
Plagal Cadence (PC)
“AMEN” Cadence. Subdominant functioning chord passes directly to the tonic. IV-I. Very end of a composition. Preceded by a perfect authentic cadence.
Plagal Half (PHC)
Rare cadence. And considered weak. Can be a I-IV progression. Can be a good technique for call and answer statements.
How to classify cadences?
Either as conclusive : AC and PC or progressive : DC and HC
Motive
Aka a Motif or figure. The smallest musical idea that can be distinctly identified: pitch, rhythmic, pitch/rhythmic. Can be 2-12 notes long.
Phrase
Independent musical idea concluded by a cadence. Grouped 2-4 measures. (Can be dissected into sub-phrases)
Period
Two well-constructed phrases put together. Call and answer or antecedent and consequent.
Regular vs Irregular Phrases
Regular = 4 measures
Irregular = 2-8 measures
Labeled as lowercase letters: a, b, c, etc.
Parallel Period
When both phrases begin with similar or have identical material. a or a’ (a prime)
1-3 measures long
Contrasting Period
Phrase beginnings are different