Brandenburg Concerto No.5, 3rd movement Flashcards
(32 cards)
what is the role of the harphsichord in Brandeburg Concerto 5, 3rd
soloist
accompaniment
conductor
reliases figure bass
How would you describe Brandeburg Concerto 5, 3rd
gigue, played at allegro
what time signature is Brandeburg Concerto 5, 3rd in
2/4, simple time
what key is Brandeburg Concerto 5, 3rd in
D major at the start
What were the dynamics in Brandeburg Concerto 5, 3rd?
left to performer, no dynamic markings. use texture to make it louder
What are the two types of forms in Brandeburg Concerto 5, 3rd
fugue and ternary
what is a fugue
a musical form comprising of an exposition, middle and final section
How does the beginning Brandeburg Concerto 5, 3rd
- offbeat semiquavers on
- stepwise movement - gives gigue feel
- ends on tonic
- monophonic texture
-tonal
-violin has four detached quavers, known as countersubject
-concertino
why is Brandeburg Concerto 5, 3rd basso continuo
there is concertino and ripieno
showiness
harpsichord
which insturments play continuo in Brandeburg Concerto 5, 3rd
cello and harphsicord
what instruments play concertino in Brandeburg Concerto 5, 3rd
flute and violin
what instruments play ripieno in Brandeburg Concerto 5, 3rd
viola, second violin, cello
what type of cadences are there in Brandeburg Concerto 5, 3rd
perfect cadence
what happens in bar 9 in Brandeburg Concerto 5, 3rd
dialoguing
threepart counterpoint into four part counterpoint
what happens in bar 19 +21 in Brandeburg Concerto 5, 3rd
trilling on minims in harphsichord, to make notes sound longer
what happens before the counter subject of the quavers and semiquavers in harpsichord
stretto to add intensity
stepwise movement
what are the textures in Brandeburg Concerto 5, 3rd
contrapuntal and fugal
monophonic -> two part counterpoint -> three part counterpoint -> four part counterpoint.
describe first part of part b in Brandeburg Concerto 5, 3rd (sadder)
more lyrical
b minor
homophonic texture, accompianment from harphsichord
tonic pedal in harpsichord and cello
triplets
what does unison create and when is it used before in Brandeburg Concerto 5, 3rd and describe this passage before solo harphsichord
makes it louder
harphsicrod soloist and sculling is used.
e minor -> b minor
trilling on harphsicord to sustain long tied notes
describe harphsicord solo part in Brandeburg Concerto 5, 3rd
cannon - contropunctual texture
triplets
dotted notes
what is the texture of B section Brandeburg Concerto 5, 3rd
Generally lighter, allow concertino instruments to be heard. homophonic texture beggining. contrapuntal passages, dialouging
textures of section a in Brandeburg Concerto 5, 3rd
contrapuntal and fugal
builds up from monophonic
two part counterpoint -> three part -> four part. ripieno parts join texture remains quite full
what is the mood of Brandeburg Concerto 5, 3rd
upbeat and uplifting
what does stretto create
tension and excitement
