Brandenburg Concerto No.5, 3rd movement Flashcards

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1
Q

what is the role of the harphsichord in Brandeburg Concerto 5, 3rd

A

soloist
accompaniment
conductor
reliases figure bass

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2
Q

How would you describe Brandeburg Concerto 5, 3rd

A

gigue, played at allegro

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3
Q

what time signature is Brandeburg Concerto 5, 3rd in

A

2/4

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4
Q

what key is Brandeburg Concerto 5, 3rd in

A

D major at the start

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5
Q

What were the dynamics in Brandeburg Concerto 5, 3rd?

A

left to performer, no dynamic markings. use texture to make it louder

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6
Q

What are the two types of forms in Brandeburg Concerto 5, 3rd

A

fugue and ternary

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7
Q

what is a fugue

A

a musical form comprising of an exposition, middle and final section

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8
Q

what is ternary form

A

aba

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9
Q

what is fugal exposition

A

subject and answer

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10
Q

whats the subject

A

short main theme of the fugue

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11
Q

How does the first two bars go in Brandeburg Concerto 5, 3rd

A
  • offbeat semiquavers on dominant A followed by tonic D
  • stepwise movement - gives gigue feel
  • ends on tonic
  • monophonic texture
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12
Q

what happens in bar 3 of Brandeburg Concerto 5, 3rd

A

-tonal Answer on the flute, starts fourth higher on tonic note D ending on dominant note A
-violin has four detached quavers, known as countersubject
-concertino

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13
Q

why is Brandeburg Concerto 5, 3rd basso continuo

A

there is concertino and ripieno
showiness
harpsichord

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14
Q

which insturments play continuo in Brandeburg Concerto 5, 3rd

A

cello and harphsicord

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15
Q

what instruments play concertino in Brandeburg Concerto 5, 3rd

A

flute and violin

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16
Q

what instruments play ripieno in Brandeburg Concerto 5, 3rd

A

viola, second violin, cello

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17
Q

what type of cadences are there in Brandeburg Concerto 5, 3rd

A

perfect cadence

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18
Q

what happens in bar 9 in Brandeburg Concerto 5, 3rd

A

subject in left hand of harpsichord, starting on dominant. answer in right hand starting on tonic. threepart counterpoint into four part counterpoint

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19
Q

what happens in bar 19 +21 in Brandeburg Concerto 5, 3rd

A

trilling on minims in harphsichord, to make notes sound longer

20
Q

when does stretto happen in Brandeburg Concerto 5, 3rd

A

bar 39, to add intensity

21
Q

what are the textures in Brandeburg Concerto 5, 3rd

A

contrapuntal and fugal
monophonic -> two part counterpoint -> three part counterpoint -> four part counterpoint.

22
Q

what is the tonality in Brandeburg Concerto 5, 3rd in the beggining

A

d major -> a major -> d major -> minor key of B minor

23
Q

what is stretto

A

entries of the subject occur closer together than before, increasing tension

24
Q

what is contrapuntal

A

wben two melodies are played against each other

25
Q

what is counterpoint

A

two ore more melodies different rhythms

26
Q

how is b minor related to d major

A

relative minor

27
Q

describe first part of part b in Brandeburg Concerto 5, 3rd

A

more lyrical
b minor
homophonic texture, accompianment from harphsichord
tonic pedal in harpsichord and cello
triplets

28
Q

what does unison create and when is it used before in Brandeburg Concerto 5, 3rd and describe this passage before solo harphsichord

A

makes it louder
harphsicrod soloist and sculling is used.
e minor -> b minor
trilling on harphsicord to sustain long tied notes

29
Q

describe harphsicord solo part in Brandeburg Concerto 5, 3rd

A

cannon - contropunctual texture
triplets
dotted notes

30
Q

what is scalic

A

music that is based on scales ascending or descending in pitch

31
Q

where does the b setion start in Brandeburg Concerto 5, 3rd

A

bar 79

32
Q

tonality of B section in Brandeburg Concerto 5, 3rd

A

starts and ends in B minor, F# minor in 97, E minor bar 156, B minor 161, D major 181, F#minor 198 then B minor 232,

33
Q

what is the texture of B section Brandeburg Concerto 5, 3rd

A

Generally lighter, allow concertino instruments to be heard. homophonic texture beggining. contrapuntal passages, dialouging

34
Q

textures of section a in Brandeburg Concerto 5, 3rd

A

contrapuntal and fugal
builds up from monophonic
two part counterpoint -> three part -> four part. ripieno parts join texture remains quite full until end of section in bar 78

35
Q

tonality of section A in Brandeburg Concerto 5, 3rd

A

tonic key of D major, dominant key of A major, E major, A major, D major, B minor

36
Q

what is the mood of Brandeburg Concerto 5, 3rd

A

upbeat and uplifting

37
Q

what does stretto create

A

tension and excitement

38
Q

what are commmon baroque devices

A

suspensions, sequences and pedals

39
Q

name one type of dissonance heard in Brandeburg Concerto 5, 3rd

A

suspensions

40
Q

Which word describes the overall texture of Brandeburg Concerto 5, 3rd

A

contrapuntal

41
Q

Describe the melody played by harpshichord before ripieno enters at the start

A

stepwise
trills
diatonic
subject
answer

42
Q

identify texture when ripieno enters branderburg

A

contrapuntal

43
Q

two features of harmony which are characteristic of Baroque period at start of branderburg

A

pedal
perfect cadences
suspenspions
sequences

44
Q

name a harmonic device heard at end of harphsichord solo

A

pedal

45
Q

features that are typical of final movement of concerto grosso

A

getting faster
fugal
gigue