Black Panther Flashcards

1
Q

Reception Theory (Stuart Hall)

A
  • media texts are encoded by the producer and are loaded with values and messages
  • the text is then decoded by the audience who interpret the text in different ways, perhaps not the intended way

Dominant reading:
- intended meaning/ preferred reading is understood and accepted

Oppositional reading:
- the message is understood by the decoder + they disagree with it/ read it in a contrary or oppositional way

Negotiated reading:
- encoder’s message is acknowledged, although the message is adapted, questioned or negotiated to fit the decoder’s own individual experience and context.

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2
Q

Marvel facts

A
  • work in a huge number of marvel comic films (started out as a comic book company but then diversified as a subsidiary of disney)
  • large presold audience
  • they own the rights to certain characters so can sell the intellectual property to other companies to give them the right to develop it and create media about it
  • their films are formulaic with prequels sequels and the multiverse, this retains audience (profitable)
  • BP is the the 17th film in this franchise of superhero movies
  • subsidiary of Disney Studios, one of the world’s largest conglomerates
  • much facilities and money
  • able to use Disney to distribute the film so they are taking advantage of vertical integration
  • Disney is global so widest possible audience
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3
Q

360 degree marketing

A
  • the marketing should be all around everyone, everywhere
  • posters, merch, clips on social media, actors on talk shows, many high brow companies incorporated in the marketing too
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4
Q

What were the different companies they worked with to advertise/different ways?

A
  • Hasbro: toys and merch are a great way to engage young children and family audiences as well as marvel nerds who like collectibles
  • Lexus: BP cars so when the cars were marketed, the film was too- this engages an adult male audience who is interested in technology and status
  • Trailers: presold marvel fans engage with this because it is clearly presented as being part of the marvel universe
  • Superbowl: worldwide sports event, shows the film is high cost and quality, reaches a mainstream global audience
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5
Q

the realease of the film

A
  • during Black History Month, which makes its message tied to black pride and heritage + customs
  • marketed as a cultural celebration
  • some peole set up crowd funds to ensure that young black people could see this film
  • this gained a lot of publicity and gave unofficial marketing for the film because it was mentioned widely in news
  • a fashion show was created at New York fashion week, this might engage a creative and female audience who are often ignored by superhero films
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6
Q

use of social media and new technologies?

A
  • youtube was used as a free global marketing technique, which allows audiences to market the film through sharing
  • they used twitter hashtags and posted about it (it has become the most tweeted about film ever)
  • this has low risk and high profit!!
  • livestreams on twitter were also used for the actors to do a Q+A which builds anticipation that the film is going to be incredible and has a relationship between the actors and viewers (role models for black children especially)
  • TV shows were also used, actors made an appearance to talk about the film, this attracts an older audience as it is a traditional TV product
  • the actors appeared at ComicCon, this allows the BIGGEST fans to interact and has lots of publicity around the nerds
  • a snapchat filter was created, which engages a young audience
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7
Q

what are some ways that BP could be considered low risk?

A
  • shared universe/ existing granchise so existing fans
  • pre-sold audiences for this reason
  • global conglomerate involvement, biggest companies in the world
  • famous actors
  • popular genre- superhero movies so is mainstream
  • detailed and widespread marketing campaign
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8
Q

how does it take some risks?

A
  • Black panther is one of the lesser known marvel characters
  • mainly black cast so they may not be as well known or relatable to widest possible audience
  • heavy cost to make
  • is the aggressive marketing making up for these risks?
  • is this so that it will appeal to younger modern audiences who are growing up in an inccreasingly multicultural society?
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9
Q

BP and diversity- ethnicity

A
  • could be seen as ‘cashing in’ on token black characters and stories
  • as well as cultural context of people wanting more representation in the media
  • historically, black casts have only been featured in social realist films based around crime and poverty or comedic roles that contain racial stereotypes
  • this reflects the progress of society + makes the film seem new and exciting because it is different to the roles that would have been offered to black people before
  • the roles they portray are very positive, even the antagonist can be seen as an anti-hero which comments on black issues rather than creating negative representation
  • this appeals to audiences looking for positive rep of black ppl
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10
Q

BP and diversity- gender

A
  • women’s roles in superhero films have been centred around damsel in distress and victim roles
  • recently, stronger and dominant female roles have been opened up in the genre through wonder woman and captain marvel
  • BP reflects this through the female characters who can be quite aggressive and dominant leaders
  • they are sometimes seen as superior to the male characters (like T’Challa’s sister who is very intelligent and bosses him around)
  • this appeals to a modern female audience
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11
Q

how has diversity in BP had a positive impact?

A
  • tackling issues of race and discrimination
  • making positive change through its power as a maintstream media outlet
  • Disney have been trying to change the way that the world sees ethnic minorities recently, due to their previous animated fairytales conveying quite old fashioned views
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12
Q

regulation in BP

A
  • awarded a 12A, which some people said was too relaxed because there was a lot of violence
  • the BBFC argued however that audiences should expect a certain level of violence in marvel films
  • lots of stunt work and fantasy violence
  • lots of the violence we see is constructed as morally wrong
  • this also allows black children to identify and be educated
  • marvel want a global audience which means they have to tread carefully to meet the regulation standards of countries that may be more strict- so they may change the film slightly for each country
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13
Q

BP posters

A
  • the range of different character posters appeals to a very diverse audience, all targeting different people
  • the chinese poster covers the actors faces with the masks, suggesting that it is less marketable to feature black characters in asian coutnries
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