Berlioz: Symphonie Fantastique, Fourth Movement Flashcards
General information on band
1803-1869.
Romantic period.
Melody
Theme B is first heard in unison cellos and double basses and then repeated with unison bassoons adding a countermelody featuring a dotted rhythm.
While the lower strings provide a new countermelody based on arpeggios and scales, theme B is played by violins in octaves.
A rising scale precedes the march theme C in the relative key Bb major.
Instrumentation
Timpani.
Double basses.
Low horns.
Cellos.
Violins.
Harmony and tonality.
G major.
5.13- a dramatic moment where the untuned percussion enter for the first time playing on the second beat of each bar.
5.41- the agitated passage is based entirely on dotted rhythm punctuated with fortissimo perfect cadences in G minor.
Time signature
2/2