Beethoven Flashcards

1
Q

what dynamic markings are used to create drama?

A

-crecendos
-sfortzandos (sudden dynamic change)

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2
Q

what does the exposition include rhythmically?

A

syncopation and persistent quavers (in sub 1)

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3
Q

what is the effect of the dotted rhythms in the intro?

A

suspense

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4
Q

what it the introduction (as a melodic device)?

A

a sequence

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5
Q

what is subject one (as a melodic device)?

A

a rising theme over two octaves

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6
Q

what is the articultion of the first subject?

A

staccato

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7
Q

what is the second subject (as a melodic device)?

A

a lyrical phrase with a contrasting spiky staccato phrase

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8
Q

what is the overall articualtion of the second subject

A

legato

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9
Q

give two melodic features of this peice

A

-large range
-ornaments like mordents and acciacatiras

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10
Q

give the two tempos of the piece

A

-grave and allegro

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11
Q

what is the texture of the intro?

A

homophonic chords

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12
Q

what is the texture of bars 5-10?

A

melody and accompaniment

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13
Q

what texture is created in subject 2?

A

antiphonal (call and response)

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14
Q

give the structure of sonata form

A

intro, exposition, development, recap, coda

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15
Q

give time sig of intro and the rest of the piece

A

-4/4
-2/2

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16
Q

the playing can be described as ……..

A

virtuosic

17
Q

what is the key signature of the intro and expo?

A

C minor

18
Q

what happens with the key signature in the development?

A

-it explores different (sometimes unrelated) key signatures
-it preps for the recap in C minor with dominant chords

19
Q

give 4 harmonic features of the piece

A

-diminished 7th chords
-chromaticism
-tonic pedals in expo and development
-circle of fiths progressions

20
Q

What key is the second subject in the exposition?

A

Eb minor (unusual as we were expecting the relative major)

21
Q

What does Beethoven use as transitions? What does he reference in the Coda?

A

-short, four-bar references to the introduction providing contrast to the main sections
-the beginning of the exposition

22
Q

How does the introduction alone demonstrate characteristics of the romantic period?

A

-dissonance
-variation in dynamic (fp)
-dramatic chords
-large pitch range

23
Q

What is the key of first subject? What is the key of the second subject? What is the key of the final part of the second subject?

A

-C minor
-Eb minor
-Eb major

24
Q

What theme is referenced in the development? What theme is referenced in the recapitulation?

A

-first subject
-both subjects