Baroque Period Flashcards
17th century Europe
- Scientific and political changes (discovering the planets, gravity, democracy throughout Europe)
- Colonialism overseas
- Capitalism
- Music patronage - courts, churches, best off in Italy
Baroque Qualities and “innovations” in Music
- Affection - showing emotion including dynamic movement, active bass lines
- Instrumental music also emotional, turning dances into suites, suites into tonal cycles
- Represent emotions in a generic sense
- Sometimes very free, or very rhythmic. Lots of variety
- Basso Continuo and ostinato bass lines
- The Concerto
- Early opera!
- Chords, dissonance, chromaticism
- Development of tonality
Early Opera
- Italian courts - weddings, etc. became musical productions with costumes and stage effects
- Influence from Ancient Greece/Rome, specifically tragedy
- “Monody” - solo singing with accompaniment (reciting poems)
- Arias - strophic settings of poems
- Recitative - speaking/dialogue portions (L’Euridice)
Opera developments
- Comic opera (Rome
* Venetian opera - huge crowds during carnival
Other Italian vocal music
• Cantatas
•Arias - dramatic madrigal
(Can stand on their own from Opera)
Concerto
Drives from Catholic separate choirs, instrumental timbres, solo voices, etc.
• Early vocal concertos - with organ continuo, sometimes 2-4 voices
Oratorio
Sacred music combining narrative, dialogue and commentary
• Religious subject matter
• Often in Latin
Instrumental music in Baroque
Dances, variations on melody, chorales, keyboard/lute pieces in improvisatory style, fugues, contrasting sectional pieces
• Lute/keybord variation pieces (Tablature created)
• toccatas (warm up/improv pieces) - some free time and lots of sequential chords/changes
• Ricercare and fugue - Imitative
• Canzona - Sectional
Late 17th century Opera and other styles
- lots of Arias! Da Capo Aria introduced (ABA)
- France - Lully. Invented French overture, fostered modern orchestra
- England - musical theater (mixed elements)
Cantatas
Lagrime Mie (Strozzi) Scarlatti
Late 17th century Instrumental music
Organ music
• Buxtehude (solo organ) - some free sections, virtuoso parts
Harpsichord music
• Agrements (ornaments left up to performer) French practice. Influenced by lute
Chamber music
• Sonata - different sections w/different material, mood, etc. Corelli. Listen for moving bass line. Strings. Tonality
Concerto
• Development of orchestra. Contrasting sections (small set vs. large set of instruments - grosso; one solo vs. orchsestra, solo)