Arte Flashcards

1
Q

Arte… termitero

A

Sin gaudi no hay catedral

Si termitero

Natural

///

No hay mi maestro de… sin mi? Jaja

Roca en medio de la ciudad

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2
Q

Maestro ignorante, que aprende alumnx

A

Algo que no sabe maestrx

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3
Q

Espectador, es pasivo?

A

Ver es actividad

No transformar en activo

No se ignorante a docto

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4
Q

Critica como debe ser / Deleuze por andrea Soto

A

Creativa, no hay crítica, se queda en juicio

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5
Q

Apariencia, espacio de apariencia : ranciere

A

Escena: Condiciones de posibilidad
Modo de existencia pueda ser pensado, imaginado

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6
Q

How to speak poetry

Cohen

A

Are you trying to suggest that you love butterflies more perfectly than anyone else, or really understand their nature? The word butterfly is merely data.

Take the word butterfly. To use this word it is not necessary to make the voice weigh less than an ounce or equip it with small dusty wings. It is not necessary to invent a sunny day or a field of daffodils. It is not necessary to be in love, or to be in love with butterflies. The word butterfly is not a real butterfly. There is the word and there is the butterfly. If you confuse these two items people have the right to laugh at you. Do not make so much of the word. Are you trying to suggest that you love butterflies more perfectly than anyone else, or really understand their nature? The word butterfly is merely data. It is not an opportunity for you to hover, soar, befriend flowers, symbolize beauty and frailty, or in any way impersonate a butterfly. Do not act out words. Never act out words

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7
Q

Poesía / características

A

Usuales: líneas (pero prosa), verbal, intensity, Musical (rythm)

Poesis: create

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8
Q

Poesía

Que no es

Que es, analogía

A

No es historia, mensaje que descifrar, ensayo

Es compartir una experiencia como una foto

Y

Jugar con lenguaje

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9
Q

Sin una práctica que ocurre.. como es la vida

Y cómo es con una práctica

A

Without a practice, without a discipline, life is pretty much a series of contingent events; moving from one situation to another, jumping from one mess to another, or simply sleeping through it all.

With a practice, we develop a structure of acting in the world; within which we construct an interior architecture, moving to realise what we are, uniquely, born to achieve.
Robert Fripp
Tuesday 21st. January, 2020

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10
Q

como aprender a escribir, què estudio?

A

aprende memoriza todo, luego olvida todo, lo que no puedas… ahí es…

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11
Q
A
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