Art Movements Flashcards

1
Q

An art style that attempts to replicate real-life to critique a socio-political aspect.

Highlights political and social issues like poverty, injustice and corruption within a society.

A

Social Realism

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2
Q

Artworks from this movement captured the hardship of everyday life stemmed from the Great Depression in the United States.

Darker, more sombre colours were generally used in artworks.

A

Social Realism

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3
Q

The social issue portrayed in this painting is In the 1930s, America was becoming more urbanised. In the Great Depression, a lot of farms were lost due to the economic crisis.

The detailed portrayal of everyday rural life has made the painting an iconic representation of American identity and values.

A

American Gothic, Grant Wood - Social Realism

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4
Q

THE POWER OF MUSIC, 1847 WILLIAM SIDNEY MOUNT

EMIGRANTS, 1922 EMIL ORLIK

A

Social Realism

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5
Q

Is a form of art in which the artist uses their body actions. Known as artistic action. It involves five basic elements: time, space, body, and presence of the artist, and the relation between the creator and the public.

It an event rather than an artifact.

A

Performance Art

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6
Q

has its roots in the early 20th-century avant-garde movements, particularly Dadaism and Futurism. was characterized
by improvisation, spontaneity, audience interaction, and political agitation. It also became a favourite of feminist artists—such as
the gorilla-masked Guerrilla Girls

A

Performance Art

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7
Q

a German artist, sculptor, and performance artist who was active from the 1950s until his death in 1986. One of the most influential
artists of the 20th century. Performance Art

A

JOSEPH BEUYS

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8
Q

an early theorist and practitioner in avant-garde theatre who taught at the Bauhaus from 1920 to 1929. Performance Art

A

OSKAR SCHLEMMER

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9
Q

Japanese artist, singer, songwriter, and peace activist. an influential practitioner of conceptual and performance art in the 1960s

A

Yoko Ono

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10
Q

Joseph Beuys: I Like America and America Likes Me

A

Performance Art

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11
Q

Chris Burden’s “Shoot” (1971)

A

Performance Art

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12
Q

refers to substantial buildings that are built for a particular purpose or time period. Artworks are meant to evoke a mood or a feeling, and as such ask for a commitment from the viewer

A

Installation Art

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13
Q

This rose to popularity in the 1970s, its origins may be traced back to previous artists such as Marcel Duchamp and his use of the readymade, as well as Kurt Schwitters’ Merz art items, rather than more typical craft-based sculpture.

A

Installation Art

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14
Q

A contemporary Japanese artist who focuses on sculpture and installation but also engages in other mediums like painting, performance, video art, fashion, poetry, and fiction.

A

Yayoi Kusama

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15
Q

is a pioneer of installation art in the Philippines. Born in Agusan del Norte in 1942, he received his fine arts education from the University of the Koop Philipppines Diliman and was mentored by Napoleon Abueva, the “father” of modern Philippine sculpture.

A

Luis E. Yee, Jr., better known as Junyee

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16
Q

The King and Queen Surrounded by Swift Nudes (1912)

A

Installation Art

17
Q

is a style of visual art that emerged in the 1960s. It is
characterized by the use of optical illusions and geometric patterns to create visual effects that can be disorienting or appear to move.

A

Optical Art

18
Q

Lines, spaces, and colors are carefully and precisely
planned, visualized, and positioned in op art to illustrate the illusion of movement, which lets viewers experience varied sensations from discomfort to confusion to dizziness.

A

Optical Art

19
Q

movement of the 1960s opt to make reforms in traditional values. It also made use of commonplace, trivial, even nonsensical objects. Unlike the angry, serious tone of the original dadaists, the artists seemed to enjoy nonsense for its own sake and simply wanted to laugh at the world.

A

Pop Art

20
Q

American painter who was a founder and leading figure of Pop art, a movement that countered the techniques and concepts of Abstract Expressionism with images and techniques taken from popular culture.

A

Roy Lichtenstein

21
Q

Even before he started producing work for galleries, He was the most well-known and successful commercial illustrator in New York.

A

Andy Warhol