art appreciation Flashcards

1
Q

“Man is the measure of all things.”

A

Protagoras

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2
Q

are academic disciplines that study aspects of human society and culture. In the Renaissance, the term contrasted with divinity and referred to what is now
called classics, the main area of secular study in universities at the time.

A

Humanities

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3
Q

is generally applied art - art created for
use, not necessarily everyday use, but designed to serve a purpose and with an
aesthetic in mind.

A

Functional art

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4
Q

is art that serves no
utilitarian purpose. It is in direct contrast with functional art, which has both an
aesthetic value and a utilitarian purpose.

A

Nonfunctional art

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5
Q

is a philosopher of Ancient Greece who is known for his
Dialogues together with Socrates. He loved and hated the arts at the same time which
makes his philosophical views on art unexplainably complicated.

A

Plato ( 428 – 347 BC)

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6
Q

Plato’s Ideas of the Arts may be summed up by the truths according to him that:

A

Art is imitation; 2. Art is dangerous.

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7
Q

are all examples of what Plato called Forms or Ideas.

A

Beauty, Justice, and The Circle

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8
Q

was a student of Plato who first distinguished between
“what is good and what is beautiful’’. For him, the universal elements of beauty are
manifested by order, symmetry and definiteness.

A

Aristotle ( 384 – 322 BC)

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9
Q

was a German, Enlightenment philosopher who
wrote a treatise on Aesthetics: Observations on the Feelings of the Beautiful and the
Sublime. His main interest was not on art but on BEAUTY that it is a matter of
TASTE.

A

Immanuel Kant (1724 – 1804)

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10
Q

The Kinds of Aesthetic Responses according to Kant are:

A

Beauty results in pleasure if there is order, harmony and symmetry; and Beauty leads to a response of awe that overwhelms the viewers of the art.

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11
Q

t is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art.

A

artist

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12
Q

is a skilled craft worker who
makes or creates things by hand that may be functional or strictly decorative, for
example furniture, decorative arts, sculptures, clothing, jewellery, food items, household items and tools or even mechanisms such as the handmade clockwork
movement of a watchmaker

A

artisan

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13
Q

is sometimes used in describing hand-processing in what is
usually viewed as an industrial process, such as in the phrase artisanal mining.

A

“artisanal”

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14
Q

is an art form that reflects how we present ourselves
across the earth’s landscape, and, like other expressive mediums, it changes with
styles, technologies and cultural adaptations.

A

Architecture

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15
Q

an artistic form in which hard or plastic materials are worked
into three-dimensional art objects

A

Sculpture

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16
Q

is the application of pigments to a support surface that
establishes an image, design or decoration

A

Painting

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17
Q

is the movement of the body in a rhythmic way, usually to music and
within a given space, for the purpose of expressing an idea or emotion, releasing
energy, or simply taking delight in the movement itself.

A

Dance

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18
Q

is an art form, and cultural activity, whose medium is sound. General definitions of music include common elements such as pitch (which
governs melody and harmony), rhythm (and its associated concepts tempo, meter,
and articulation), dynamics (loudness and softness), and the sonic qualities
of timbre and texture (which are sometimes termed the “color” of a musical sound)

A

Music

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19
Q

is a collaborative form of performing art that uses live
performers, typically actors or actresses, to present the experience of a real or
imagined event before a live audience in a specific place, often a stage.

A

Theatre or theater

20
Q

most generically, is any body or collection of written work. More restrictively, literature refers to writing considered to be an art form or any
single writing deemed to have artistic or intellectual value, and sometimes deploys
language in ways that differ from ordinary usage.

A

Literature

21
Q

are
those which are felt by the senses which includes sculpture, painting and architecture.

A

Visual arts

22
Q

Music, Dance and Theater are under what
category

A

the performance arts

23
Q

in arts refers to the main idea that is represented in the artwork.

A

subject

24
Q

refers
to compositions which do not rely on representation or mimesis to any
extent.

A

Non-representational or non-objective art

25
Q

in the broadest sense, is equivalent to the natural world, physical universe, material world or material universe.

A

Nature

26
Q

They are considered the most interesting subject of an artwork which
may be real or imagined.

A

People

27
Q

It is the depiction of factual events that occured in the past whose
purpose is either to remember important events of long ago or to teach the learners
about the lessons of the past.

A

History

28
Q

Artworks based on legends present to viewers of the art something
tangible even when unverified

A

Legends

29
Q

has played an enormous role in inspiring works of visual arts, music, architecture and literature through ages.

A

Religion

30
Q

These are sources of subjects that come from the stories of gods
and goddesses of Ancient Greece, Rome, Norse and Egyptians.

A

Mythology

31
Q

The wonder of the unconscious is what is being expressed by art works
under this subject source. These works of art somehow explain to the viewers the content of the
art piece including the hidden meaning behind each work. The unconscious is being made to be
understood by this

A

Dreams and Fantasy

32
Q

The modernity of the present is also an inspiration being used by artists as a source
of subject.

A

Technology

33
Q

in art refers to the depiction of realistic objects in a
natural setting.

A

Naturalism

34
Q

in the arts is generally the attempt to represent subject
matter truthfully, without artificiality and avoiding speculative
fiction and supernatural elements

A

Realism

35
Q

finds its roots in ‘intuition’ (of the artist) and
‘freedom’ (for the artist as well as for the viewer). It is the capability of the artist to use their imagination to look beyond what we can physically see and translate
intangible emotions onto the canvas

A

Abstraction

36
Q

is the alteration of the original shape (or other
characteristic) of something. In the art world, a distortion is any change made by an
artist to the size, shape or visual character of a form to express an idea, convey a
feeling or enhance visual impact

A

Distortion

37
Q

is when the art subject is lengthened, protracted or extended.

A

Elongation

38
Q

Artists show the subject as cut, lacerated, mutilated or hacked with
repeated blows.

A

Mangling

39
Q

This is the presentation of abstract figures through the use of a cone, cylinder, sphere, triangle, square, cube and circle in place of real pictorial elements

A

Cubism

40
Q

This is the use of a visible sign of an idea to convey to the
viewers, readers or audiences the message of his work.

A

Symbolism

41
Q

is the name applied to the work produced by a group of
artists (which included Henri Matisse and André Derain) from around 1905 to 1910, which is characterised by strong colours and fierce brushwork.

A

Fauvism

42
Q

is a protest movement in the art that is playful and experimental. “Dada” means a “hobby horse”. It is most often nonsensical.

A

Dadaism

43
Q

This was developed in Italy about the same time as cubism appeared
in France. Futurist painters wanted their works to capture the mechanical energy of
modern life

A

Futurism

44
Q

This method mirrors the evils of the present society. Surrealism
means super realism, influenced by Freudian psychology which emphasizes the
activities of the subconscious state of the mind.

A

Surrealism

45
Q

This features art works describing pathos, morbidity, chaos or
even defeat and was introduced in Germany from 1900 – 1910

A

Expressionism