Art. 10 Soneshein Flashcards
Two related lenses are especially useful for examining meaning constructions during change. Which two lenses?
- Narrative lens
- Sensemaking lens
What is the narrative lens?
A narrative lens focuses on discourse, often containing a sequential structure, that gives meaning to events.
Narratives exist at both the individual and collective levels.
What is the sensemaking lens?
A sensemaking lens is closely related to a narrative one. For Weick (1995), sensemaking involves individuals engaging in retrospective and prospective thinking in order to construct an interpretation of reality. “Sensegiving” is a related process by which individuals attempt to influence the sensemaking of others.
How does the author see a narrative?
I view a narrative as a discursive construction that actors use as a tool to shape their own understanding (sensemaking), as a tool to influence others’ understandings (sensegiving), and as an outcome of the collective construction of meaning.
Which dimensions are used by employees?
I found that employees similarly used the significant-insignificant dimension to construct the meaning of the change, but also added another dimension: positive-negative. These two dimensions (positive-negative; significant-insignificant) are illustrated using four different narratives.
Which dimension is used by change managers?
Significant-insignificant
Which types of narratives are there during strategic change?
Progressive narratives link experiences or events in a way that moves toward the “good” evaluative dimension.
A regressive narrative links experiences in a way that moves toward the “bad” evaluative dimension.
Their stability narrative links experiences in a way that keeps the evaluative dimension the same.
What is the difference between the progressive and regressive narrative?
Both progressive and regressive narratives construct change as leading to a significantly new organization, but they differ as to whether this change is good or bad.
How are the three types linked with the managers?
The progressive, regressive, and stability typology captures how managers use discourse to portray both change and continuity and how employees subsequently respond to this discourse in very different ways.
The model shows that meanings attributed to change vary along two theoretical dimensions. Which ones? and what do they entail?
**Preservational or transformational: **accounts for the change-as-insignificant theme in the data, whereby change can be constructed as preservational, characterized by small and minor adjustments that preserve existing meanings about an organization. The first dimension also accounts for the change-as-significant theme, whereby meanings can present change as transformational, characterized by phenomena that are wide in scope and involve new organizational meanings.
Supportive - Subversive: Supportive is consistent with managerial intentions. Subversive is undermining mana- gerial views of a change. Managerial discourse about change is supportive, but it can be preservational (a stability narrative) or transformational (a progressive narrative).
What do the dimensions entail for employees?
Employees’ narratives also vary by being transformational or preservational, but they additionally vary on whether they are supportive or subversive, leading to pro- gressive, regressive, or stability narratives.
Why do managers both use preservational as transformational narratives?
Strategic ambiguity.
According to this concept, managers are intentionally equivocal about meanings to promote “unified diversity”, a condition that allows employees and managers to have multiple interpretations of a change while believing that they agree on meanings.
Equivocal discourse could be another mechanism to instill a sense of continuity for some employees and a sense of change for others.
The managerial narrative during strategic change is neither the strategic change narrative of transformation, nor the uncertainty-reducing narrative that conveys stability, but rather a set of interwoven narratives that affirm both themes. In conveying these narratives, managers are proactively equivocal in their attempt to exercise greater control over employees’ interpretations.
Employees also tell two types of stability narratives:
The supportive stability narrative latches onto managers’ construction of the change as a negligible modification, with the organization maintaining its positive state. These employees more likely narrate supporting the change, as they accept the status quo.
Conversely, the subversive stability narrative constructs the organization as remaining the same, but in a state that is not acceptable. These employees more likely narrate resisting the change for its insignificance. Although both stability narratives (supportive and subversive) construct the organization as only minimally changing, they differ in their construction of the status quo as either positive or negative, which can lead to very different responses.
Employees also narrate in a progressive way and on an extra dimension. Explain?
Extra dimension is Supportive-Subversive.
More specifically, employees’ progressive narratives capture meanings similar to those of managers narrating how the organization is undergoing a beneficial transformation. I find these narratives are patterned with prochange responses, such as championing or accepting. On the other hand, the regressive narratives, although also constructing the change as involving a key transformation, instead attach a subversive meaning to this transformation, thereby constructing the change as leading to an organizational decline. These employees more likely narrate resistance to the change.
What is the central funnel/triangle in the model?
The funnel (central triangle) signifies employees’ sensemaking. It shows that although managers simultaneously present preservational and trans- formational constructions supportive of the change to employees, employees do not always adopt these meanings in their entirety, they select part of the interwoven narrative (e.g., significant/insignificant) and then may embellish it with a valence. The outcome of this process is four possible employee narratives.