American litterature Flashcards

1
Q

AMERICAN ROMANTICISM

A

1820-1865
Philosophy : The transcendentalists
* Ralph Waldo Emerson : Nature (1836), “Self-Reliance” (1841):
» “I must be myself. […] If you can love me for what I am, we shall be the happier. ” “Insist on yourself; never imitate.”

  • Henry David Thoreau ** : *A Week on the Concord and Merrimack River (1849) ; Walden or Life in the Woods (1854) ; “Resistance to Civil Government” *(known as “Civil Disobedience,” 1849):
    &raquo_space; “I heartily accept the motto, –’that government is best which governs least;’ […]”
    &raquo_space; “Do we call this the land of the free?” (“Life Without Principle,” 1863)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

“The American renaissance”

A

1830-1865
FICTION :
* **James Fenimore Cooper **(1789-1851) : set his novels around his native homeland of Burlington. With the westward expansion, top, native Indian territory was almost wiped out by the end of the nineteenth century.
* Daniel Boone (1734-1820) : American pioneer and frontiersman whose exploits made him one of the first folk heroes of the United States. He became famous for his exploration and settlement of Kentucky, which was then beyond the western borders of the Thirteen Colonies.

  • Nathaniel Hawthorne (Salem 1804-1864) : The Scarlet Letter (1850): “America’s first undoubtedly great novel” ; *The House of the Seven Gables *(1851) “God will give you blood to drink” ; *The Blithedale Romance *(1852) (Brook Farm)
    Hawthorne claimed a distrust of “the Present, the Immediate, the Actual”.
    He wrote romances: “[…] somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet […]” (The Scarlet Letter)
  • ** Herman Melville **(1819-1891) : “It is with fiction as with religion; it should present another world, and yet one to which we feel the tie.” (Melville, The Confidence Man)
  • Edgar Allan Poe (1809-1849) : The master of the macabre/The forerunner of the detective novel : “The Fall of the House of Usher” (1839) etc etc
  • Walt Whitman (1819-1892) : Leaves of Grass
    ; “Song of Myself”
    : in Song of Myself he celebrated America and all its citizens. “En-Masse.” He used both lyricism and slang, sophisticated English words and native terms. He rejected poetical conventions by choosing free verse without rhymes or stanzas
  • **The witch trials, Salem, Massachusetts, **
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Bonus : Scarlett Letter, summary

A

Set in 17th-century Puritan Boston, Hester Prynne gives birth to an illegitimate child and is condemned to wear the scarlet letter ‘A’ as a sign of her adultery. Hester refuses to reveal the identity of her lover, and is forced to lead a life of humiliation.The moral of The Scarlet Letter is that secret sin leads to guilt and pain. Hester is publicly punished, which causes her pain, but through this, she is strengthened and gains independence.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Witch trials

A

**The witch trials, Salem, Massachusetts, **1692-1693 : + than 200 people were accused of practicing witchcraft—the devil’s magic—and 20 were executed. In 1711, colonial authorities pardoned some of the accused and compensated their families.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

B) REGIONALISTS, REALISTS, NATURALISTS

A

1865-1915
* The** south vs the North**
* The** fugitive slave laws (1793, 1850)**
* The civil War (1861-1865)

  • Harriet Beecher Stowe (1811-1896) : Uncle Tom’s Cabin : Uncle Tom’s Cabin focuses on the struggles of a slave, Tom, who has been sold numerous times and has to endure physical brutality by slave drivers and his masters. One of Stowe’s central themes is that Tom, despite his suffering, remained steadfast to his Christian beliefs.
    President Lincoln about Harriet Beecher Stowe: “So this is the little lady who made this big war.”
  • Regionalism: from the local to the national and universal
  • John William De Forest “The Great American Novel,” 1868 “a picture of the ordinary emotions and manners of American existence”
  • E. Eggleston: “Write of what you know! Write of your very own.”
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

1) REGIONAL REALISM, LOCAL COLOR

A
  • Mark Twain (Samuel Langhorne Clemens) (1835-1910) : *The Adventures of Tom Sawyer *(1876) : Humor, satire, burlesque, picaresque, bildungsroman, colloquial speech, skaz and slang.
  • Kate Chopin (1850-1904) : The Awakening (1899).. : **Local color > regionalism mixed with the first manifestation of realism
  • regionalism mixed with the first manifestation of realism & Feminism **
    ex : “Désirée’s Baby” (1893) is about miscegenation
  • **Willa Cather **(1873-1947) : From Virginia to Nebraska (1883) ; The Frontier (closed in 1890) ; A Western myth to be reconquered by women ; O Pioneers! (1913) ; My Ántonia (1918) ; Sapphira and the Slave Girl (1940)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

II. Naturalism
French vs American Approach

A
  • The French approach: **heredity and environment **( Zola, Goncourt)
  • The American approach: mainly environment : Social Darwinism, Freudian theories, William James’s Principles of Psychology (1890 )
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Post civi war America

A

The gilded age
* 1869, 1st transcontinental railroad

  • J.D. Rockefeller (1839-1937) : oil/railroad
  • J.P. Morgan (1837-1913) : Banking, steel, electricity, mechanics
  • A. Carnegie (1835-1919) : Steel
  • Muckraking literature : since Henry Adams’ Democracy (1880). A story of political incompetence and corruption
    » Un muckraker peut être un journaliste, un écrivain ou un photographe. Il dénonce les travers, souvent cachés, de la société. Son but est d’attirer l’attention de la population mais surtout des élus sur ses découvertes afin de susciter des réformes
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q
A
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

The Chicago Renaissance

A

“[…]** during the 1890s realism in American fiction gave way to naturalism.** Such new writers as** Stephen Crane, Frank Norris, and Theodore Dreiser** turned from the parlor to the slum, from middle-class manners to urban squalor, from polite society, the arena of realist fiction, to the brutal struggles of business and the underclass―from genteel courtship to what keeps being called … raw sex.”
(Michael D. Bell, The Problem of American Realism, 1993, p. 109)
* Frank Norris (1870-1902) Mc Teague : The novel should give “a sincere transcription of life”, Exploring “the unplumbed depths of the human heart, and the mystery of sex”.

  • Theodore Dreiser (1871-1945) : Sister Carrie (published in 1900, then withheld from circulation until 1907)
  • Stephen Crane (1871-1900) : Maggie, A Girl of the Streets (1893) ; The Red Badge of Courage (1895) : “The youth was horrorstricken. He stared in agony and amazement.”
  • ** Jack London **(1876-1916) : The Road (1907) ; The Call of the Wild (1903) ; White Fang (1906).
  • The Battle of Chancellorsville, 1863, a Confederate victory.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Poetry

A
  • Emily Dickinson (1830-1886)
  • Robert Frost (1874-1963)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

C) EARLY MODERNS

A
  • Henry James (1843-1916) : *The American (1877), The Portrait of a Lady (1881).. *
  • Edith Wharton (1862-1937) : *The Age of Innocence (1920, *Pulitzer Prize)//
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

D) THE LOST GENERATION AND MODERNISM

A

> > “ You are all a lost generation.” Gertrude Stein (E. Hemingway, The Sun Also Rises, 1926)

A disillusioned generation shattered by World War I : Fitzgerald, Faulkner, Hemingway, Dos Pasos

> > “I talk with the authority of failure, Ernest with the authority of success” (Fitzgerald)
“All of us failed to match our dream of perfection. So I rate us on the basis of our splendid failure to do the impossible. To try something you can’t do, because it is too much [to hope for], but still to try it and fail, then try it again. That to me is success.” (Faulkner)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

PROVINCIAL AMERICA

A
  • Sinclair Lewis (1885-1951)
    Nobel Prize (1930 )
    Main Street (1920)
    Babbitt (1922)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Expatriated americans

A

American expatriates
The jazz age
* * ** F. Scott Fitzgerald** (1896-1940) : This Side of Paradise (1920); The Great Gatsby (1925) ; Tender Is the Night (1934) ; The Last Tycoon (1941)
» “It was an age of miracles, it was an age of art, it was an age of excess, and it was an age of satire.” (F. S. Fitzgerald, “Echoes of the Jazz Age”, 1931)

  • ** Zelda Fitzgerald** (1900-1948) : Save Me the Waltz (1932)
  • ** Ernest Hemingway** (1899-1961) : Nobel Prize (1954) ; The Sun Also Rises (1926) ; A Farewell to Arms (1929) ; For Whom the Bell Tolls (1940) ; The Old man and the Sea (1952) ; A Moveable Feast (1964) ; The Nick Adams Stories (1972)
    » “[…] going to another country doesn’t make any difference. I’ve tried all that. You can’t get away from yourself by moving from one place to another. There’s nothing to that.” (The Sun Also Rises)
  • **John Dos Passos **(1896-1970) : Three Soldiers (1921) ; Manhattan Transfer (1925) ; U.S.A. (1938) (A 3-volume set)
    » “I aimed at total objectivity by giving conflicting views” (Dos Passos)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

U.S.A. includes 4 types of narratives:
John Dos Passos

A

U.S.A. includes 4 types of narratives:

  • The Newsreels (newspaper clippings and songs)
  • The Camera Eye (autobiographical fragments, stream of consciousness)
  • The Narratives (12 characters)
  • Portraits of public figures
    Common themes and characters link the different sections
17
Q

III SOUTHERN RENAISSANCE

A
  • **William Faulkner **(1897-1962) : Nobel Prize in 1950, The Sound and the Fury (1929); The Wild Palms (1939); Intruder in the Dust (1948)..
  • Flannery O’Connor, Georgia, 1925-1964
  • Carson McCullers, Georgia, 1917-1967
  • Eudora Welty, Mississipi 1909-2001
18
Q

E) FROM MODERNISM TO POSTMODERNISM

A
  • John Steinbeck (1902-1968)
  • **Vladimir Nabokov ** (1899-1977)
19
Q

Postmodernism def

A

Postmodernism: A crisis in representation especially after WWII, then after 1960
* Fragmentation
* Blanks
* Graphic and typographic effects
* Multiple, possibly fallible, narrators, various voices
* Magic realism
* Story-telling
* Open endings

Linda Hutcheon’s 4 categories.

20
Q

Linda Hutcheon’s 4 categories

A

(The Politics of Postmodernism, London, Routledge, 1991)
* metafiction
* forgotten histories
* science fiction
* new technologies

21
Q

F) POLITICALLY CONSCIOUS WRITERS

A

Poets and fiction writers
* Jim (James) Harrisson (1937- 2016) : **Nature writing **
* **Russell Banks **(1940-2023) : His novels are known for “detailed accounts of domestic strife and the daily struggles of ordinary often-marginalized characters”. His stories usually revolve around his own childhood experiences, and often reflect “moral themes and personal relationships”.
» 3 entangled dreams : religious, financial, eternal youth / new beginnings

22
Q

G) POSTMODERN WRITERS FROM NEWARK, NJ

A
  • Philip Roth (1933-2018) : Secular v. traditional Jewish characters // American contemporary society. Character Nathan Zuckerman is his doppelgänger and appears in several self-referential novels.
    *Goodbye, Columbus *: A humorous picture of middle-class Jewish Americans (1959)
  • Paul Auster (1947-) : The search for identity and personal meaning has permeated Auster’s later publications, many of which concentrate heavily on the role of coincidence and random events (The Music of Chance) or, increasingly, the relationships between people and their peers and environment (The Book of Illusions, Moon Palace)
    > 4321 : Playing with pov and time
    > A double crime at the basis of the nation : Slavery & The extermination of the Natives (Paul Auster, Le jeu du hasard, Sabine Lidl, 2018, 55mn.)
23
Q

H) FEMALE NOVELISTS THROUGHOUT THE NATION

A
  • ** Joyce Carol Oates **(1938-)
    Intimate and national topics : them (1969, 1970 National Book Award), Black Water (1992, Ted Kennedy’s accident), Blonde (2000, M. Monroe), The Falls (2005), The Gravedigger’s Daughter (2005), A Book of American Martyrs (2017, abortion issue).
  • Marilynne Robinson (1943-)
    Iowa. “A Protestant hedonist.” Rural and religious concerns. Housekeeping (1980), Gilead (2004, 2005 Pulitzer Prize), Home (2008), Lila (2014).
  • Jane Smiley (1949-)
    A rural and international inspiration. ; A Thousand Acres (1991, 1992 Pulitzer Prize), Some Luck (2014, Iowa trilogy).
  • Laura Kasischke (1961-) : Michigan. Pondering secrets. , Suspicious River (1996), White Bird in a Blizzard (1999), The Life Before Her Eyes (2002).
24
Q

I ) AFRICAN AMERICAN WRITERS

A

I THE HARLEM RENAISSANCE
* W. E. B. Dubois, The Souls of Black Folk, 1903.
The NAACP (National association for the advancement for people of color) and The Crisis, 1909.
* Marcus Garvey (1887-1940): Universal Negro Improvement Association (1914)

** “Black is beautiful”, a return to Africa, Pan-Africanism. ≠ The KKK (4 million members in the mid 20s)**
* Shuffle Along, 1921
* Jean Toomer, Cane, 1923.
* Alain Locke, The New Negro, 1925.
* Zora Neal Hurston (1891-1960)
* Langston Hughes (1902-1967)

25
Q

II XXth-XXIst century African American Novelists

A
  • Richard Wright (1908-1960)
  • Ralph Ellison (1914-1994)
  • James Baldwin (1924-1987)
  • Toni Morrison (1931-2019) 1993 Nobel prize
  • Ernest J. Gaines (1933-2019)
  • John Edgar Wideman (1941-)
  • Alice Walker (1944-)
  • A “womanist:”a Black feminist (1983)
  • Percival Everett (1956-)
  • Colson Whitehead (1969-)
26
Q

Art is political by Toni Morrison, quote

A

“[…] yes, the work must be political. […] It seems to me that the best art is political and that you ought to be able to make it unquestionably political and irrevocably beautiful at the same time.”
(Toni Morrison, What Moves at the Margin: Selected Nonfiction, Mississippi, University Press of Mississippi, 2008, p. 64.)

27
Q

J) NATIVE AMERICAN RENAISSANCE

A

Scott Momaday, House Made of Dawn (1968)
Gerald Vizenor (1934-), Leslie Marmon Silko (1948-),
James Welch (1940-2003), Paula Gunn Allen (1939-2008).
Michael Dorris (1945-1997), Joy Harjo (1951-), Louise Erdrich (1954-)
Susan Power (1961-) Sherman Alexie (1966-)
Tiffany McDaniel (1985-) Tommy Orange (1982-)