AH2 first exam Flashcards

1
Q

Artemisia Gentileschi

A

female, painted Judith Beheading Holofernes. Influenced by Caravaggio

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2
Q

Gianlorenzo Bernini

A

Baroque artist, architect and sculptor. Sculpted St. Teresa, the statue of David in mid-action, St. Peter’s Basilica and Square; Cornaro Chapel. Appointed Vatican Architect in 1629.

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3
Q

Caravaggio

A

Painted “Calling of St. Anthony”, create “tenebrism” style which is sharp contrast of light and dark.

Murdered a guy

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4
Q

Michelangelo

A

Renaissance. Early work was a marble Pieta, where he slipped into church at night to sign his name on the Virgin’s strap. Sculpted the tall lean statue of David. Most famous is his painting of the Sistine Chapel, including “Crreation of Adam”, and “Last Judgement” which he painted 30 years later.

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5
Q

Velasquez

A

Baroque. painted Las Meninas (The Maids of Honor) where he is seen 3 times in the piece. Was a court painter for royalty, incorporating king and queen. Inspiration for King and Queen in mirror came from “Double Portrait…” by Jan van Eyck.

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6
Q

Leonardo Da Vinci

A

Renaissance. Italian Painted “Last Supper” on wall in dining room of the Monastery of Sta. Maria in Milan. Uses “Buon Fresco”, true fresco. Uses one-point linear perspective. Also has Chiaroscuro

Self-educated. Painter/architect/inventor.

“Mona Lisa”, which uses Sfumato, smokey haze. Located in Lourve. Took influence from Roman Verism.

“Vitruviaun Man”, inspired by Roman architect Vitruvius. Body should be 8 heads high, goes with idea of Humanism.

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7
Q

Raphael

A

Renaissance. Painted “The School of Athens” in the Vatican. Buon Fresco.

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8
Q

Titian

A

Renaissance.

“Venus of Urbino”, dog in picture represents fidelity.

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9
Q

Tenebrism

A

type of chiaroscuro, forms highlighted from pervasively dark background. Used by Caravaggio, later by others like Gentileschi.

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10
Q

Ghiberti

A

Renaissance. First came to attention by winning competition of reliefs of Bapistery of Florence, sculpting “Sacrifice of Isaac”

Later made “Gates of Paradise” doors on Bapistery of San Giovanni in Florence, specifically “Jacob and Esau”

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11
Q

High Relief

A

Relief sculpture that comes out over half way from wall.

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12
Q

Donatello

A

Early Renaissance. Created young Statue of David in bronze.

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13
Q

Medici

A

most powerful family of Renaissance in Florence, Italy. Specifically Cosimo Medici.

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14
Q

Orthogonals

A

lines running back perpendicular to the picture plane, used in linear perspective.

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15
Q

Atmospheric Perspective

A

suggest 3D space in 2D picture as objects in distant become less distinct becoming whiter or bluer.

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16
Q

Linear Perspective

A

Uses orthogonals, horizon line and vanishing point, used in pieces like Last Supper. Creates illusion of space and distance on a flat surface.

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17
Q

Brunelleschi

A

early Renaissance. First appeared losing to Ghiberti in Competition of Reliefs. Went on to become architect.

Father of Perspective

“Dome of Florence Cathedral”, created after rest of church, was safer and needed no buttressing. Won competition for design of dome. One of the great renaissance architects.

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18
Q

Vanishing Point

A

point at which parallel lines are made to recede and meet, used in linear perspective.

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19
Q

Jan Van Eyck

A

early Renaissance.

“Double Portrait of a Giovanni Arnolf and his wife”, artist from North, known for their use of color.

Also made large Polyptch called Ghent Altarpiece

20
Q

Renaissance

A

“Rebirth”, Renaissance was rebirth of Classic Art and Culture.

21
Q

Cats and Dogs

A

Cats seen as infidelity/promiscuity, as cats are sneaky

Dogs seen as Fidelity, as dogs are loyal.

Dogs seen in “Double Portrait” and “venus of urbino”

22
Q

Les Tres Riches Heures

A

“Very Sumptuous Hours”, by Pol, Herman and Jean Limbourg (Limbourg Brothers). Early Renaissance piece, made for the Duke of Berry. This page is a FOLIO. also known as The Book of Hours, an illuminated manuscript.

23
Q

Diptych

A

A painting/relief with two pieces of equal size connected.

24
Q

Intaglio

A

technique to engrave on metal, in which lines are incised into the plate with tools called burins.

25
Q

Robert Campin

A

early Renaissance. Went by the name Master of Flamalle, created the “Merode Altarpiece” (Triptych of the Annunciation)

26
Q

Picture Plane

A

Spatial plane corresponding with the actual surface of a painting

27
Q

Matte

A

dull

28
Q

woodcut

A

draws design on smooth block of wood, gouges away area around lines, leaving them in high relief. Then piece of paper pressed down on inked surface

29
Q

Engraving

A

used on metal, uses intaglio technique. Ink is applied to lines cut in, then surface is wiped away clean, and then placed under a piece of paper.

30
Q

Glazing

A

transparent layer of paint

31
Q

Polyptych

A

multi-panel painting

32
Q

Burin

A

Tool used to cut into metal plates in engraving

33
Q

Incised

A

cut into, for engraving.

34
Q

Schongauer

A

Early Renaissance. Made the engraving of “Temptation of St. Anthony”

Temptation seen as physical assault

35
Q

Pollaiuolo

A

Early Renaissance

“Battle of the Nudes”, engraving.

36
Q

Diptych

A

two-panel painting

37
Q

Characteristics of the Renaissance in the North.

A

Celebrated for their use of color

38
Q

Cartoon

A

Full scale drawing

39
Q

The Limbourgs

A

Pol, Herman and Jean Limbourg, brothers that created “Les Tres Riches Heures” for the Duke of Berry.

40
Q

Saint-Denis

A

First gothic building

41
Q

Fresco Secco

A

Fresco painted on dry plaster

42
Q

Flying Buttress

A

A brace or support on the outside of the building, Gothic.

43
Q

Suger

A

Inventor of Gothic Architecture

44
Q

Book of Hours

A

The Illuminated Manuscript, contained prayers to be read at certain times of the day. Private prayer book

45
Q

Statue Columns

A

Statues made on columns?

46
Q

Buon Fresco

A

True fresco, paint is bound to limestone

47
Q

Giornata

A

A day’s work on a fresco