African final Flashcards
Cane finial showing human-leopard, Unknown Kongo artist, 19th century, Wood
, however, that the king was not a hereditary title. He was chosen by a collection of import
Art thus becomes a key aspect of how the king keeps power. What we’re seeing here are two art works that were collection from the court of the Kongolese king in the 18th and 19th centuries:
Left: this is a staff finial that depicts a human-leopard. The manikongo was oftentimes identified with a leopard
: Royal Kongo hat (mpu), Unknown Kongo artist, Pre 1674, Woven Raffia Fiber
L: Nkisi Nkondi, Unknown Kongo artist, 18th-19th century, Wood, medicinal substances, nails, spit, mirror, etc.
R: Nkisi, Unknown nganga, Late 19th-Early 20th century, Wood, fiber, blongo
Nkisi Nkondi (Mangaaka type), Unknown Kongo artist, Mid-to-Late Nineteenth Century, Wood, medicinal substances, nails, spit, mirror shards, etc.
Two views of Nkisi Nkondi (Kozo type), Unknown Kongo artist, Late 19th-Early 20th Century, Wood, Medicinal substances, nails, spit, mirror, etc.
Nkisi kozo is another type of Nkisi Nkondi
Nkisi are still being produced, but they stopped being ritually used around 1920…the dual focus of the
Bocio figures, Unknown Fon artists, Late 19th-Early 20th century, Wood, animal skull, medicinal herbs, blood, cowrie shells, fiber, cloth
Asen altar/staff , Akati Akpene Kendo, 1858-1889, Iron with traces of polychrome, wood
Buffalo figure, Uknown Fon artist, 19th century, Silver, iron, wood, medicinal substances
Buffalo figure, Unknown Fon artist, 19th century, Silver, iron, wood, medicinal substances
Human figure, Unknown Manyema (?) artist, Late 19th century, Stone
Bound male figure, Unknown Shambaa artist, Late 19th century, Wood, organic substances
Left: Kongo crucifix, Unknown Kongo artist, Possibly 18th century, Brass
Right: R Kongo crucifix, Unknown Kongo artist, Early 17th century, Brass
Plaque showing Oba with Attendants, Unknown Edo artist, Early 16th century century. Brass. British Museum.
Pendant of Queen Idia, Unknown Edo artist, 16th century, Ivory, iron, copper (?)
Commemorative Head of a Queen Mother, Unknown Edo artist, Early 16th century century. Brass. British Museum.
Plaque showing Obs with Attendants and Europeans, Unknown Edo artist, Early 16th century century. Brass. British Museum.
Plaque of a European, Unknown Edo artist, Early 16th century century. Brass. British Museum.
Figure of Portuguese soldier holding a musket, Unknown Edo artist, Early 16th century century. Brass. British Museum.
Ivory Saltcellar with a Boar, Unknown Edo artist, Early 16th century century. Ivory. British Museum.
EUROPEANS - internal
Plaque showing Oba with Mudfish and Leopards Unknown Edo artist, 167h century century. Brass. British Museum.
Brass Head Used for the Worship of Osun, Unknown Edo artist, E18h century century. Brass. British Museum.
Odudua Mask, Unknown Edo artist, 18th century, Brass. British Museum.
Palace Altar of King Ovaranmwen (1888-1897)
From Upper Left to Upper Right and then to Lower Left: 15th century, 16th century, 17th century, 18th century
Title for all: Commemorative Head of Oba
Photographs of the Golden Stool (1935)
Stool descended from the heavens at the request of Okomfo Anokye
Linguist Staff (Oykeame), Unknown Akan artist, 19th-20th centuries, Gold. Metropolitan Museum of Art.
Finial is proverb: “No one goes to the house of the spider Anansi to teach him wisdom.” Anansi the spider who brought wisdom and taught weaving to the Asante is thus linked to linguists. No one should question either.