A Dolls House Quotes Flashcards

1
Q

“He’s so proud of being a man-

A

it’d be so painful and humiliating to know that he owed anything to me”

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2
Q

“Find some work that will

A

excersise and occupy my mind”

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3
Q

“We’re going to have heaps

A

and heaps of money”

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4
Q

“A home that is founded on

A

debts and borrowing can never be a place of freedom and beauty”

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5
Q

“If I get thrown into the gutter for a

A

second time, I shall take you with me”
-societal ladder

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6
Q

“I’ll do everything that you like Torvald. I’ll

A

sing for you, dance for you”

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7
Q

“Because an atmosphere of lies contaminates and poisons every corner of the home.

A

Every breath that the children draw in such a house contains the germs of evil”

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8
Q

“It was great fun […]

A

it was almost like being a man”

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9
Q

Torvald’s affectionate names for Nora

A

“my little skylark”
“my little sweetooth”

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10
Q

stage directions showing Nora’s secrecy Act 1

A

“Pops the bag of macaroons in her pocket and wipes her mouth”

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11
Q

stage directions showing Nora manipulating Torvald Act 1

A

“plays with his coat buttons; not looking at him”
- childish, using femininity to manipulate

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12
Q

(Mrs Linde) “I’m a bit older than you and

A

have a little more experience of the world”

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13
Q

(Torvald) “give the people the idea that

A

I am open to outside influence?”
-reputation
-victim of society’s attitudes

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14
Q

“I am man enough to

A

bear the burden for us both”
-men used to take the blame for crimes to protect women’s virtue
-seems like he is having to remind himself to fit in with societal attitudes
-Ibsen commenting that roles should be equal

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15
Q

“I feel the same about Torvald as

A

I did about Papa”
-marriage is like parent-child relationship
-child-wife
-Ibsen commenting on extreme and wired parallel and inequality in marriage

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16
Q

“Under the ice? Down in the cold, black water? And then in the spring,

A

to float up again, ugly, unrecognisable, hairless-?
-talking about suicide
-beauty valued
-more descriptive than all other dialogue (realist play)

17
Q

stage directions of Nora’s tarentella

A

“dances more and more wildly”
“Helmer […] tries repeatedly to correct her, but she does not seem to hear him”
“Her hair works loose and falls over her shoulders”
-loose women- lower class behaviour
-disobeying Torvald
-representative of state of mind + psyche

18
Q

description of christmas tree in Act 1 vs Act 2 + why

A

described in Act 1 as needing to be “decorated”, implied that it will be “extravagant”.
Act 2 “stripped and dishevelled”
-symbolic of state of mind
-more realistic, contrasts well-made play where sets are lavish

19
Q

“Castaways have a better chance of

A

survival together than on their own”

(Mrs Linde saying to Krogstad”

20
Q

“I practically had to use force

A

to get her away”
-husbands power of women
-Svenglai, moving performer

21
Q

“Was I going to let her stay on and

A

spoil the impression?”
-bourgeious respectabilty and reputation

22
Q

“my most treasured

A

possession”
-19th century view that husbands owned wives

23
Q

“Aren’t I your husband”

A

-marital rape
- J.S Miller stood up against it

24
Q

“All your father’s recklessness and

A

instability he has handed onto you!”
-heritidary sin

25
"there can be no question of happiness; we must
merely strive to save what shreds and tatters" -must maintain reputation for survivial back then -now, more accepting and morally relaxed
26
"I shall watch over you like a hunted dove which I have
snatched unharmed from the claws of the falcon" -predator is krogstad and innocent dove is Nora -height of bird imagery -Torvald acting like saviour but didn't do anything
27
"You and I have got to
face facts" - out of world of delusion - Nora taking more male stereotypes, assertive...
28
"I've been your doll-wife, just as I used to be papa's doll-child.
And the children have been my dolls" -objectified -perpetuating into next generation
29
"I must educate
myself" -finding herself as her identity has been defined by men -women still denied education now eg Afghanistan
30
"But you're blind! You've no
experience of the real world"
31
"Can you neglect your
most sacred duties?" -Ibsen bringing in the church shows that he is criticising the entire patriachal system, showing that the problem is everywhere in society
32
"Here is your ring back.
Give me mine" -Nora in control, inverting inequality in their marriage -shift in tone from beginning of play, out of role
33
stage direction of door shutting + siginificance
"The street door is slammed shut downstairs" - Nora going out of domestic sphere
34
stage direction of door shutting + significance
"The street door is slammed shut downstairs" - Nora going out of domestic sphere
35
it would be a "miracle" for "life between us two could become
a marriage" -unequal marriage