A Dolls House Quotes Flashcards

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1
Q

“He’s so proud of being a man-

A

it’d be so painful and humiliating to know that he owed anything to me”

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2
Q

“Find some work that will

A

excersise and occupy my mind”

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3
Q

“We’re going to have heaps

A

and heaps of money”

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4
Q

“A home that is founded on

A

debts and borrowing can never be a place of freedom and beauty”

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5
Q

“If I get thrown into the gutter for a

A

second time, I shall take you with me”
-societal ladder

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6
Q

“I’ll do everything that you like Torvald. I’ll

A

sing for you, dance for you”

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7
Q

“Because an atmosphere of lies contaminates and poisons every corner of the home.

A

Every breath that the children draw in such a house contains the germs of evil”

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8
Q

“It was great fun […]

A

it was almost like being a man”

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9
Q

Torvald’s affectionate names for Nora

A

“my little skylark”
“my little sweetooth”

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10
Q

stage directions showing Nora’s secrecy Act 1

A

“Pops the bag of macaroons in her pocket and wipes her mouth”

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11
Q

stage directions showing Nora manipulating Torvald Act 1

A

“plays with his coat buttons; not looking at him”
- childish, using femininity to manipulate

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12
Q

(Mrs Linde) “I’m a bit older than you and

A

have a little more experience of the world”

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13
Q

(Torvald) “give the people the idea that

A

I am open to outside influence?”
-reputation
-victim of society’s attitudes

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14
Q

“I am man enough to

A

bear the burden for us both”
-men used to take the blame for crimes to protect women’s virtue
-seems like he is having to remind himself to fit in with societal attitudes
-Ibsen commenting that roles should be equal

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15
Q

“I feel the same about Torvald as

A

I did about Papa”
-marriage is like parent-child relationship
-child-wife
-Ibsen commenting on extreme and wired parallel and inequality in marriage

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16
Q

“Under the ice? Down in the cold, black water? And then in the spring,

A

to float up again, ugly, unrecognisable, hairless-?
-talking about suicide
-beauty valued
-more descriptive than all other dialogue (realist play)

17
Q

stage directions of Nora’s tarentella

A

“dances more and more wildly”
“Helmer […] tries repeatedly to correct her, but she does not seem to hear him”
“Her hair works loose and falls over her shoulders”
-loose women- lower class behaviour
-disobeying Torvald
-representative of state of mind + psyche

18
Q

description of christmas tree in Act 1 vs Act 2 + why

A

described in Act 1 as needing to be “decorated”, implied that it will be “extravagant”.
Act 2 “stripped and dishevelled”
-symbolic of state of mind
-more realistic, contrasts well-made play where sets are lavish

19
Q

“Castaways have a better chance of

A

survival together than on their own”

(Mrs Linde saying to Krogstad”

20
Q

“I practically had to use force

A

to get her away”
-husbands power of women
-Svenglai, moving performer

21
Q

“Was I going to let her stay on and

A

spoil the impression?”
-bourgeious respectabilty and reputation

22
Q

“my most treasured

A

possession”
-19th century view that husbands owned wives

23
Q

“Aren’t I your husband”

A

-marital rape
- J.S Miller stood up against it

24
Q

“All your father’s recklessness and

A

instability he has handed onto you!”
-heritidary sin

25
Q

“there can be no question of happiness; we must

A

merely strive to save what shreds and tatters”
-must maintain reputation for survivial back then
-now, more accepting and morally relaxed

26
Q

“I shall watch over you like a hunted dove which I have

A

snatched unharmed from the claws of the falcon”
-predator is krogstad and innocent dove is Nora
-height of bird imagery
-Torvald acting like saviour but didn’t do anything

27
Q

“You and I have got to

A

face facts”
- out of world of delusion
- Nora taking more male stereotypes, assertive…

28
Q

“I’ve been your doll-wife, just as I used to be papa’s doll-child.

A

And the children have been my dolls”
-objectified
-perpetuating into next generation

29
Q

“I must educate

A

myself”
-finding herself as her identity has been defined by men
-women still denied education now eg Afghanistan

30
Q

“But you’re blind! You’ve no

A

experience of the real world”

31
Q

“Can you neglect your

A

most sacred duties?”
-Ibsen bringing in the church shows that he is criticising the entire patriachal system, showing that the problem is everywhere in society

32
Q

“Here is your ring back.

A

Give me mine”
-Nora in control, inverting inequality in their marriage
-shift in tone from beginning of play, out of role

33
Q

stage direction of door shutting + siginificance

A

“The street door is slammed shut downstairs”
- Nora going out of domestic sphere

34
Q

stage direction of door shutting + significance

A

“The street door is slammed shut downstairs”
- Nora going out of domestic sphere

35
Q

it would be a “miracle” for “life between us two could become

A

a marriage”
-unequal marriage