A Christmas carol Flashcards

1
Q

what is the speaker/langauge/meaning?

A
  • The poem begins with winter, symbolizing pre-Christian paganism and desolation.
  • The second stanza introduces Jesus’ birth, with his mother’s love sustaining him.
  • The final stanza links his birth to humanity’s salvation, emphasizing simple worship—offering one’s heart.
  • The poem metaphorically represents pre-Christian ignorance.
    It also reflects modern struggles of the poor and redemption for sinners.
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2
Q

what is the form of this poem?

A
  • The simple structure matches the humble subject: Christ’s birth in a stark winter setting.
  • The final stanza shifts in tone to personal devotion but keeps the quatrain form.
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3
Q

what is the rhyme of this poem?

A
  • Follows an ABAB CDCD rhyme scheme, making it musical, though some slant rhymes appear.
  • The song-like structure aligns with its status as a hymn (In the Bleak Midwinter).
  • Irregular meter, leaning toward iambic patterns, creates a gentle, meditative rhythm.
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4
Q

what is the context of this poem?

A
  • Commissioned by Scribner’s Monthly in 1872.
  • Rossetti was in her early 40s, reflecting her life of asceticism and self-denial.
  • She rejected marriage proposals from James Collinson and Charles Cayley due to religious beliefs.
  • In 1871, she developed Graves’ Disease, leading to a shift toward devotional themes.
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5
Q

what are the themes of this poem?

A
  • Love
  • Spirituality
  • Religion
  • Hope
  • New beginnings
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6
Q

what are good pairings for this poem?

A
  • Twice
  • Piteous my rhyme is
  • Up-hill
  • Goblin Market?
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7
Q

“in the bleak mid-winter,/frosty wind made moan,/Earth stood hard as iron,/water like a stone;”

A
  • “Bleak mid-winter” symbolizes unredeemed humankind.
  • “Frosty wind” is personified—moaning like a troubled soul.
  • Similes compare earth and water to iron and stone—unyielding, lifeless.
  • Frequent commas and end-stops create a jarring, unstable rhythm.
  • The unnatural imagery suggests that life without Christ is unnatural.
  • “Stood hard as iron” conveys stillness, stagnation, and suffering before Christ’s arrival.
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8
Q

“snow had fallen, snow on snow/snow on snow,/in the bleak mid-winter/long ago.”

A
  • Repetition of “snow” (five times in four lines) reinforces the world’s bleakness.
  • Suggests the monotony and cyclical nature of life without faith.
  • The overwhelming whiteness creates a spiritual blindness, obscuring true joy.
  • “Long ago” signals that this condition has changed with Christ’s coming.
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9
Q

“Our God, Heaven cannot hold Him,/Nor earth sustain;/Heaven and earth shall flee away/when He comes to reign:”

A
  • Capitalization of “He” emphasizes reverence for Christ.
  • Hyperbole underscores Christ’s limitless power—even Heaven is insufficient to contain Him.
  • Abrupt juxtaposition highlights the stark contrast between his humility and future reign.
  • “Our” makes his love communal and inclusive, inviting the reader into God’s warmth.
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10
Q

“in the bleak mid-winter/A stable-place sufficed/The Lord God Almighty/Jesus Christ.”

A
  • “Stable-place” suggests both physical humility and spiritual assurance.
  • “Sufficed” implies that this humble setting was enough, despite its worldly inadequacy.
  • “The Lord God Almighty” dramatically shifts tone, contrasting divine majesty with earthly humility.
  • “Jesus Christ” follows with simple, humanizing directness.
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11
Q

“Enough for Him whom cherubim/Worship night and day,/A breastful of milk/And a mangerful of hay;…”

A
  • Juxtaposes celestial worship with basic human needs.
  • “Night and day” suggests constant devotion.
  • “Breastful of milk” and “mangerful of hay” emphasize warmth, nourishment, and motherly care.
  • Repetition of “enough” (echoing “sufficed”) reinforces humble sufficiency.
  • “Mangerful” mirrors “breastful,” keeping the language earthy and familiar.
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12
Q

“enough for him,/ whom angels fall before/the ox and ass and camel /which adore”

A
  • Angels “fall down” before Him, a dramatic gesture of awe and submission.
  • “Ox and ass” reference Isaiah 1:3, and “camel” nods to the Magi’s journey—symbolizing both lowly and exalted worshippers.
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13
Q

“Angels and archangels/May have gathered there,/Cherubim and seraphim/Throng’d the air,/But only His mother/In her maiden bliss/Worshipped her Beloved/With a kiss.”

A
  • “Maiden bliss” highlights Mary’s purity, joy, and devotion.
  • “Kiss” contrasts the grandeur of angelic worship with human intimacy.
  • “May have” adds a speculative, dreamlike tone.
  • “But only” creates contrast, elevating Mary’s unique role.
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14
Q

“What can I give Him,/Poor as I am?…/Yet what I can I give Him,/Give my heart.”

A
  • “Poor” suggests both material and spiritual humility.
  • Shepherds and wise men had fitting gifts, but the speaker offers personal devotion.
  • “Give my heart” is a simple, profound resolution, inviting all to participate in faith.
  • The final line stands alone as the climax, closing the poem with quiet conviction
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