80's and 90's Flashcards

1
Q

“Post modernism was an outgrowth of modernism just as modernism itself was an outgrow of the Enlightenment of the 19th Century”

A

-Phillip Tabb

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2
Q

According to Charles Jencks, it celebrates hybridity, which showed the mixture of opposing periods as in past, present, and future.

A

Post Modernism

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3
Q

It possessed multiple codes containing global technology and local culture of modern architectural elements with vernacular forms.

A

Post Modernism

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4
Q

Modernism vs Postmodernism

A

Modernism concerns with principles such as identity, unity, authority, objective knowledge, authenticity, reason, and certainty.
Whereas Postmodernism, it associates itself with difference, plurality, non-linearity, relativism, mutability, skepticism, and social constructivism.

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5
Q

instead of adapting exaggerated solar forms, postmodernism opt to adapt local vernacular forms and materials while still appropriating modernist elements and details (or departed completely, such for the example of deconstructivism)
While post modernism was seeking greater meaning and aesthetic, one quality that seemed to be missing is “authenticity”

A

1980’s

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6
Q

An Architectural Theoretician, states that:
“Modern architecture is both inhumane and inherently anti-nature. Modern architecture, like modern science that enabled it, was understood to be the principal source of environmental degradation, not its cure.”

A

Steven Moore

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7
Q

Constructed in 1962.

An icon and harbinger for post modernism that fully manifested in the 1980s.

A

Vanna Venturi house

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8
Q

The design maintained axial symmetry and balance with the duality created by the bifurcated sheer facade.

A

Vanna Venturi house

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9
Q

The Vanna Venturi house did provide a connection to the use of historic vernacular forms with integrated modernist details, which challenge modernist architect to open the door for a greening architecture especially at a residential scale.

A

Vanna Venturi house

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10
Q

by Philip Johnson, which became immediately controversial largely because of its adorned ornamental top.

A

The AT&T Building

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11
Q

Qualities of Green Architecture in Postmodernism
With Post Modernism expressing dissatisfaction with the vapid effects of modernity, the movement brought these “redeeming qualities” which are:

A
Pluralism
Complexity
Double Coding
Historical Contextualism
Hybridity
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12
Q

Modernism’s reduced overly objective and singular levels of abstraction that could not capture the richness of diversity.

A

Pluralism

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13
Q

Pluralism in Green Architecture allows multiple design agendas and elements of expression, grafting sustainable technologies into vernacular languages. It allows modern technologies, materials and details to be appropriated in postmodern and sustainable ways

A

Pluralism

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14
Q

Modernism’s focus on efficiency, function, and simplicity reduced the expression of elaboration, variability, and scale.

A

Complexity

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15
Q

Modernism stripped away modernism, symbolism, and reference through abstraction rather than conveying multiple levels of meaning, ambiguity, connotation, and simultaneous forms of expression.

A

Double Coding

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16
Q

is the presence of tectonic hybridity in response to multivalent environmental phenomena, and the expression of eclectic architectural languages.

A

Double Coding

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17
Q

Modernism supported the reduction and even elimination of local constituent architectural features in favor of ones that were universal and homogenized.

relates to the historical precedents, climatic conditions, and cultural characteristic of the place.

A

Contextualism:

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18
Q

Modernism sought a universality and homogeneity of form and function, structure and technology, and materials and details.
In Green Architecture, _______certainly had relevance in the mixes of conventional and alternative technologies, local and universal materials, but also to the differing architectural languages.

A

Hybridity

19
Q

_____ was referred to as a process where the architectural heritage was prolonged and the integrity of character was maintained through carefully planned interventions.

A

Conservation

20
Q

This includes the identity, style, form, and materials of the building.

A

Conservation

21
Q

_____ was a more protective practice focused on the built environment especially with the historic significance.

A

Preservation

22
Q

In architecture, issues of integrity, authenticity, and accuracy were a challenge, especially with the need of new programs of use.

A

Preservation

23
Q

Started the Preservation Movement.
He advocated that these iconic wildernesses be preserved for future generations as part of that cultural heritage and quickly gained “ear of movers and shakers” at the time.

A

John Muir

24
Q

____ was less a specific practice and was more of a mode of thinking that gave significance to mutable interpretations to local contexts, historical periods, and geographical places.

A

Historicism

25
Q

Another dimension of ____ was the glorification of the moment into what was called “periodization”, which is the separation of works into distinct categories of time.

A

Historicism

26
Q

It is the practice of repurposing or recycling existing building with new functions and contemporary use.

A

Adaptive reuse

27
Q

Under conservation, these practices are inherent to the greening process. They are:

A

Restoration
Rehabilitation
Reconstruction
Upgrades and Densification

28
Q

____ focused on the retention of the most historic features of a particular time while allowing removal of materials from other periods.

A

Restoration

29
Q

____ emphasized the retentions and repairs of historic features including materials, finishes, spatial relationships ang character.

A

Rehabilitation

30
Q

____ establishes limited opportunities to reconstitute a building in new materials.

A

Reconstruction

31
Q

suggests that modernizing building to meet present construction standard.
This included upgrading to meet higher energy performance levels.

A

Upgrading and Densification

32
Q

considered an area of architectural theory that viewed buildings that were made by empirical methods without the interventions of professional architects.
This was to suggest that the design and construction evolved through an intuitive, instinctive, learned, and an accumulative intelligence gained by trial-and-error of making and shared time-tested experiences within a given locale.

A

Vernacular Architecture

33
Q

They promoted a sense of place, community, stewardship and security.

A

Postmodern Urbanism

34
Q

adapts pre-industrial forms of urban designs such as: Market Squares, City blocks, Narrow streets, Defined Neighborhoods and Villages.
These identifiable forms and metaphors suggests wholeness, homogeneity, and comprehensibility of a city.

A

Postmodern Urbanism

35
Q

Published by Leon Krier in the early 1980s.

Urban Design Manifesto is an outline set of critiques of modern urbanism.

A

Urban Design Manifesto

36
Q

Population growth by organic multiplication of livable, walkable urban increments rather than by mere addition and gross expansion at the edge.

Implementation of integrated zoning of activities rather than spatially separated “functional” zones.

Creation of tradition urban patterns, such as walkable urban blocks and streets, squares, and a mix of private and public buildings.

Reduction of automobile dependency, promotion of a pedestrian-scale environment, and walkable distances within the community.

Compact urban design with higher density using individual building blocks that also give structure to and definition for public spaces.

A

Principal Ideas of Urban Design Manifesto

37
Q

History, culture, climate, customs, geography and physical context gave specific characteristics and meanings to a region, including the love a particular locale or setting.

A

Regionalism

38
Q

It sought to mediate the spectrum between the universal characteristics of a civilization and the particularities of a place.
It arose in response to placelessness and the lack of meaning in the modern environment.
There was a confluence of authentic, climatic, and regional characteristics with the needs of contemporary culture and the modern means.

A

Critical Regionalism

39
Q

Its development in architecture was characterized by fragmentation, distortion, dislocation of architectural elements and interest on skin or surface.

A

Deconstructivism

40
Q

It sought unpredictability, confrontation, disconnection, and to some degree of chaos, post modern green that blends regional context and contemporary programs to the lineage of vernacular forms.

A

Deconstructivism

41
Q

Architects that emerged from Deconstructivist Movement

A

Zaha Hadid

Frank Gehry

42
Q

meant beauty in tectonic form, high craft and attention to detail.

science and art were combined and elevated

A

High-tech architecture

43
Q

Low-E Glass Characteristics:

A

Open Plan
Honest articulation of Structure on the Exterior and Integral to the facade
Expressing rather than hiding the Mechanical Services and Equipment.
Establishing geometric order rather than symbolic references.

44
Q

“to martial courage”

A

Virtus