5

Question 1

two-dimensional art, this organization is often called

Answer 1

Composition

Question 2

the more inclusive term, applicable to all kinds of art, is

Answer 2

Design

Question 3

The guidelines are usually Known as the …..

Answer 3

Principles of Design

Question 4

these principles are

Answer 4

1. Unity and Variety.
2. Balance.
3. Emphasis and Subordination.
4. Proportion and Scale.
5. Rhythm.

Question 5

is a sense of oneness, of things belonging together and making up a coherent
whole.

Answer 5

unity

Question 6

is difference, which provides interest.

Answer 6

Variety

Question 7

Art can also be unified conceptually, that is, through a unity of ideas.
t or f

Answer 7

t

Question 8

refers to the ways in which the elements ( lines , shapes, colors, textures, etc.) of a piece are arranged.

Answer 8

Balance

Question 9

its encourages our active participation in looking.

Answer 9

Balance

Question 10

refers to the apparent “heaviness” or “lightness” of the forms arranged in a composition, as gauged by how insistently they draw our eyes.

Answer 10

Visual Weight

Question 11

Forms on either side of the axis correspond to one another in size, shape, and placement.

Answer 11

symmetrical balance

Question 12

the correspondence is very close but not exact—a situation sometimes called

Answer 12

relieved symmetry

Question 13

it gives the design a forceful, formal presence.

Answer 13

symmetrical balance

Question 14

the composition has two sides that do not match.

Answer 14

asymmetrical balance

Question 15

why the asymmetrical balance seems to be balanced

Answer 15

seems to be balanced, that is because the visual weights in the two halves are very similar.

Question 16

Death and Life
what represents

Answer 16

The informal balance asymmetrical balance

Dramatize the opposition between life envisioned to the right as a billowing form of light-hued patterns and slumbering human figures, and death, a dark Skeletal presence at the far left, robed in a chilling pattern of grave markers.

Question 17

BALANCE - FEW FACTORS THAT AFFECT VISUAL WEIGHT

Answer 17

1. A large form is visually heavier than a smaller form.
2. A dark-value form is visually heavier than a light-value form of the same size.
3. A textured form is visually heavier than a smooth form of the same size.
4. A complex form is visually heavier than a simple form of the same size.
5. Two or more small forms can balance a larger one.
6. A smaller dark form can balance a larger light one.

Question 18

it means that our attention is drawn more to certain parts of a
composition than to others.

Answer 18

Emphasis

Question 19

If the emphasis is on a relatively small, clearly defined area, we call this

Answer 19

“Focal Point.”

Question 20

means that certain areas of the composition are purposefully made less visually interesting so that the areas of emphasis stand out.

Answer 20

Subordination

Question 21

The Banjo Lesson

what principles are here

Answer 21

The old man and the young boy are the main focus of the painting, so they are placed in the foreground. Their size and placement are used to emphasize their figures

Question 22

Executions of the Third of May

describe it

Answer 22

The executions were carried out in a dramatic fashion with white, yellow, and red being used to create a focal area against a background of earth tones and black.

Question 23

it means size in relation to a standard or “normal” size.

Answer 23

SCALE:

Question 24

is often related to the size of an average human as it is something that we can all relate to.

Answer 24

Scale

Question 25

big shovel

Answer 25

the shovel is out of scale it’s not like the proportion with its surrounding

Question 26

: refers to size relationships between parts of a Whole , or between two or more items perceived as a unit.

Answer 26

PROPORTION

Question 27

big hand

Answer 27

the hand is not on the right scale not in the proportion with the body of the man

Question 28

A proportion that has fascinated many
artists and architects since its discovery by the ancient Greeks is the ratio known as the

Answer 28

golden section.

Question 29

Leonardo da Vinci’s figure stands inside a square defined by his
height and the span of his arms, and a circle centered at his
navel.

Answer 29

Study of Human Proportions
according to Vitruvius.

Question 30

During the 20th century, the French architect Le Corbusier
related the golden section to Human proportions in a tool he
called ….

Answer 30

the Modular.

Question 31

Le Corbusier’s Modular acknowledges that there are no absolutes, only relationships, and that we experience the world in proportion to ourselves.

t or f

Answer 31

t

Question 32

is based on repetition, and it is a basic part of the world we find ourselves in.

Answer 32

Rhythm