4

Question 1

, they are the elements that we perceive and respond to when we look at a work’s form.

Answer 1

visual elements

Question 2

what are the Visual Elements

Answer 2

1\ Line.
2\ Shape.
3\ Mass.
4\ Light.
5\ Value.
6\ Color.
7\ Texture.
8\ Space.

Question 3

a……is a path traced by a
moving point.

Answer 3

line

Question 4

Artists, too, use lines as symbols

t or f

Answer 4

t

Question 5

defines a two-dimensional shape

Answer 5

an outline

Question 6

The primary functions of it in art to record the borders of form and to convey direction and motion

Answer 6

line

Question 7

are the boundaries we
perceive of three-dimensional
forms are the lines we draw to record those boundaries.

Answer 7

Contours

Question 8

• Our eyes tend to follow lines to see where they are going, like a train following a track. Artists can use this tendency to direct our eyes around an image and to suggest movement.

t or f

Answer 8

t

Question 9

• Our eyes also pick up on Lines that are

Answer 9

only implied.

Question 10

A ….. is a two-dimensional form. It occupies an area with identifiable boundaries

Answer 10

shape

Question 11

• A ….. is a three-dimensional form that occupies a volume
  of space.

Answer 11

mass

Question 12

Shapes and masses can be divided into two broad categories,

Answer 12

geometric and organic

Question 13

shapes and masses approximate the regular,

Answer 13

Geometric

Question 14

shapes and masses are irregular and evoke the Living forms of nature.

Answer 14

Organic

Question 15

is the shape we detach and focus on,

Answer 15

A Figure:

Question 16

: is the surrounding visual information the figure stands out
from, the background.

Answer 16

The Ground

Question 17

The shapes we perceive as figures we call ……… the shapes
of the ground are ………..

Answer 17

positive shapes;
negative shapes

Question 18

is a type of radiant energy, and we have learned how to generate it ourselves through electricity.

Answer 18

light

Question 19

exists in a seamless
continuum from white (the highest
value) to black (the darkest value).

Answer 19

value

Question 20

chiaroscuro :

Answer 20

is the treatment of light and shade in drawing and painting

Question 21

One of the great masters of chiaroscuro was Leonardo da Vinci.
* Leonardo applied charcoal for a range of darks, and white chalk for lighter values.

Answer 21

t

Question 22

areas of closely spaced
parallel lines, Darker values were
achieved.

Answer 22

Hatching,

Question 23

Through additional sets of parallel lines
laid across the first, a technique called
.

Answer 23

crosshatching

Question 24

VALUE TECHNIQUES

Answer 24

Hatching,
crosshatching
stippling

Question 25

, in which areas of dots
average out through optical mixing into
value.

Answer 25

stippling

Question 26

safe to say that none of the visual elements gives us as much
pleasure as

Answer 26

color

Question 27

Color is a function of light. without light there can be no color

t or f

Answer 27

t

Question 28

Various studies have demonstrated that…… affects a wide range of
psychological and physiological responses.

Answer 28

color

Question 29

red, orange, yellow, green, blue, and violet—add the transitional color red-violet and arrange these colors in a circle, we have a ……

Answer 29

color wheel

Question 30

—red, yellow, and blue— They are (theoretically at least) they cannot be made by any mixture of other colors.

Answer 30

Primary colors
COLOR CATEGORIES

Question 31

—orange, green, and violet— Each is made by combining two primary colors.

Answer 31

Secondary colors
COLOR CATEGORIES

Question 32

, also known as tertiary colors,are the product of a primary color and an adjacent secondary color.
For instance, mixing yellow with green yields yellow-green.

Answer 32

Intermediate colors

COLOR CATEGORIES

Question 33

……… considered as a
Warm colors, perhaps because of their association with sunlight and firelight.

Answer 33

red-orange side

Question 34

are cool colors, again probably because of their association with sky, water, shade, and so on.

Answer 34

blue-green side

Question 35

Any color has three properties:

Answer 35

• Hue is the name of the color
• Value: refers to relative lightness or
  darkness
• Intensity: also called chroma or
  saturation—refers to the relative purity
  of a color.

Question 36

A ……, sometimes called a
color scheme, is the selective use
of two or more colors in a single
composition.

Answer 36

color harmony

Question 37

harmonies are composed of variations on the same hue, often with differences of value and intensity

Answer 37

Monochromatic

Question 38

involve colors directly opposite each other on the color wheel, such as red and green

Answer 38

Complementary harmonies

Question 39

combine colors adjacent to one another on the color wheel.

Answer 39

Analogous harmonies

Question 40

harmonies are composed of
any three colors equidistant from each
other on the color wheel.

Answer 40

Triadic

Question 41

refers to surface quality—a perception of smooth or rough, flat or bumpy, fine orcoarse.

Answer 41

Texture

Question 42

is literally tactile, a quality we could experience through touch.

Answer 42

Actual Texture

Question 43

mean something less literal.

Answer 43

Visual Texture,

Question 44

is any decorative,
repetitive motif or design.

Answer 44

Pattern

Question 45

Pattern can create visual texture,
although visual texture may not
always be seen as a pattern.

t or f

Answer 45

t

Question 46

is a dynamic visual element
that interacts with the lines ,shapes,
colors and textures of artwork to give
them definition.

Answer 46

The space

Question 47

Sculpture, architecture, and all other
forms with mass exist in three-dimensional space—that is, the actual space in which our bodies also stand.

Answer 47

t