3D Design Chapter 3 Flashcards

1
Q

intent

A

The central idea or problem with which the artist is working.

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2
Q

unity

A

The combined result of all organizing principles of design.

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3
Q

principles of design

A

Repetition, variety, rhythm, balance, emphasis, economy, and proportion.

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4
Q

repetition

A

Use of similar design features again and agin.

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5
Q

variety

A

A principle of design in which parts are seemingly different but nonetheless have something in common.

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6
Q

contrast

A

Juxtaposition of dissimilar areas.

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7
Q

transition

A

Gradual introduction of Variety.

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8
Q

rhythm

A

Unification of parts of a work through measured repetition of visual accents.

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9
Q

visual balance

A

The appearance that parts of a work offset each other in such a way that it will not fall over.

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10
Q

visual weight

A

The apparent lightness or heaviness of a work or a portion of a work.

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11
Q

symmetrical balance

A

The placing of identical forms to either side of the central axis of a work to stabilize it visually.

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12
Q

vertical axis

A

An imaginary line through the center of a piece between the right and left sides.

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13
Q

asymmetrical balance

A

Placement of nonidentical forms to either side of a balancing point in such a way that the two sides seem to be of the same visual weight.

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14
Q

balancing point

A

A fulcrum at the base of a work, upon which the whole piece rests.

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15
Q

horizontal axis

A

An imaginary central line between upper and lower parts of a piece.

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16
Q

vertical balance

A

Distribution of visual weights in a piece in such a way that top and bottom seem to be in equilibrium.

17
Q

emphasis

A

Stress placed on a single area of a work or a unifying visual theme.

18
Q

dominance

A

Emphasis placed on a particular area or characteristic of a work, with other areas or aspects given subordinate or supporting roles.

19
Q

focal point

A

The area in a work to which the eye is most compellingly drawn.

20
Q

economy (visual economy)

A

Deletion of nonessential details to reveal the essence of a form.

21
Q

minimal art

A

Extremely simplified art, using very few forms and colors and avoiding narrative and representation of anything other than itself.

22
Q

proportion

A

A sense of appropriateness in the size relationships of different parts of a work.

23
Q

Golden Section (Golden Mean)

A

According to ancient Greek aesthetics, an ideal proportional relationship between parts, whereby the smaller is to the greater as the greater is to the whole. This ratio is approximately 5:8, or 1:1.618.