21: Late Eighteenth and Nineteenth Centuries Flashcards

1
Q

art governed by rules, especially works sanctioned by an official institution, academy, or school

A

academic art

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2
Q

style of decorative art and architecture characterized by curving shapes abstracted from nature

A

Art Nouveau

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3
Q

artists who work in an experimental or innovative way, often opposing mainstream standards

A

avant-garde

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4
Q

Post-Impressionist style using bold contrast, brushwork, and textures to communicate inner feelings and emotion

A

Expressionism

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5
Q

style of painting executed outdoors, aiming to capture the light and mood of a particular moment and the transitory effects of light and color

A

Impressionism

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6
Q

emulation of Classical Greek and Roman art, rejecting frivolous nature of Rococo style

A

Neoclassicism

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7
Q

apparent rather than actual color mixture, produced by interspersing brushstrokes or dots of colors instead of physically mixing them

A

optical color mixture

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8
Q

painting characterized by openness of form, in which shapes are defined by loose brushwork in light and dark color areas rather than by outline or contour

A

painterly

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9
Q

system of painting using tiny dots of color - developed by Georges Seurat, who called the technique “divisionism”

A

pointillism

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10
Q

term applied to various personal styles of painting by artists in France that developed in reaction to Impressionism - more concerned with form, symbols, expressiveness, emotional intensity

A

Post-Impressionism

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11
Q

mid-nineteenth century style of Gustave Courbet and others, based on idea that ordinary people and everyday activities are worthy subjects of art

A

Realism

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12
Q

literary and artistic movement aimed at asserting the validity of subjective experience, characterized by intense emotional excitement and depictions of powerful forces of nature, exotic lifestyles, danger, suffering, nostalgia

A

Romanticism

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13
Q

an official art exhibition in France, judged by members of the official French Academy

A

Salon

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14
Q

movement in late nineteenth century Europe concerned with communication of inner emotional states through forms and colors that may not copy nature directly

A

Symbolism

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