2012 Work - Roberts reading Flashcards

1
Q

when was the study published?

A

2012

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2
Q

what are the bohemians now linked to?

A

‘the new economy’ within innovative high-tech industries

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3
Q

what are the bohemians considered to be now?

A

considered the creative, cultural or aesthetic economy

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4
Q

what did the bohemians use to be?

A

marginal

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5
Q

what did Florida find in relation to geography?

A

the geography of contemporary bohemia in the USA is highly concentrated in certain favoured cities, which demonstrates a strong correlation between the presence of bohemians and innovative high-technology industries

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6
Q

where was the birthplace of the boheme?

A

Paris

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7
Q

how do the boheme and the bourgeois relate?

A

the bourgeoisie and bohemia implied, required, and attracted each other

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8
Q

how did the boheme see the relationship with the bourgeois? what did this lead to?

A

Instead of recognising the structural nature of the complementary dibision of labour, bohemians tended to see this relationship as an irreconcilable opposition, and so saw their own marginal existence in alienated form, and so formulated the artistic critique of capitalism

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9
Q

why were the bourgeoise dependent on the bohemians?

A

culturally dependent

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10
Q

how can the boheme’s attraction to dreams of a total revolution be explained?

A

Contradiction between independence and dependence

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11
Q

why can the bourgeois be seen as experiencing self hatred?

A

they were a class without status, lacking the will for political power and capitalist spirit, despite being defined completely economically

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12
Q

what two components did Boltanski and Chiapello identify as critiques of capitalism?

A

social and artistic

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13
Q

what is the social critique?

A

Social critique is carried by the worker’s movements, emphasized ‘inequalities, poverty, exploitation and the egoism of a world that encourages individualism as opposed to solidarity

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14
Q

what is the artistic critique?

A

by the bohemian subculture, emphasised ‘oppression in the capitalist world (the domination of the market, the discipline of the factory), the uniformity of mass society and the commodification of everything’ and valorized ‘an ideal of liberation and individual autonomy, of uniqueness and authenticity

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15
Q

what was the mantra of the 1968 riots in France?

A

participation, reflecting the push for self-management, individual autonomy and creativity in the work situation

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16
Q

how does this mantra differ from the typical social critique of capitalism?

A

not traditional social demands, led by the communist unions, for pay rises and reductions in inequality.

17
Q

what is the third spirit of capitalism manifested in?

A

activity

18
Q

what 3 social paradoxes does the new spirit of capitalism entail?

A
  1. Artistic critique becomes the new defining critique of capitalist society.
  2. Florida’s bohemian city exemplifies the mainstreaming of bohemian marginality, into the new creative class
  3. Artistic critique is transformed into the affirmative creativity of the new economy
19
Q

how did the bohemians enable the new spirit of capitalism to flourish?

A

‘By helping to overthrow the conventions bound up with the domestic world, and also to overcome the inflexibilities of the industrial order – bureaucratic hierarchies and standardized production – the artistic critique opened up an opportunity for capitalism to base itself on new forms of control and commercialization, new, more individualized and ‘‘authentic’’ goals’

20
Q

how can Warhol be used as an example?

A

painted commodities, ended up in museums