12. Reform Flashcards

1
Q

Give two aspects of the early Industrial Revolution in Great Britain that brought out the reform movement in design:

A

a. loss in craft/technique/quality

b. cheap replication of ornament = loss of association with power

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2
Q

Who was the first British architect to use the new theory of the zeitgeist in challenging his peers to improve British architecture in 1835?

A

Owen Jones

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3
Q

The German term for the “spirit of times” is:

A

Zeitgeist

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4
Q

Who was the first British architect to call for a new style of architecture appropriate to the 19th century?

A

Owen Jones

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5
Q

Owen Jones’ first book, which documented the Islamic tradition of ornament, was a study of the:

A

Alhambra in Grenada, Spain

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6
Q

____ was the first to propose to Prince Albert the idea for the Crystal Palace.

A

Cole

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7
Q

____ was the designer in control of the color scheme of the Crystal Palace.

A

Jones

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8
Q

How was the glass roof in the Crystal Palace protected from the heat of the sun?

A

outer canvas covering

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9
Q

How was the South Kensington School of Design originally funded?

A

with profits made from the international exhibition of 1851 in Crystal Palace

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10
Q

The Grammar of Ornament was authored by:

A

Jones

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11
Q

Define what Owen Jones meant by “repose”:

A

want of nothing; design is complete

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12
Q

Owen Jones had an important influence in the architecture of the late nineteenth century by promoting what two sources for the development of new ornamental systems?

A

a. Zeitgeist

b. regonalism

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13
Q

The author of Contrasts was ______.

A

Pugin

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14
Q

What was the one major difference between the ideas of Jones and those of Pugin?

A

Pugin - material, structural honesty, Gothic revival

Jones - wanted new style

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15
Q

Who were the two architects responsible for the reconstruction of the Houses of Parliament in 1836:

A

a. Barry

b. Pugin

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16
Q

Why did the guidelines for the Houses of Parliament competition strictly state the style to be used was either Gothic or Elizabethan?

A

French were being classical, British wanted to use opposite style

17
Q

The L-shaped floor plan favored by Arts and Crafts designers was first championed by the theorist ______, as a critique of the symmetrical plans by ________.

A

Pugin

Palladio

18
Q

_____, along with Thomas Carlyle, did more than anyone else to shape the culture of Victorian Britain.

A

Ruskin

19
Q

The two books written by John Ruskin that pertain to architectural theory are:

A

a. The Seven Lamps of Architecture

b. The Stones of Venice

20
Q

The “Red House”, symbol of the beginning of the Arts and Crafts movement in England was designed by which architect?

A

Webb

21
Q

The movement in painting which influenced William Morris that was the parallel of the Gothic Revival in architecture was:

A

Pre-Raphaelism

22
Q

What was the configuration of the floor plan in a typical Arts and Crafts house?
Why was this configuration used?

A

L-shaped

rejection of Palladio’s symmetry & was easy to add on in the future