Wolfgang Amadeus Mozart - 1st movement of Symphony no. 40 in G minor Flashcards
Mozart’s piece being studied
1st movement of Symphony no. 40 in G minor
Mozart’s full name
Wolfgang Amadeus Mozart
Mozart’s nationality
Austrian
Mozart’s date of birth/death
(1756-1791)
Period of Mozart
Classical
some key features of classical
elegant melodies
diatonic harmony
piano replaces harpsichord
Melody-dominated textures (melody accompaniment)
what are symphonies?
have four movements
are for orchestras
1st movement is usually fast and in sonata form
First subject (Mozart)
tonic key : G minor
agitated melody that features repetitions
sequences
melodies begin with anacrusis
Second subject (Mozart)
relative major key : B flat major
descending semitones
more graceful than 1st subject
use of chromatic scale - melancholy
Rhythm and metre of Mozart
4/4 time 8 bar phrases anacrusis (upbeats) in 1st subject 2nd subject has greater rhythmic variety syncopation from flute (bar 58)
harmony of Mozart
diatonic
modulations
diminished 7th chord in bar 63
Identify the diminished 7th chord in Mozart bar 63
E - G - Bb - Db
tonality of Mozart
First Subject: G minor
Second Subject: B flat major
In the Recapitulation, the Second Subject comes back in the TONIC key (G minor)
Dynamics of Mozart
crescendos few accents (emphasis on a note) sf and mfp
texture of Mozart
Melody + accompaniment
Octave doubling
Contrapuntal melody
1st subject played against counter melody
structure of Mozart
sonata form (development of binary form)
||: A :||: B :|| (B is longer)
Exposition, Development, Recapitulation
ends with coda
A section of Mozart (sonata form)
A section = exposition
1st subject (tonic key) — Bridge (modulates) — 2nd subject (related key)
ends with codetta
repeats
B section of Mozart (sonata form)
B section = development and recapitulation
development (plays/modulates subjects) — 1st subject (tonic) — Bridge (no modulation) — 2nd subject (tonic)
ends with coda
In Mozart, what is unusual about the development?
Only based on 1st subject
differences of Mozart’s orchestra compared to normal classical orchestra
no percussion
fewer flutes
smaller orchestra
no trumpets