Wolfgang Amadeus Mozart - 1st movement of Symphony no. 40 in G minor Flashcards

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1
Q

Mozart’s piece being studied

A

1st movement of Symphony no. 40 in G minor

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2
Q

Mozart’s full name

A

Wolfgang Amadeus Mozart

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3
Q

Mozart’s nationality

A

Austrian

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4
Q

Mozart’s date of birth/death

A

(1756-1791)

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5
Q

Period of Mozart

A

Classical

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6
Q

some key features of classical

A

elegant melodies
diatonic harmony
piano replaces harpsichord
Melody-dominated textures (melody accompaniment)

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7
Q

what are symphonies?

A

have four movements
are for orchestras
1st movement is usually fast and in sonata form

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8
Q

First subject (Mozart)

A

tonic key : G minor
agitated melody that features repetitions
sequences
melodies begin with anacrusis

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9
Q

Second subject (Mozart)

A

relative major key : B flat major
descending semitones
more graceful than 1st subject
use of chromatic scale - melancholy

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10
Q

Rhythm and metre of Mozart

A
4/4 time
8 bar phrases
anacrusis (upbeats) in 1st subject
2nd subject has greater rhythmic variety 
syncopation from flute (bar 58)
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11
Q

harmony of Mozart

A

diatonic
modulations
diminished 7th chord in bar 63

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12
Q

Identify the diminished 7th chord in Mozart bar 63

A

E - G - Bb - Db

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13
Q

tonality of Mozart

A

First Subject: G minor
Second Subject: B flat major
In the Recapitulation, the Second Subject comes back in the TONIC key (G minor)

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14
Q

Dynamics of Mozart

A
crescendos 
few accents (emphasis on a note) sf and mfp
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15
Q

texture of Mozart

A

Melody + accompaniment
Octave doubling
Contrapuntal melody
1st subject played against counter melody

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16
Q

structure of Mozart

A

sonata form (development of binary form)
||: A :||: B :|| (B is longer)
Exposition, Development, Recapitulation
ends with coda

17
Q

A section of Mozart (sonata form)

A

A section = exposition
1st subject (tonic key) — Bridge (modulates) — 2nd subject (related key)
ends with codetta
repeats

18
Q

B section of Mozart (sonata form)

A

B section = development and recapitulation
development (plays/modulates subjects) — 1st subject (tonic) — Bridge (no modulation) — 2nd subject (tonic)
ends with coda

19
Q

In Mozart, what is unusual about the development?

A

Only based on 1st subject

20
Q

differences of Mozart’s orchestra compared to normal classical orchestra

A

no percussion
fewer flutes
smaller orchestra
no trumpets