Handel - And the Glory of the Lord Flashcards

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1
Q

Full name of Handel

A

George Frideric Handel

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2
Q

Date of birth/death of Handel

A

(1685-1759)

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3
Q

Nationality of Handel

A

German, later becoming a British citizen

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4
Q

‘And the Glory of the Lord’ isn’t an opera, instead an…

A

oratorio

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5
Q

what is an oratorio?

A

similar to an opera (play that is sung), usually with words from the Bible

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6
Q

The words of an oratorio are called?

A

the libretto

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7
Q

mood of a piece is called…

A

the affect

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8
Q

What part of Messiah is ‘And the Glory of the Lord’ in?

A

The chorus

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9
Q

affect of ‘And the Glory of the Lord’

A

optimistic and joyful

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10
Q

How many motifs are there in ‘And the Glory of the Lord’?

A

4

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11
Q

Describe ‘And the glory, the glory of the Lord’ motif

A

First 3 notes outline tonic triad (A major)
ends with scalic ascent
syllabic

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12
Q

Describe ‘Shall be revealed’ motif

A

descending sequence

melisma on ‘revealed

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13
Q

Describe ‘And all flesh shall see it together’ motif

A

repetitions of scalic descending 4th

makes expression of certainty

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14
Q

Describe ‘For the mouth of the Lord hath spoken it’ motif

A

features long notes
pedal note (mostly on one note)
God’s powerful voice
syllabic

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15
Q

metre/rhythm of ‘And the Glory of the Lord’

A

lively triple time metre (3/4)
quick (allegro) tempo
helps make music sound joyful / dance
hemiola

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16
Q

In ‘And the Glory of the Lord’, what is featured in bars 9-10

A

hemiola

17
Q

what is hemiola?

A

a kind of syncopation

18
Q

Harmony of ‘And the Glory of the Lord’

A

mostly diatonic

ends with a plagal cadence

19
Q

Tonality of ‘And the Glory of the Lord’

A

tonic key is A major
modulates to dominant key (E major)
and modulates to dominant of the dominant (B major)

20
Q

Dynamics of ‘And the Glory of the Lord’

A

number of performers at one point determined whether music was loud or quiet
no crescendos/diminuendos
terraced dynamics

21
Q

terraced dynamics -

A

sudden dynamic changes with no gradual transition

22
Q

Texture of ‘And the Glory of the Lord’

A

homophonic
polyphonic
monophonic

23
Q

Structure of ‘And the Glory of the Lord’

A

does not fit into a standard form
each section end with a cadence
piece ends with slow coda (adagio)

24
Q

Vocal force of ‘And the Glory of the Lord’

A

Four part - soprano, alto, tenor & bass
all male choir
boys sing soprano
falsetto

25
Q

Instrumentation of ‘And the Glory of the Lord’

A

1st & 2nd set of violins, cellos, violas & double basses
cellos & double basses play basso continuo
in short - strings and basso contiuno

26
Q

Baroque period

A

1600 - 1750

27
Q

key features of Baroque music

A

basso contiuno
terraced dynamics
affect
ornamentation

28
Q

where was Messiah first performed?

A

Dublin, Ireland

29
Q

Where/When was Messiah performed?

A

In theatres during lent

30
Q

Where is Messiah performed today?

A

churches, concert halls and schools