Who do Performance cover? Flashcards

1
Q

What types of studios do performance cover?

A
  1. Film Studios
  2. Television Studio
  3. Music & Recording Studio
  4. Photography Studio
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2
Q

What does a film studio do? What are the differentn types?

A

Film studio = company which specialises in the production, distribution & marketing of motion pictures. Responsible for funding, producing, releasing and managing rights and revenues:

Cover for:
- Computers
- Camera equipment
- Wardrobe & props
- media and camera rigs
etc. etc.

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3
Q

What are the difference(s) between a film studio and production comapnies?

A
  • Film studios have a broader reach and more resources, production companies have a specialised focus and more creative freedom.
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4
Q

What is a television studio?

A

= Where TV productions take place. Lots of activity in the environment with potential hazards, sets and moving parts:
- Cover of equipment damage
- Injury to cast, crew & visitors
- Data security breaches
- Production delays

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5
Q

What other two types, apart from film & television, does Performance insure?

A
  • Music & recording studio
  • Photography studio
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6
Q

What sort of cover would an equipment hire company might require?

A
  • BI
  • PL & EL
  • Own techincal equipment insurance
  • Hired in Equipment insurance
  • Fraudulent hire insurance
  • Continuing Hire cover
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7
Q

Lets talk about done & drone operators insurance, who are they, what do they do, where, with who, types of equipment associated? Give a explanation of them in general - is it required?

A
  • If a commercial drone operator then require PL insurance for TP property damage and injury.
  • What do they do? Aerial photography and videography, survey, mapping, agricultural monitoring, inspections and maintenance, environmental and wildlife monitoring, search & resuce
  • Where they work? EVERYWHERE, cities, rural and agricultural, industrial, remove and hazardous & sometimes restricted areas
  • So many different types of drones & ranges & cost, e.g. high resolution from 2-8K
  • Risks = Operational (technical breakdown & crashes), regulatory and compliance (restricted airspace violation and privacy), cyber security (data breaches with drones transmitting data wirelessly), environmental (wildlife distrubance & fire from battery), financial & business risk (equipment damage/loss), health & safety risk damage (to people and property/ fatigue and overuse)
  • Insurance Solutions = Liability, PI, Equipment cover, breakdown, Cyber
  • Training is a signficant positive and certification reduces risk
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8
Q

Lets talk about equipment hire comapnies & insurance, who are they, what do they do, where, with who, types of equipment associated? Give a explanation of them in general - is it required?

A

= Hire specialised equipment and services to production crews for film, TV & media projects.
- Types of rentals: Equipment (cameras, lenses, lighting, audio, drones & cranes), technical support (set up, maintenance and support during rentals), delivery & logistics, consulation services (advice on what is needed)
- Who do they serve? EVERYONE: Production comapnies, freelance film makers, advertising, broadcasters, events & film educational institutions.
- How do they operate? Inventory management, Booking and Scheduling, Transport and Handling, Assitance & training
- What are the risks faced? = Physical damage/loss, (AD or weather, or lost during transport), theft, liability risks, operational decline, reputational damage, unforeseen delays & logistical issues, data security on user data
- What are the insurance solutions? = Equipment insurance, hire-in equipment, Liabilities, BI, BI & Cyber

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9
Q

What are the key questions to ask for equipment hire companies to gain a full understanding of their business?

A
  1. Inventory - what do they rent out (cameras, lights, audio), what is the value & how often update or replace items?
  2. Client demographics - Who are the main clients? What is the typical duration of the rental period? is it local or international?
  3. Operational - do you handle logistics, do you require clients to have their own insurance? KEY
  4. Safety & maintenance - how often do you test/inspect equipment, do you provide technical support for the use of the equipment?
  5. Claims - any past claims etc.
  6. Cyber - do you store the client data on rented equipment e.g. audio/visiual files & what do you have in place to prevent breaches
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10
Q

What is a film maker? What are their responsibilities?

A

= Anyone who creates visual productions e.g. documentaries, short films, feature films, or other forms.
-> Often responsible for all aspects of the film from beginning to end e.g. creative, technical and logistical from concept development to post-production & distribution

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11
Q

What are the different roles in filmmaking? Explain what each of them do

A
  1. Director (creative lead responsible for overall vision and creative decisions)
  2. Producer (manages production process, finances, schedules & coordination)
  3. Screenwriter (script, story & characters)
  4. Cinematographer (DOP) - Oversees visual aspects of the film, e.g. camera, lighting
  5. Editor - Assembles raw footage into cohesive narrative
  6. Production Designer (responsible for the visual environment: sets, costumes, props)
  7. Sound designer
    8 Actors
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12
Q

What are some questions to ask film makers to assess their risk (think more relevant to the short-period policies)

A
  1. About Project and Production e.g. length, what type, where, when, any high risk scenes
  2. Crew & Equipment e.g. how many, own equipment or renting, freelancers and are they covered?
  3. Liability and Safety e.g. any stunts of high risk scenes, have you hired and H&S professionals and have risk assessments been carried out/any animals or minors involved?
  4. Post Production & Data Security e.g. How will footage be backed up
  5. Intellectual Property e.g. are there any licensed music, footage or intellectual property elements being used that need clearance, have you obtained all neccessary rights/clearances for shoot
  6. Contingency Plans e.g. are there plans for unforeseen delays e.g. weather & illness
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13
Q

What activites do film students do?

A

= All -> Anything from pre-production (planning, writing, scouting locations, production (filming), post-production (editing/special effects & sound design) & group projects

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14
Q

What sort of equipment will a film student use?

A
  • Cameras
  • Sound
  • Lighting
  • Editing
  • additional props costumes
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15
Q

What sort of risks are faced by film students?
What are the insurance solutions for them?

A

Equipment damage/theft, injury to cast & crew, public and data loss, intellectural property and reputation.
1. Equipment insurance
2. PL
3. Personal Accident insurance
4. E&O
5. Short-Term production insurance e.g. shorter term as budgets lower

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16
Q

What are the sort of questions an insurance broker would ask a film student when enquiring about their insurance?

A

Project - what is it, how long, are there multiple and any high risk activites/locations
Equipment - Are you using own equipment, borrowing from school or renting? What is the value & how is it being stored?
Location - where, off campus and in public spaces? do you have permission?
Cast & Crew Safety - who is inovled? Will you be working with anyone not in the film school? Are you taking H&S precautions e.g. not shooting at night and no heavy equipment?
Future plans - where/what will happen to the film?

17
Q

What does a production company do?

A

Oversee entire production process from concept development through to distribution, managing both creative and logistical aspects of a project:
1. Development - planning phase, selecting scripts, funding
2. Pre-Production - organises logistics, crew members, equipment and finalises locations, contracts are established with all parties involved
3. Production - filming phase e.g. actual capture of footage
4. Post-Prod - editing, sound design, visual effects and colour grading
5. Distribution - release it e.g. streaming platforms, direct distribution

18
Q

Who does a film/media production company work with?

A

Depends on the project but effectively everyone they need! e.g. directors, producers, cast, distributors, vendors etc.

19
Q

What are the most prominent risks facing production companies?

A
  • Property damage - filming on location or expensive camera equipment
  • Theft/Loss of Equipment -
  • Injury to cast crew & potentially public
  • Production Delays - Weather, cast illness and equipment failure
  • Data Loss - following productino
20
Q

What are some factors which exacerbate the risks faced by production companies?

A
  1. Size - higher budget, more elaborate sets, more complex scenes carry operational and financial risks
  2. Use of stunts - e.g. fire, objects
  3. Remove or hazardous filming locations
  4. Multiple locations/international filming
  5. Tight schedules - increase pressure on casts and crew leading to potential oversight in safety or preparation
21
Q

What types of questions should you ask a production comapany to understand its needs?

A
  1. Project, what are you working on?, budget and high risk elements?
  2. Location and plans? Where, permits, anything out of ordinary
  3. Cast crew, how many, are they training, any key cast members? what H&S in place?
  4. Equipment, using own, renting or both? what is value, how will it be stored? any props, costumes which are difficult to replace/
  5. How is the data stored and backed up? Any IP (intellectual property) risks associated?
  6. Any plans for things to go wrong?
22
Q

What is a digital imaging technician?

A

Member of the film crew who manages all data on set and post-production. Often advises DOP on lighting, contrast etc.

23
Q

What is a post-production house?

A

Specialises in finalising media projects, e.g. films and commercials through editing the raw footage with effects, sound design and colour grading & digital mastering

24
Q

Roughly describe how post-production houses work

A
  • Specialised staff and facilities - inhouse team or hired in, highly trained
  • Collaboration with clients, receive feedback and ensure project aligns with client’s vision
  • High-end software, advanced programmes to handle and change the files
  • Secure file management, ensuring safe transfer of the digital files is crucial, with extensive back-ups and secuirty systems to prevent loss
25
What are some risks faced by post production houses? What are the insurance solutions?
- Data loss -> breach or accidental deletion could result in signficant losses - IP (intellectual property) using licenced images, music and other copyrighted materials - Equipment damage or failure - Deadline pressures & production delays - E&O - makes an error in the editting Cyber PI Equipment BI PL
26
What questions would/should you ask a post-production house to assess their needs?
What projects they work on and with who, type of work, types of projects, high-stakes projects? Data Management & Security - how do they store, and back up, do you have any measures in place Technology and equipment - Estimated value and how do you manage the maintenance Do you use licenced content & how do you manage the rights? How do you handle the tight deadlines and minimise the errors which can arise?
27
What does a cameraman do, what is his role and responsibilities in a film?
= Ultimately responsible for capturing the visual content for the production Roles/Responsibilities are operating camera, framing the shot and composition, camera movement, focus adjustment and co ordination Pre Production Role - planning and location scouts, work with director to determine best equipment and techniques Production Role - Adjust and set up equipment for the shoot, following script and director's ques during the shoot
28
What are the risks faced by cameramen and insurance solutions for them?
Risks = Equipment damage, physical injury on set, liabilities to other on potentially complex sets, and data loss Insurance = Equipment, PL, Personal Accident, PL for negligence causing financial loss & travel insurance
29
What type of questions would an insurance broker as a cameraman to assess their needs?
- The equipment they use e.g. types, values & any hired in equipment? - Work environment: where, when, with who? and hazardous locations and crew? - Safety precautions in place e.g. training and filming scenes with special stunts etc. - Digital and data management, how is it stored/transferred?
30
What sort of activities take place in film and tv studios?
= Controlled environment for capturing content -> lots of people, lots going on so lots of risk! - Have elaborate sets, props, costumes and staging equipment - Specialised cameras, lighting, sound equipment etc and other technology - Some even have post production
31
What are the biggest differences in risk between film/tv studios and music studios?
Biggest difference in risk tems from the unique activites, equipment and environments involved in each production: Film: set construction, stunts/effects, large crew, extended production timelines TV: Live broadcasts, audience safety, large turnover of sets & tight schedules Music Studios: sensitive audio equipment, acoustic control, tight schedules turnover of sets and intellectual property in the recording of new content.
32
How do studios often get their contracts? Who are they employed by?
= Variety of all types of clients e.g. anyone who needs a controlled environment for content creation: - Production companies employ them space - Broadcasters & straming services - Advertising agencies and brands, - Corporate clients - Government and educational instituions
33
What are the common risks faced by studios? What are the insurance solutions for the risks?
- Property Damage and Equipment - high-value assets within the premises such as cameras, lighting and audio equipment and if damaged not only costly but can disrupt productions - Liability for injury for cast, crew & guests: slips, trips & falls etc and equipment injury - Data Loss - if not correctly stored, large files, recordings, footage can be lost if accidently deleted or corrupted - Damage to Intellectual property - footage, recorded audio and other creative work can be vulnerable to piracy, data breaches or unauthorised access Property insurance (buildings, contents & stock) Equipment insurance PL EL Professional Indemnity BI Cyber
34
What are the key questions an insurance broker would ask a studio to assess their needs?
Studio type - who do you operate and the main activities, any specialities or dangerous risks Equipment - type and value, anything rented in? Personnel - who do you employ, how many and external guests allowed in? What safety measures are in place to protect everyone? Business Continuity - any plans for unexpected events, how would you manage financially? Client & project details - who employs you? are there contracts in placer and do you face strict deadlines & penalties for missing them?
35
What do film schools do? How do they work and what are the risk they face?
= Educational institutions for content creation and train students in all aspects e.g. directing, cinematography, screenwriting, editing and sound design. Provide both theoretical and hands-on experience. - Educational curriculum - full scope of filmmaking, and divided into categories - Students work on projects using professional grade cameras and editing labs, - Collaborate a lot with industry professionals and offering connections to the students - Host their own film festivals and screenings allowing students to showcase work to peers, faculty and industry guests. Risks faced: - Equipment Damage to all equipment e.g. cameras, lighting, microphones and editing software - Theft is also a concern if the portable equipment is taken off campus for projects - Student and faculty injury when on-site and offset, especially when during on-set activies that involves heavy equipment and electrical set ups. - Property and Studio Damage - - Data loss and cyber security - - Event-related risks - e.g. film festivals or screenings
36
What are the main insurance solutions for film schools?
Property insurance - physical property e.g. studios, classrooms and other facilities Equipment insurance PL PI Cyber Goods in transit
37
What questions would an insurance broker ask a film school to assess their needs?