Western MesoAmerica Final Flashcards

1
Q

Late formative and protoclassic

A
Late postclassic  A.D 1250-1521 
Early postclassic  A.D 900-1250
Late/terminal classic 	A.D 600-900
Early classic 	A.D 300-600
Proto classic 	100 B.C- A.D 300
Late formative 	400-100 B.C
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2
Q

Tres Zapotes:

A

Where: the Gulf coast
What: Monument C, and Steala D
When: Late formative/ protoclassic

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3
Q

Izapa style

A

Where:Chipas
What: protoclassic curvilinear style names after type of site of Izapa, Chiapas.
When: Protoclassic ,

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4
Q

Long count

A

Where: Tres Zapotes
What: a count of days from a mythical even in 3114 BC, originating in form of Olmec heartland
When: Protoclassic

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5
Q

La Mojarra

A

Where: Veracruz
What: Stela 1,
When: Protoclassic

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6
Q

Chiapa de Corzo

A

Where: Chiapas
What: stela 2, earliest long count date 36 BC,
When: late formative and classic

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7
Q

Tuxtla Statuette:

A

Where: Veracruz
What: 2nd century long count dates,
When: Preclassic

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8
Q

Cerro de Las Mesas:

A

Where Veracruz
What site, steale with early classic long count dates.
When: Early classic

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9
Q

Ramojadas

A

Where: gulf coast
What: site ceramic style, Chapopte tar paint.
When: proto and late classic

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10
Q

Chapopte

A

What: tar paint used on ceramics

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11
Q

El Zapotal

A

Where: Cerro do las Mesas
What: remojadas ceramic style, clay death and fire god shrine
When: classic period

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12
Q

Nopiloa

A

Where: Veracruz
What: site type of ceramic style, the widespread use of molds, that were mass-produced.
When Classic period

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13
Q

Las Higueras

A

Where: Veracruz
What: pyramid with elaborate mural paintings.
When: Classic period

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14
Q

Ball game:

A

What: sacrificial decapitation important symbolic theme in ball game
Head is symbolic for the “ball”

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15
Q

Ballcourts:

A

What: symbolic entrances to earth and underworld, a place for death and fertility
Sunken and probably ritually flooded to create pools.

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16
Q

Ulama:

A

What: modern form of rubber ballgame,
Where: Sinaloa (west Mexico)

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17
Q

Yogo:

A

What: “yoke ball player belts, to protect their hips

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18
Q

Hacha:

A

What: palmate stone attached to the belt, not used in the game, too heavy, only used for ritualistic purposes.

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19
Q

El Tajin:

A

where: Veracruz
what: largest ball courts 18 known for any , talud tablero (potential Teotihuacan influence) with hitches and flaring corners
Mural paintings with Maya Blue decorative
When: Early classic to end of Early postclassic

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20
Q

Lustrous ware:

A

what: from tajin area, common at teotihuacan

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21
Q

Tajin Grande:

A

Where: Veracruz
What: pyramid of nitches, ceremonial center
when: Early classic to end of Early postclassic

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22
Q

Interlace scroll

A

Where: Veracruz
What: elaborate carvings, panels plumed serpent/Quetzalcoatl bird
When: Early classic to end of Early postclassic

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23
Q

Tajin Chico:

A

Where: Veracruz
What: palace area on hill,fault stairway, entrance to symbolic court.
When: Early classic to end of Early postclassic

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24
Q

Yohualichan:

A

Where: Puebla
What: used to be a major trade route, El Tajin style architecture
When:Early classic to end of Early postclassic

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25
Q

Terminal Classic of central mexico right after the fall of Teotihuacan

A

Traits:

1) Emergence of new political centers, smaller in scale
2) Population change, migrations, population dispersed in Valley
3) New trading patterns and routes, Teotihuacan trade to the west and north no longer important
4) Increased evidence of militarism
5) More cosmopolitan and synthetic nature to art, writing and architecture

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26
Q

coyotlatelco pottery

A

Where: central mexico
What: red on buff ware with red slip
When: Terminal Classic

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27
Q

Teotenango:

A

Where: valley of Toluca,
What: fortified site atop of hill with major stone wall, ringed ball court
When: terminal classic

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28
Q

Calendrics:

A

Where: Central Mexico
What:260 calendar, 20 day names year bearers, same as xochicalco
When: terminal classic

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29
Q

Xochicalco

A

Where: Morelos, Central Mexico
What: fortified site atop a hill with protective walls and dry moats, Sacbe roads
Three Ringed ball courts, ritualistic
When: Terminal Classic

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30
Q

Pyramid of the Feathered Serpent

A

Where: Morelos
What: flaring cornice known for El Tajin, plumed serpents with maya rulers,
When: Terminal classic

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31
Q

Red temple

A

Where: Morelos
What: 3 stelae, calandrics, year bearers, bar and dot numeration
When: Terminal/ late classic

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32
Q

Nuine,

A

Where: Oaxaca
What: iconographic and epigraphic style similar to Zapotec, tomb with murals
When: terminal classic

33
Q

Cholula

A

Where: Puebla
What: Los Bebedores, early Mural, during late classic, Large man-made pyramid
When: Late classic

34
Q

Xochitecatl:

A

Where: Tlaxcala
What: fortified hilltop site conquered by Olmeca- Xicalance
when : terminal classic

35
Q

*Cacaxtla

A

Where: Tlaxcala
What: fortified site on hill, Coyotlatelco pottery, Structure A, Structure B
When: terminal classic

36
Q

Red Temple

A

Where: Tlaxcala
What: stairway flanked plumed serpents and Maya scenes,maize plant with head of Maya Maize god, Maya . God L
When: terminal classic/ late classic

37
Q

Tula and the Early Postclassic Period (a.d. 900-1250)

A

General information about Tula:
This is the first time we see the widespread appearance of metalworking and turquoise in Mesoamerica.
The place is called Tollan, and the people of Tollan is called the Toltecs
Divided into three phases
6 ballcourts
It was nucleated, but not to the same extent as Teotihuacan
Vases found are used for drinking cacao

38
Q

Tula (Actually name is Tollan)

A

Where: Hidalgo
What: First place where we see metal widespread,
When: Early postclassic

39
Q

Ce Acatl Topiltzin/Quetzalcoatl,

A

Where: Tula
What: known as the legendary hero of Tollan
When: Early Postclassic

40
Q

Tula Phases

A

Prado
Corral
Tollan: Coyotlatelco ceramic style

41
Q

Coyotlatelco ceramic style

A

red buff ware

42
Q

More types of ceramic styles are, and they were influenced by other places:

A

Coyotaltelco (Corral phase)
Plumbate (came from Soconusco area from southeastern coastal Chiapas)
Papagayo polychrome (came from Nicoya Peninsula, Costa Rica)
Fine Orange (Came from Tabasco)

43
Q

Obsidian:

A

Where: Pachuca
What: important source of green obsidian,
When: Early post classic

44
Q

Tula Chico:

A

Where: Hidalgo
What: It was abandoned, people then went to Tula Grande
When: Early postclassic

45
Q

Tula Grande:

A

Where: Hidalgo
What: stone columns, we find enclosed Pyramid B, four-sided column,
when: Early Postclassic

46
Q

Chac Mool

A

When: Hidalgo
What: supine sculptures, altars for heart sacrifice
When: Early Postclassic

47
Q

Palace quemado

A

Where: Hidalgo
What: Atlantean figurines, and pyramid of Tlahuizcalpantecuhtli,Aztec petroglyph honoring the Quetzalcoatl,

When: Early Postclassic

48
Q

El Corral:

A

Where: Hidalgo
What: circular wind temple of Tula
When: Early Postclassic

49
Q

The great battle between Tezcatlipoca

A

(Lord of Smoking mirror) and Quetzalcoatl/Ce Acatl Topiltzin. After Ce Acatl Topiltzin slept with his sister/ drunk left to (Chichen Itza). Here he was name Kukulcan

50
Q

El Castillo:

A

Where: Chichen Itza
What: Legendary Temple built in honor of Kukulcan,
When: Early Postclassic

51
Q

Caracol:

A

Where: Chichen Itza
What: Circular wind temple, spiral stairway and conshells
When: Early Postclassic

52
Q

Road to Cibola

A

What: West Mexican trade route, which starts in Amapa (Nayarit) into American Southwest
When: late postclassic

53
Q

Chalchihuites

A

Where: Zacatecas
What: Culture/a people
When: Late postclassic

54
Q

Alta Vista

A

Where: Zacatecas
What: Elaborative roadways
When: Late postclassic

55
Q

La Quemada

A

Where: Zacatecas
What: It is a site elaborative roadways, and it has columnated halls that resemble Tollan
When: Late postclassic

56
Q

Paquimé (Casa Grandes)

A

Where: Highland Zacatecas
What: It is a huge adobe where the trade routes connected, eye-shaped ballcourt
When: Late postclassic

57
Q

Pueblo Bonit

A

Where: Chaco canyon
What: vessels from drinking cacao discovered
When: Late postclassic

58
Q

Tarascans (purépecha) Ceramic style

A

Lost Wax Technique

59
Q

Tarascans (Purépecha)

A

Where: Michoacan
What: Fought with bows and arrows and since they knew the area so well, Aztec could not conquer them
When: Late postclassic

60
Q

Crónica De Michoacán

A

Where: Michoacan
What: most important document concerning Tarascan society,
When: Late postclassic

61
Q

Yacatas

A

Where: Michoacan
What: circular burial platforms for the tombs of Tarascan kings on top of hills
When: Late postclassic

62
Q

Tomb 7

A

Where: Oaxaca
What: Zapotec platform, depiction of Lady 9 grass (the oracle)
When: Late postclassic

63
Q

Relaciones geograica

A

Where: oaxaca
What: Alfonos Caso, map of Teozaculaco, an important source of information
When: late postclassic

64
Q

Codex nuttal

A

Where: Oaxaca
What: It is the story about Lord 8 Deer of Tilantongo
When: Late postclassic

65
Q

Codex Selden

A

Where: Oaxaca
What: It is the story about Lady 6 monkey, Jaltepec, killed by lord 8 deer.
When: Late postclassic

66
Q

Penates

A

Where: Oaxaca
What: It is small stone deity images of Mixtec
When: Late postclassic

67
Q

Xantiles

A

Where: Oaxaca
What: It is incensburners
When: Late postclassic

68
Q

Cholula polychrome

A

What: ceramics mixteca puebla style
when: late postclassic

69
Q

Tizatan,

A

Where: Tlaxcal,
What: mixteca- puebla style murals
When: late postclassic

70
Q

Ocoteluco

A

Where: tlaxcala
What: mixteca- puebla style murals
When: late postclassic

71
Q

Tehuacan viejo

A

What: mixteca- puebla style murals of shields
When: late postclassic

72
Q

Choula

A

Where: puebla
What: important center of style
when : late postclassic

73
Q

Borgia group

A

What: 5 prehispanic codices in Mixteca puebla style
When: late postclassic

74
Q

Chinampa system of agriculture:

A

when Aztec people left made Tenochtitlan they made a chiapas surface for the city to stand on. Stand on poles that reaches the bottom, and fill the spaces between with dirt to build platforms. At Tenochtitlan have this for farm and uses boats to travel around.

75
Q

The Terminal Classic period in highland Mexico, including major sites and evidence of foreign influence from the Gulf Coast and Maya Regions, especially at Xochicalco and Cacaxtla

A

Evidence 1: We find ringed ball courts in Xochicalco. Specific for this is the ritualistic flooding, and inside of the ball court we find markings of a bat. A bat is a representation to the Popul Vuh, which is the creation of myth of Maya involving the hero twins. The bat was the animal that decapitated one of the hero twins when they were playing the rubber ball game.

Evidence 2: In Xochicalco we find Red Temple with same high relief architectural style as in El Tajin, this one depicts Tlaloc piercing his genitals and feeding the water people that then walked up on land
-We also have the Feathered Serpent Pyramid, and here we see Flared Cornice, which is a similar architectural style as we see from El Tajin as well

Evidence 3: At the Red Temple in Cacaxtla we find stairway flanked with plumed serpents and Maya scenes, which includes maize plant head with the Maize God as well as the Maya God of Merchants, God L

Evidence 4: At the Pyramid of the Plumed Serpent we see similar architectural style as we see in Maya: flaring cornice, and niches on tabuld tablero

76
Q

The Aztec Templo Mayor and its political and symbolic significance

A

Evidence 1: Aztec people killed the daughter that they got from the places that they were intermingling (Culhuacan, elites at the time, ancestors to the Toltec, and we know they were ancestors to Toltec because we find the heart-sacrificial statue - located at Templo Mayor) with, and got kicked out and then formed Tenochitlan (in the center of the world)

Evidence 2: Xiuhcoatl, is star caterpillar that is significant in Templo Mayor. This caterpillars are often mislabeled as snakes. These caterpillars are related to shooting stars. Shooting stars and caterpillars were connected to divinity and those who had caterpillar were seen as holy. Furthermore, Huitzilopochtli was born of a star caterpillar.

Evidence 3: 4 barrios and 4 great quarters that divided each section of the Aztec Templo Mayor.

Evidence 4: Eagle on Cactus inscription, famous for being the symbol on the Mexican flag. Eagle on Cactus has mislabeled with a snake in their mouths but the snake is not a snake in the traditional sense, it represents fire and water. Fire and water in the Aztec (Mexica) culture was a sign of war.

77
Q

The relation and traits between Tula and Chichen Itza during the Early postclassic period, including architecture and monumental sculpture

A

Evidence 1: At Tollan Grande we find evidence, which is the most famous architectural site here with stone columns, we also see an Aztec petroglyph honoring the Quetzalcoatl, which was also the King named Ca Aztl Topiltzin Quetzalcoatl, known as the legendary hero of Tollan who left for Chichen Itza after he got banished by his rival Tezcatlipoca

Evidence 2: Caracol, we see the temple of the wind deity (need more evidence, not sure if this counts), much similar to the wind deity that we see in El Corral in Tollan, and then even earlier during Preclassic in Tuxtla Statuette, in the Tuxlan Mountains, Veracruz

Evidence 3: El Castillo, pyramid that looked similar to the architectural style in Tollan such as: the serpent heads on the stairs

Evidence 4: Temple of the warriors: column figures, on the side we see figurines on all sides around it. See fierce animals eating human hearts, possible a bear on the sides

78
Q

4 )explain the ballgame, including Veracruz and its related stone sculptures.

A

Ball game:
What: sacrificial decapitation important symbolic theme in ball game
Head is symbolic for the “ball”
We see that they used Yogo (belt) when playing to protect themselves
Ballcourts:
What: symbolic entrances to earth and underworld, place for death and fertility
Sunken and probably ritually flooded to create pools.
Yogo:
What: “yoke ball player belts, to protect their hips

Hacha:
What: axe, put on the belts with a hitch

Palma “
What: palmate stone attached to the belt, not used in the game, too heavy, only used for ritualistic purposes.

Ulama:
What:modern form of rubber ballgame, thanks to the will and effort from the community is what keeps the game alive
Where: Sinaloa (west Mexico)