West Side Story Flashcards
<i>West Side Story</i> is a modern retelling of which story?
<i>Romeo and Juliet</i> by Shakespeare
“star-crossed lovers”
Where is <i>West Side Story</i> set in?
New York City in 1950s
Who are the two rival street gangs in <i>West Side Story</i>?
Jets (American),
Sharks (Puerto Rican)
Who are the star-crossed lovers in <i>West Side Story</i>?
Maria (Puerto Rican)
Tony (American)
How did <i>West Side Story</i> differ from the broadway world?
it’s tragic conclusion was different from the cheerful and frothy musicals
What is the genre of <i>West Side Story</i>?
musical theatre
What is the date of <i>West Side Story</i>?
1957
Who are the librettists for <i>West Side Story</i>?
<b>Arthur Laurents</b> (playwright),
<b>Stephen Sondheim</b> (lyricists)
Who was the choreographer for <i>West Side Story</i>?
<b>Jerome Robbins</b>
Who directed the 1961 film of <i>West Side Story</i>?
<b>Robert Wise,</b>
Jerome Robbins</b>
Who is <b>Maria</b> in <i>West Side Story</i>?
soprano
Puerto Rican girl, sister of <b>Bernardo</b>
Who is <b>Tony</b> in <i>West Side Story</i>?
tenor
member of Jets
Who is <b>Bernardo</b> in <i>West Side Story</i>?
baritone
leader of Sharks
Who is <b>Riff</b> in <i>West Side Story</i>?
baritone
leader of Jets
Who is <b>Anita</b> in <i>West Side Story</i>?
mezzo soprano
girlfriend of Bernardo
What happened when the two gangs fight in <i>West Side Story</i>?
<b>Bernardo</b> stabs <b>Riff</b>
then <b>Tony</b> stabs and kills Bernardo (Maria’s brother)
What is the tragic end of <i>West Side Story</i>?
<b>Tony</b> is stabbed by a a Sharks member
<b>Maria</b> arrives but <b>Tony</b> is already dead
Who sings in <u>"Maria"</u> in <i>West Side Story</i>?
<b>Tony</b> (tenor)
Where was <u>"Maria"</u> in <i>West Side Story</i> set in?
outside the gymnasium, where <b>Tony</b> has just fallen in love with <b>aria</b>
What are the sentiments in <u>"Maria"</u> in <i>West Side Story</i>?
he reflects rapturously on her name
What is the key in <u>"Maria"</u> in <i>West Side Story</i>?
B major - E flat major
What is the time signature in <u>"Maria"</u> in <i>West Side Story</i>?
C
How is the opening melody sung in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?
chant-like intonation
suggest <b>Tony’s</b> worshipful adoration
How are the <b>repeated D’s<b> supported in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?</b></b>
by modal harmony and free rhythm
How is the verse sung for “Ma-ri-a” in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?
begins on a <b>tritone interval</b>
angular motive:
Eb(D#) - A natural - Bb
What does the angular motive convey in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?
strife (disagreement),
yearning,
star-crossed love
What does the melody do before returning to the opening theme in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?
it traces a broad arc
What does the return of the opening them do in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?
it serves as a <b>postlude</b> (conclude)
How are the strings related to the voice in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?
the lush strings doubles the voice throughout
How is the musical climax heightened in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?
timpani is used
Who sings in <u>"America"</u> in <i>West Side Story</i>?
<b>Anita</b> (mezzo soprano),
<b>Rosalia</b> (soprano),
other Puerto Rican girls
Where is <u>"America"</u> in <i>West Side Story</i> set in?
an alley behind <b>Bernardo</b> and <b>Maria’s</b> house
What are the sentiments in <u>"America"</u> in <i>West Side Story</i>?
Rosalia is homesick for Puerto Rico
Anita defiantly declares love for new home, Manhattan
Sondheim’s lyrics praise both <u>virtues and false promises</u> of the American Dream
What is the formal structure of <u>"America"</u> in <i>West Side Story</i>?
Verse-Chorus structure,
preceded by introduction
What is the tonality like in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?
ambiguous tonality with modal inflections
How is the <b>Latin ambiance</b> established in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?
<i>claves</i> (wood blocks),
<i>guiro</i> (ribbed gourd),
cross-rhythms,
rhythmic <i>ostinato</i>
What do the <u>Spanish guitar and celesta</u> provide in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?
undulating lines in parallel thirds in rising and falling triplets
What does Rosalie’s long phrases and free rhythm convey in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?
yearning and nostalgia
What is Anita’s response to Rosalie in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?
Anita expresses her loathing of Puerto Rico and her love for Manhattan
How is word painting on “breezes” achieved in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?
arched motive based on whole-tone scale
<i>Glissandi</i> on string harmonics
How does the rest of the song generally go after the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?
rest of the song unfolds in <u>series of choruses and verses</u> played at a faster tempo
What is the key in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?
C major, with sudden (jazzy) modulations
How is the word “America” repeated in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?
versus use syncopated phrases
How is the argumentative exchange conveyed in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?
verses call and response pattern between Rosalie and Anita
How is the <i>Hemiola</i> effect established in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?
choruses and verses alternate a 6/8 and 3/4 pattern
How is rhythmic energy provided in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?
snappy syncopations
How is the Latin flavour achieved in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?
guitar, claves, maracas, additional percussion instruments, texture: trumpets & drums give in intensity to overall sound
How does the colorful orchestration help paint the vivd portraits in <i>West Side Story</i>?
in the opening, Rosalie is doubled sweetly by a flute,
Anita is accompanied by a mournful oboe