WEEK2and3 BEFORE MIDTERM Flashcards

1
Q
A

Talbot

The Reading Establishment

1846

salted paper print

Calotype

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2
Q
A

Talbot

Boulevard of the Capuchines

1843

Salted paper print

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3
Q
A

Talbot

Open Door

1844

Salted paper print

Calotype

renewed British taste for Dutch genre painting. epresentation scenes of daily and familiar occurrence. A painter’s eye will often be arrested where ordinary people see nothing remarkable.” With this concept in mind, Talbot turned away from the historic buildings of Lacock Abbey and focused instead on the old stone doorframe and simple wooden door of the stable and on the humble broom, harness, and lantern as vehicles for an essay on light and shadow, interior and exterior, form and texture.

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4
Q
A

Talbot

Articles of China

1844

Salted Paper Print

Calotype

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5
Q
A

Anna Atkins

British Algae: Papaver Rhoeas

1845

Cyanotype

cameraless photograms of algae and plant specimens that the artist herself gathered or received from other amateur scientists. placed specimens directly onto coated paper, allowing the action of light to create a silhouette effect. By using thisphotogram process, Anna Atkins is regarded as the first female photographer.

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6
Q
A

Hill & Abramson

D.O. Hill

1843

Salted paper print

Calotype

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7
Q
A

Hill & Abramson

Mrs. Elizabeth Hall

1845

salted paper print

calotype

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8
Q
A

Baldus

“Cloister of St. Trophine, Arles”

1855

Albumen print

glass plate collodion process

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9
Q
A

Gustave Le Gray

“Brig on the Water”

1856

Albumen Print

Wet Collodion Process

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10
Q
A

Queen Victoria

Andre Adolphe, Eugene Disderi

French

1861

Albumen print

wet collodion process

in her mourning dress death of her husband.

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11
Q
A

by Andre Adolphe Eugene Disderi

of Sarah Bernhardt

Carte de visite

Albumen print

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12
Q
A

Felix Nadar

Self portrait

1855

Salted Paper Print

Calotype

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13
Q
A

by Nadar

of Baudelaire

1856

salted paper print

calotype process

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14
Q
A

Nadar

title: Sarah Bernhardt

1866

Albumen print

print from collodion negative

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15
Q
A

Julia Margaret Cameron

subject: Sir John William Herschel

1867

albumen print

wet plate collodion process

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16
Q
A

by Julia Margaret Cameron

Mary Hillier, Elizabeth and Kate Huhn

1864

Albumen print

wet plate collodion process

17
Q
A

Rejiander

Two Ways of Life

1858

Albumen Print

18
Q
A

Robinson

Title: Fading Away

1858

Albumen print

19
Q

Glass negative albumen print

A

Scott Frederick Archer

1851

required the photographic material to be coated, sensitized, exposed and developed within the span of about fifteen minutes, necessitating a portable darkroom for use in the field. Very fine detail. faster exposure time.