WEEK2and3 BEFORE MIDTERM Flashcards
Talbot
The Reading Establishment
1846
salted paper print
Calotype
Talbot
Boulevard of the Capuchines
1843
Salted paper print
Talbot
Open Door
1844
Salted paper print
Calotype
renewed British taste for Dutch genre painting. epresentation scenes of daily and familiar occurrence. A painter’s eye will often be arrested where ordinary people see nothing remarkable.” With this concept in mind, Talbot turned away from the historic buildings of Lacock Abbey and focused instead on the old stone doorframe and simple wooden door of the stable and on the humble broom, harness, and lantern as vehicles for an essay on light and shadow, interior and exterior, form and texture.
Talbot
Articles of China
1844
Salted Paper Print
Calotype
Anna Atkins
British Algae: Papaver Rhoeas
1845
Cyanotype
cameraless photograms of algae and plant specimens that the artist herself gathered or received from other amateur scientists. placed specimens directly onto coated paper, allowing the action of light to create a silhouette effect. By using thisphotogram process, Anna Atkins is regarded as the first female photographer.
Hill & Abramson
D.O. Hill
1843
Salted paper print
Calotype
Hill & Abramson
Mrs. Elizabeth Hall
1845
salted paper print
calotype
Baldus
“Cloister of St. Trophine, Arles”
1855
Albumen print
glass plate collodion process
Gustave Le Gray
“Brig on the Water”
1856
Albumen Print
Wet Collodion Process
Queen Victoria
Andre Adolphe, Eugene Disderi
French
1861
Albumen print
wet collodion process
in her mourning dress death of her husband.
by Andre Adolphe Eugene Disderi
of Sarah Bernhardt
Carte de visite
Albumen print
Felix Nadar
Self portrait
1855
Salted Paper Print
Calotype
by Nadar
of Baudelaire
1856
salted paper print
calotype process
Nadar
title: Sarah Bernhardt
1866
Albumen print
print from collodion negative
Julia Margaret Cameron
subject: Sir John William Herschel
1867
albumen print
wet plate collodion process
by Julia Margaret Cameron
Mary Hillier, Elizabeth and Kate Huhn
1864
Albumen print
wet plate collodion process
Rejiander
Two Ways of Life
1858
Albumen Print
Robinson
Title: Fading Away
1858
Albumen print
Glass negative albumen print
Scott Frederick Archer
1851
required the photographic material to be coated, sensitized, exposed and developed within the span of about fifteen minutes, necessitating a portable darkroom for use in the field. Very fine detail. faster exposure time.
